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Buzek, Ivo. Introduction. Études romanes de Brno. 2011, vol. 32, iss. 1, pp. 5.

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Piwnik, Katarzyna. Les expressions locatives dans le texte descriptif et leur traduction en français : l'exemple de Solaris de Stanisław Lem. Études romanes de Brno. 2011, vol. 32, iss. 1, pp. 141–148.

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Hricsina, Jan. A evolução do tempo futuro em português é cíclica?. Études romanes de Brno. 2011, vol. 32, iss. 1, pp. 171–180.

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Kraitsowits, Stephan. Mais ceci arrivera... il y a très longtemps : la complexité des temps verbaux en littérature de science-fiction. Études romanes de Brno. 2011, vol. 32, iss. 1, pp. 77–84.

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Jarosz, Adam. L'ile symbolique vernienne ou a la recherche du Grand Temps Mythique. Études romanes de Brno. 2011, vol. 32, iss. 1, pp. 67–75.

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Szávai, Dorottya. "L'année des neige" – temps et espace dans les figures du "toi" : l'exemple de la poésie de Krisztina Tóth. Études romanes de Brno. 2011, vol. 32, iss. 1, pp. 93–105.

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Stehlík, Petr. El inventario de los prefijos del español en la GDLE (1999) y en la NGRAE (2009). Études romanes de Brno. 2011, vol. 32, iss. 1, pp. 149–156.

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Filipová, Marta. A world of its own? : art history in Prague. Art East Central. 2021, vol. 1, iss. 1, pp. 135–140.

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Notes on contributors. Art East Central. 2021, vol. 1, iss. 1, pp. 153–154.

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Howard, Jeremy. Karel Čapek's graphic Britain : a study of the visual intermodernism of Čapek's Letters from England. Art East Central. 2021, vol. 1, iss. 1, pp. 51–76.

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Boros, Lili. Lajos Vajda and the Russian idea of universalism. Art East Central. 2021, vol. 1, iss. 1, pp. 105–124.

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Rampley, Matthew. Editorial : A new journal and the meanings of 'East Central' Europe. Art East Central. 2021, vol. 1, iss. 1, pp. 5–8.

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Drobe, Christian. Abstraction in Hungary. Art East Central. 2021, vol. 1, iss. 1, pp. 147–151.

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Rampley, Matthew. Understanding Greek art history. Art East Central. 2021, vol. 1, iss. 1, pp. 127–133.

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Hnídková, Vendula. Lost in translation? : the idea of the garden city and its migration to the Czech lands, 1900–1938. Art East Central. 2021, vol. 1, iss. 1, pp. 77–104.

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Foletti, Ivan, Kravčíková, Katarína. Closed doors as bearers and constructors of images : Santa Sabina and Notre Dame du Puy. Convivium. 2019, vol. 6, iss. Supplementum, pp. 24–45.

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Photographic credits. Convivium. 2019, vol. 6, iss. Supplementum, pp. 160–161.

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Mitchell, John, Pickwoad, Nicholas. "Blessed are the eyes which see divine spirit through the letter's veil" : the book as object and idea. Convivium. 2019, vol. 6, iss. Supplementum, pp. 134–159.

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Blaauw, Sible de, Doležalová, Klára. Constructing liminal space? : curtains in Late Antique and early medieval churches. Convivium. 2019, vol. 6, iss. Supplementum, pp. 46–67.

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Doležalová, Klára, Foletti, Ivan. Liminality and medieval art : from space to rituals and to the imagination. Convivium. 2019, vol. 6, iss. Supplementum, pp. 11–21.

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Bedros, Vlad, Scirocco, Elisabetta. Liturgical screens, East and West : liminality and spiritual experience. Convivium. 2019, vol. 6, iss. Supplementum, pp. 68–89.

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Suzuki, Michitaka. Icons in Japan painted by Rin Yamashita : anonymity and materiality. Convivium. 2014, vol. 1, iss. 2, pp. 58–73.

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Debiais, Vincent. Carolingian verse inscriptions and images : from aesthetics to efficiency. Convivium. 2014, vol. 1, iss. 2, pp. 88–101.

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Pentcheva, Bissera V.. Mirror, inspiration, and the making of art in Byzantium. Convivium. 2014, vol. 1, iss. 2, pp. 10–39.

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Fenelli, Laura. [Holmes, Megan. The miraculous image in Renaissance Florence]. Convivium. 2014, vol. 1, iss. 2, pp. 146–149.

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Ketmanová, Kristina. [Lowden, John. Medieval and later ivories in the Courtauld Gallery: complete catalogue]. Convivium. 2014, vol. 1, iss. 2, pp. 153–155.