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Mišterová, Ivona. Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 171–185.

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Cinpoeş, Nicoleta. Shakestivalling' in the New Europe. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 83–101.

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Havlíčková Kysová, Šárka. Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 189–208.

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Müller, Péter. Institutional structure, social function, and the Shakespeare repertoire in Hungary after 1989–1990. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 47–64.

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Revermann, Martin. Beckett and the theatrical sign : the need for semiotics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 9–22.

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Jovanovic, Nenad. The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.

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Pontieri, Laura. Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.

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Šlaisová, Eva. Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.

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Schmid, Herta. Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.

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Jestrović, Silvija. Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.

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Revermann, Martin. Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.

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Meerzon, Yana. On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.

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Pérez-Simón, Andrés. Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 72–82.

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Ambros, Veronika, Switzky, Lawrence. "Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.

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Billing, Christian M.. Review of Josef Svoboda: scenographer by Helena Albertová. Theatralia. 2011, vol. 14, iss. 1, pp. 270–276.

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Couch, Nena. Czech collections of the Theatre Research Institute at Ohio State University. Theatralia. 2011, vol. 14, iss. 1, pp. 277–291.

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Billing, Christian M., Drábek, Pavel. Introduction: the significance of scenography in a Czech context. Theatralia. 2011, vol. 14, iss. 1, pp. 9–23.

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Příhodová, Barbora. The specificity of scenography : a Czech contribution to the theory of scenography. Theatralia. 2011, vol. 14, iss. 1, pp. 254–262.

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Bartošová, Lada. The National Theatre Ballets of František Zelenka. Theatralia. 2011, vol. 14, iss. 1, pp. 147–172.

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Blecha, Jaroslav. The history and scenographic influence of Czech family marionette theatres. Theatralia. 2011, vol. 14, iss. 1, pp. 114–146.

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Pelikánová, Lucie. The scenic designs of Karel Zmrzlý. Theatralia. 2011, vol. 14, iss. 1, pp. 192–203.

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Brandesky, Joseph E.. Master of dramatic space: a documentary on Jaroslav Malina : by Dutch filmmaker Hans van Seventer. Theatralia. 2011, vol. 14, iss. 1, pp. 263.

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Spáčilová, Jana. Libretto as a source of Baroque scenography in the Czech lands : ad honorem Jiří Hilmera. Theatralia. 2011, vol. 14, iss. 1, pp. 82–97.

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Notes on contributors. Theatralia. 2011, vol. 14, iss. 1, pp. 5–8.

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Stehlíková, Eva. Divadlo Svoboda (Theatre Svoboda) : a feature-length documentary film by Jakub Hejna. Theatralia. 2011, vol. 14, iss. 1, pp. 264–265.

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Howard, Pamela. Staging Brouček : the world premiere of Výlet pana Broučka do Měsíce by Leoš Janáček. Theatralia. 2011, vol. 14, iss. 1, pp. 292–308.

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Stehlíková, Eva. The Laterna Magika of Josef Svoboda and Alfréd Radok. Theatralia. 2011, vol. 14, iss. 1, pp. 173–191.