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Chapter
Pospíšil, Tomáš. Race. In: Pospíšil, Tomáš. The progressive era in American historical fiction: John Dos Passos' The 42nd parallel and E.L. Doctorow's Ragtime. 1998, pp. 99–111.

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Pospíšil, Tomáš. Music. In: Pospíšil, Tomáš. The progressive era in American historical fiction: John Dos Passos' The 42nd parallel and E.L. Doctorow's Ragtime. 1998, pp. 81–98.

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Pospíšil, Tomáš. Index. In: Pospíšil, Tomáš. The progressive era in American historical fiction: John Dos Passos' The 42nd parallel and E.L. Doctorow's Ragtime. 1998, pp. 115–118.

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Pospíšil, Tomáš. Introduction. In: Pospíšil, Tomáš. The progressive era in American historical fiction: John Dos Passos' The 42nd parallel and E.L. Doctorow's Ragtime. 1998, pp. 14–22.

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Pospíšil, Tomáš. Mexico. In: Pospíšil, Tomáš. The progressive era in American historical fiction: John Dos Passos' The 42nd parallel and E.L. Doctorow's Ragtime. 1998, pp. 54–68.

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Pospíšil, Tomáš. Acknowledgements. In: Pospíšil, Tomáš. The progressive era in American historical fiction: John Dos Passos' The 42nd parallel and E.L. Doctorow's Ragtime. 1998, pp. 7–8.

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Pospíšil, Tomáš. Literature and works cited. In: Pospíšil, Tomáš. The progressive era in American historical fiction: John Dos Passos' The 42nd parallel and E.L. Doctorow's Ragtime. 1998, pp. 112–114.

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Pospíšil, Tomáš. Film. In: Pospíšil, Tomáš. The progressive era in American historical fiction: John Dos Passos' The 42nd parallel and E.L. Doctorow's Ragtime. 1998, pp. 69–80.

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Pospíšil, Tomáš. Body. In: Pospíšil, Tomáš. The progressive era in American historical fiction: John Dos Passos' The 42nd parallel and E.L. Doctorow's Ragtime. 1998, pp. 23–53.

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Bicanová, Klára. Introduction. In: Bicanová, Klára. From rhetoric to aesthetics: wit and esprit in the English and French theoretical writings of the late seventeenth and early eighteenth centuries. 2013, pp. 9–18.

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Bicanová, Klára. Wit and esprit: points of accord and dissonance. In: Bicanová, Klára. From rhetoric to aesthetics: wit and esprit in the English and French theoretical writings of the late seventeenth and early eighteenth centuries. 2013, pp. 118–127.

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Bicanová, Klára. Endnotes. In: Bicanová, Klára. From rhetoric to aesthetics: wit and esprit in the English and French theoretical writings of the late seventeenth and early eighteenth centuries. 2013, pp. 143–150.

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Bicanová, Klára. Chevalier de Méré: esprit as light of nature. In: Bicanová, Klára. From rhetoric to aesthetics: wit and esprit in the English and French theoretical writings of the late seventeenth and early eighteenth centuries. 2013, pp. 69–75.

Chapter
Bicanová, Klára. Dominique Bouhours and poetic ideologies of the bel esprit. In: Bicanová, Klára. From rhetoric to aesthetics: wit and esprit in the English and French theoretical writings of the late seventeenth and early eighteenth centuries. 2013, pp. 56–68.

Chapter
Bicanová, Klára. True and false wit: Dryden, Pope, and Addison : [introduction]. In: Bicanová, Klára. From rhetoric to aesthetics: wit and esprit in the English and French theoretical writings of the late seventeenth and early eighteenth centuries. 2013, pp. 87–88.

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Bicanová, Klára. Conclusion. In: Bicanová, Klára. From rhetoric to aesthetics: wit and esprit in the English and French theoretical writings of the late seventeenth and early eighteenth centuries. 2013, pp. 129–132.

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Bicanová, Klára. Wit theorized: summary of twentieth-century approaches. In: Bicanová, Klára. From rhetoric to aesthetics: wit and esprit in the English and French theoretical writings of the late seventeenth and early eighteenth centuries. 2013, pp. 19–31.

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Bicanová, Klára. The culture of the late seventeenth century: political, philosophical and literary-historical setting. In: Bicanová, Klára. From rhetoric to aesthetics: wit and esprit in the English and French theoretical writings of the late seventeenth and early eighteenth centuries. 2013, pp. 44–54.

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Bicanová, Klára. [Dedication]. In: Bicanová, Klára. From rhetoric to aesthetics: wit and esprit in the English and French theoretical writings of the late seventeenth and early eighteenth centuries. 2013, pp. 7.

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Racek, Jan. Einleitung. In: Racek, Jan. Stilprobleme der italienischen Monodie : ein Beitrag zur Geschichte des einstimmigen Barockliedes. 1965, pp. 5–19.

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Franková, Milada. Acknowledgements. In: Franková, Milada. Human relationships in the novels of Iris Murdoch. 1995, pp. 5.

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Franková, Milada. Time has not stood still. In: Franková, Milada. Human relationships in the novels of Iris Murdoch. 1995, pp. 9–21.

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Franková, Milada. Index. In: Franková, Milada. Human relationships in the novels of Iris Murdoch. 1995, pp. 91–93.

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Franková, Milada. Incestuous relationships. In: Franková, Milada. Human relationships in the novels of Iris Murdoch. 1995, pp. 59–66.

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Franková, Milada. Symbol as a bond. In: Franková, Milada. Human relationships in the novels of Iris Murdoch. 1995, pp. 52–58.

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Franková, Milada. Conclusion. In: Franková, Milada. Human relationships in the novels of Iris Murdoch. 1995, pp. 78–79.

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Franková, Milada. Iris Murdoch in Czech. In: Franková, Milada. Human relationships in the novels of Iris Murdoch. 1995, pp. 22–25.

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Franková, Milada. Artist-saint relationships. In: Franková, Milada. Human relationships in the novels of Iris Murdoch. 1995, pp. 31–42.

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Franková, Milada. Introduction. In: Franková, Milada. Human relationships in the novels of Iris Murdoch. 1995, pp. 7–8.

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Franková, Milada. Attention to otherness - love. In: Franková, Milada. Human relationships in the novels of Iris Murdoch. 1995, pp. 67–77.