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Kubart, Tomáš. Nitschův Pfingstfest na zámku v Prinzendorfu. Theatralia. 2017, vol. 20, iss. 2, pp. 158–160.

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Vodička, Libor. Člověk ve světle slova. Divadlo U stolu 1989–2016. Theatralia. 2017, vol. 20, iss. 2, pp. 126–129.

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Musilová, Martina. Dekompozičné princípy v inscenačnej tvorbe. Theatralia. 2017, vol. 20, iss. 2, pp. 143–144.

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Hančil, Jan. Dvě knihy o pedagogice herectví. Theatralia. 2017, vol. 20, iss. 2, pp. 133–137.

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Krpič, Tomaž. Building a temporal theatre community in the production of ATLAS – LJUBLJANA. Theatralia. 2017, vol. 20, iss. 2, pp. 96–108.

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Kubart, Tomáš. Prázdný list a tisíce stran slov. Theatralia. 2017, vol. 20, iss. 2, pp. 138–142.

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Stehlíková, Eva. Oidipus redivivus : Teatro Olimpico 1585. Theatralia. 2017, vol. 20, iss. 2, pp. 59–68.

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Havlíčková, Margita. Malé ohlédnutí na úvod. Theatralia. 2013, vol. 16, iss. 2, pp. 6–7.

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Summary. Theatralia. 2013, vol. 16, iss. 2, pp. 100–108.

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Soupis odborných prací vzniklých na půdě brněnské katedry divadelní vědy. Theatralia. 2013, vol. 16, iss. 2, pp. 67–99.

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Historie divadelních studií v Brně (1963-2013). Theatralia. 2013, vol. 16, iss. 2, pp. 8–25.

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Divadelní aktivity na brněnské katedře divadelní vědy. Theatralia. 2013, vol. 16, iss. 2, pp. 31–35.

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Poláčková, Eliška, Stehlíková, Eva, Vodička, Libor. Editorial. Theatralia. 2013, vol. 16, iss. 2, pp. 5.

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[Obrazová příloha]. Theatralia. 2013, vol. 16, iss. 2, pp. 109–127.

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Soupis periodických publikací vydaných brněnskou katedrou divadelní vědy. Theatralia. 2013, vol. 16, iss. 2, pp. 36–66.

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Internetové časopisy vydávané studenty brněnské katedry divadelní vědy. Theatralia. 2013, vol. 16, iss. 2, pp. 26–30.

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Daníčková, Eva. Review of The Routledge Companion to Dramaturgy. Theatralia. 2015, vol. 18, iss. 2, pp. 485–489.

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Zich, Otakar. Puppet theatre. Theatralia. 2015, vol. 18, iss. 2, pp. 505–513.

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Daníčková, Eva. Review of Dramaturgy in the Making: A User's Guide for Theatre Practitioners. Theatralia. 2015, vol. 18, iss. 2, pp. 490–492.

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Blecha, Jaroslav. The enigmatic puppets of important Czech marionettists, the Flachs. Theatralia. 2015, vol. 18, iss. 2, pp. 35–69.

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Drábek, Pavel. Review of Petr Matásek – the scenographic puppet master. Theatralia. 2015, vol. 18, iss. 2, pp. 463–465.

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Billing, Christian M.. Review of Jan Švankmajer: Dimensions of Dialogue Between Film and Art. Theatralia. 2015, vol. 18, iss. 2, pp. 477–480.

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Chryssouli, Georgia. Surreally human: Jan Švankmajer's world of self-destructive puppets. Theatralia. 2015, vol. 18, iss. 2, pp. 303–328.

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Lech, Kasia. Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta's Polish productions. Theatralia. 2015, vol. 18, iss. 2, pp. 277–302.

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Malíková, Nina. Czech puppet theatre - tradition, legend, and reality: or, is contemporary Czech puppet theatre and endangered species?. Theatralia. 2015, vol. 18, iss. 2, pp. 347–383.

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Langhans, Martin. Soudní proces jako rituál?. Theatralia. 2018, vol. 21, iss. 1, pp. 33–52.

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Žáková, Anna. Performatívnosť stredovekého rituálu Mandatum u Sv. Jiří na Pražskom hrade. Theatralia. 2018, vol. 21, iss. 1, pp. 71–88.

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Musilová, Martina. Editorial. Theatralia. 2018, vol. 21, iss. 1, pp. 7–8.

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Hofmanová, Jiřina. Nikdo nepíše pro věčnost. Theatralia. 2018, vol. 21, iss. 1, pp. 207–209.

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Stehlíková, Eva. Ubohý Aristoteles. Theatralia. 2018, vol. 21, iss. 1, pp. 214–218.