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Kosiński, Dariusz. Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.

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Šalounová, Kateřina. Konstanty, proměny a inovace tanečního vzdělávání v České republice. Theatralia. 2022, vol. 25, iss. 1, pp. 177–183.

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Drábek, Pavel. Translating the theatre act. Theatralia. 2022, vol. 25, iss. 1, pp. 166–171.

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Orawczak Kunešová, Mariana. André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.

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Havlíčková Kysová, Šárka. Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.

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Chechyk, Valentyna. Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.

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Opera Slavica, 1994, vol. 4, issue 2.

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Horoščák, Marek. Royal Court Theatre, Londýn, červenec 2010 : (zpráva z tvůrčího pobytu s pokusem o mírný přesah). Theatralia. 2011, vol. 14, iss. 2, pp. 207–222.

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Mikulová, Iva. Setkání 2011 Stretnutie. Theatralia. 2011, vol. 14, iss. 2, pp. 233–237.

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Štefanides, Jiří. Vladimír Just: O dějinách divadla v totalitě a po totalitě. Theatralia. 2011, vol. 14, iss. 2, pp. 250–252.

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Štefanides, Jiří. Výzkum dějin divadla - v Česku nechtěné dítě?. Theatralia. 2011, vol. 14, iss. 2, pp. 222–224.

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Opera Slavica, 2017, vol. 27, issue 2.

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Opera Slavica, 2020, vol. 30, issue 2.

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Opera Slavica, 1991, vol. 1, issue 1.

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Opera Slavica, 2016, vol. 26, issue 3.

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Opera Slavica, 2015, vol. 25, issue 2.

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Opera Slavica, 1998, vol. 8, issue 2.

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Opera Slavica, 1994, vol. 4, issue 3.

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Opera Slavica, 1993, vol. 3, issue 2.

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Opera Slavica, 2012, vol. 22, issue 2.

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Opera Slavica, 1995, vol. 5, issue 1.

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Opera Slavica, 1995, vol. 5, issue 2.

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Opera Slavica, 2021, vol. 31, issue 1.

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Došlová, Tereza. Transformativní charakter performance : od symbolického jednání k liminalitě a politickému divadlu. Theatralia. 2021, vol. 24, iss. 2, pp. 78–95.

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Opera Slavica, 2013, vol. 23, issue 3.

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Lazorčáková, Tatjana. Režisér syntetické kompozice : (k divadelním režiím Josefa Henkeho). Theatralia. 2021, vol. 24, iss. 2, pp. 143–159.

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Zahálka, Michal. Možnosti divadelního textu. Theatralia. 2021, vol. 24, iss. 2, pp. 177–180.

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Mizerová, Nikola. Autoreflexivität in Kehlmanns Dramen Geister in Princeton und Die Reise der Verlorenen. Theatralia. 2021, vol. 24, iss. 2, pp. 15–28.

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Dubová, Jindra. Drama HRABAL und der Mann am Fenster v kontextu tvorby Bernharda Setzweina. Theatralia. 2021, vol. 24, iss. 2, pp. 47–59.

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Mikulová, Iva. Editorial. Theatralia. 2021, vol. 24, iss. 2, pp. 9–12.