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Displaying 5941 - 5970 of 9550

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Opera Slavica, 1995, vol. 5, issue 3.

Article

Zálešáková, Tereza. What makes British musicals uniquely British?. Theatralia. 2018, vol. 21, iss. 2, pp. 208–210.

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Inštitorisová, Dagmar. The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno. Theatralia. 2018, vol. 21, iss. 2, pp. 112–126.

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Tomaszewska, Ewa. A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián Pecko. Theatralia. 2018, vol. 21, iss. 2, pp. 95–111.

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Tagareva, Albena. Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts. Theatralia. 2018, vol. 21, iss. 2, pp. 141–160.

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Krajník, Filip. Mirrors of/for the times: Shakespeare in Central European theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 201–203.

Issue

Opera Slavica, 2019, vol. 29, issue 4.

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Matthews, Dan. A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets. Theatralia. 2018, vol. 21, iss. 2, pp. 29–37.

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Wild, Jana. From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 64–78.

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Billing, Christian M., Havlíčková Kysová, Šárka. Making space for Shakespeare in the Central European imaginary : editorial. Theatralia. 2018, vol. 21, iss. 2, pp. 7–13.

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Wild, Jana. Hlasy troch prekladateľov. Theatralia. 2018, vol. 21, iss. 2, pp. 204–207.

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Kačer, Tomáš. Theatre and philosophy: the two as two-in-one in a theoretical issue of Anglia Journal and a Follow-up Symposium. Theatralia. 2018, vol. 21, iss. 2, pp. 211–213.

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Drozd, David, Spurná, Helena, Bártová, Jindřiška, Flašar, Martin, Drábek, Pavel, Zahrádka, Jiří, Částková, Patricie, Kovaříková, Hana, Hložková, Hana. Zich's Guilt – reactions to the concert performance of extracts. Theatralia. 2018, vol. 21, iss. 2, pp. 223–235.

Issue

Opera Slavica, 2002, vol. 12, issue 3.

Article

Lánská, Dita. Theory as a 'tool-box': Brno Theatralia Conference 2018. Theatralia. 2018, vol. 21, iss. 2, pp. 220–222.

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Langhans, Martin. Soudní proces jako rituál?. Theatralia. 2018, vol. 21, iss. 1, pp. 33–52.

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Žáková, Anna. Performatívnosť stredovekého rituálu Mandatum u Sv. Jiří na Pražskom hrade. Theatralia. 2018, vol. 21, iss. 1, pp. 71–88.

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Musilová, Martina. Editorial. Theatralia. 2018, vol. 21, iss. 1, pp. 7–8.

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Hofmanová, Jiřina. Nikdo nepíše pro věčnost. Theatralia. 2018, vol. 21, iss. 1, pp. 207–209.

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Stehlíková, Eva. Ubohý Aristoteles. Theatralia. 2018, vol. 21, iss. 1, pp. 214–218.

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Kačer, Tomáš. České shakespearovské scénografie na pouti po USA. Theatralia. 2018, vol. 21, iss. 1, pp. 232–234.

Issue

Opera Slavica, 2013, vol. 23, issue 4.

Article

Škrobánková, Klára. O politice, komunitní angažovanosti a doktorském studiu. Theatralia. 2018, vol. 21, iss. 1, pp. 230–231.

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Marschall, Brigitte. Umění a revoluce: Vídeňský akcionismus. Theatralia. 2018, vol. 21, iss. 1, pp. 252–266.

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Skříčková, Eva. Osudy a ohlasy hry Šest postav hledá autora Luigiho Pirandella v českých zemích ve dvacátých letech. Theatralia. 2018, vol. 21, iss. 1, pp. 150–162.

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Havlíčková Kysová, Šárka. Opera v současném světě. Theatralia. 2018, vol. 21, iss. 1, pp. 191–196.

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Kubart, Tomáš, Czirak, Adam. Umění má "komunikativní rozměr mlčení" : rozhovor s Adamem Czirakem. Theatralia. 2018, vol. 21, iss. 1, pp. 181–185.

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Kašparová, Barbora. Tanztheater – taneční divadlo (nevšední) všednosti: od Kurta Joosse k Pině Bausch. Theatralia. 2018, vol. 21, iss. 1, pp. 89–112.

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Kubart, Tomáš. A co když je to performance?. Theatralia. 2018, vol. 21, iss. 1, pp. 187–190.

Issue

Opera Slavica, 1992, vol. 2, issue 3.