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Displaying 7951 - 7980 of 38919

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Poláčková, Eliška. Planctus Mariae : performing compassion as a means of social promotion. Theatralia. 2020, vol. 23, iss. 2, pp. 74–91.

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Poláčková, Eliška, Kubina, Lukáš. Perform(ance) or (something) else : Od materiálu k pojmosloví a zpět : editorial. Theatralia. 2020, vol. 23, iss. 2, pp. 7–12.

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Kubina, Lukáš. Performativní? Kreativní? Interdisciplinární?. Theatralia. 2020, vol. 23, iss. 2, pp. 192–193.

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Krajník, Filip. Zpupný krákal – Shakespeara pro naši dobu. Theatralia. 2020, vol. 23, iss. 2, pp. 198–202.

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K tématu čísla editoři doporučují. Theatralia. 2020, vol. 23, iss. 2, pp. 210–[212].

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Studia philosophica, 2012, vol. 59, issue 2.

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Kačer, Tomáš, Drozd, David. (Re-)translating Zich's aesthetics into English : a work in progress. Theatralia. 2020, vol. 23, iss. 1, pp. 199–213.

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Ambros, Veronika. Otakar Zich and Prague's 'Semiotic Stage' : reading performance avant la lettre. Theatralia. 2020, vol. 23, iss. 1, pp. 13–29.

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Drábek, Pavel. A Czech dictionary of structuralist literary theory and criticism. Theatralia. 2020, vol. 23, iss. 1, pp. 168–170.

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Opera Slavica, 2000, vol. 10, issue 2.

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Maryška, Martin. Výzkum ve stádiu utváření. Theatralia. 2020, vol. 23, iss. 1, pp. 178–183.

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Meerzon, Yana. The magic of a toolbox : The Prague School in Theatre pedagogy : analysis, comprehension, creativity. Theatralia. 2020, vol. 23, iss. 1, pp. 89–104.

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Musilová, Martina. Otakar Zich on the dramatic acting. Theatralia. 2020, vol. 23, iss. 1, pp. 81–88.

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Pożar, Przemysław. The vacant utopia : reflecting on the first Polish post-war staging of The Tempest. Theatralia. 2020, vol. 23, iss. 1, pp. 131–149.

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Havlíčková Kysová, Šárka. Acquiring 'a new way of thinking about theatre...'. Theatralia. 2020, vol. 23, iss. 1, pp. 171–173.

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Osolsobě, Petr. The Aristotelian perspective in Otakar Zich's The Aesthetics of Dramatic Art. Theatralia. 2020, vol. 23, iss. 1, pp. 30–43.

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Fořt, Bohumil. On poetic types or on more?. Theatralia. 2020, vol. 23, iss. 1, pp. 54–61.

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Kačer, Tomáš, Shurma, Svitlana. Editorial. Theatralia. 2020, vol. 23, iss. 1, pp. 7–11.

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Opera Slavica, 2009, vol. 19, issue 3.

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Turzíková, Tereza. On performance/performativity today and tomorrow. Theatralia. 2020, vol. 23, iss. 1, pp. 175–177.

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Bulandrová, Amálie. Inez Tuschnerová. Theatralia. 2020, vol. 23, iss. 1, pp. 184–197.

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Maryška, Martin. Theatre graphics and graphic theatre : Zich's semantics in posters and publicity. Theatralia. 2020, vol. 23, iss. 1, pp. 105–129.

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Shurma, Svitlana. I choose March': Les Kurbas, Avant-garde Berezil and Shakespeare : review of Irena R. Makaryk's Shakespeare in the Undiscovered Bourn (2004). Theatralia. 2020, vol. 23, iss. 1, pp. 163–167.

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Kačer, Tomáš, Volek, Emil, Pérez-Simón, Andrés. Interview with Emil Volek and Andrés Pérez-Simón, translators of Zich's 'The Theatrical Illusion'. Theatralia. 2020, vol. 23, iss. 1, pp. 151–156.

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Locke, Brian S.. Ruthless polyphony and audible silences : musico-dramatic narrative in Otakar Zich's Vina. Theatralia. 2020, vol. 23, iss. 1, pp. 62–80.

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Opera Slavica, 2022, vol. 32, issue 1.

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Shurma, Svitlana, Kornienko, Nelly. Interview with Nelly Kornienko. Theatralia. 2020, vol. 23, iss. 1, pp. 157–161.

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Schmid, Herta. Aristotelism in Czech structuralism : Jan Mukařovský and Otakar Zich. Theatralia. 2020, vol. 23, iss. 1, pp. 44–53.

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[Contents of the section Spectrum]. Theatralia. 2014, vol. 17, iss. 2, pp. 189–[190].

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Rogošić, Višnja. 100 years of Croatian set design and costume design 1909‒2009. Theatralia. 2014, vol. 17, iss. 2, pp. 227–229.