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Merenus, Aleš. Seznam zastřešujících názvů českých profesionálních divadelních scén. Theatralia. 2017, vol. 20, iss. 1, Supplementum, pp. 59–62.

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Opera Slavica, 2007, vol. 17, issue 4.

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Merenus, Aleš. Jmenný rejstřík. Theatralia. 2017, vol. 20, iss. 1, Supplementum, pp. 63–70.

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Cetera-Włodarczyk, Anna. Shakespeare in purgatory: (re)writing the history of the post-war reception. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 17–32.

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Kowalcze-Pawlik, Anna. Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.

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Deres, Kornélia. Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 105–119.

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Opera Slavica, 1993, vol. 3, issue 3.

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Reuss, Gabriella. Shakespeare in the post-1989 Hungarian Puppet Scene. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 151–170.

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Historie divadelních studií v Brně (1963-2013). Theatralia. 2013, vol. 16, iss. 2, pp. 8–25.

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Divadelní aktivity na brněnské katedře divadelní vědy. Theatralia. 2013, vol. 16, iss. 2, pp. 31–35.

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Poláčková, Eliška, Stehlíková, Eva, Vodička, Libor. Editorial. Theatralia. 2013, vol. 16, iss. 2, pp. 5.

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[Obrazová příloha]. Theatralia. 2013, vol. 16, iss. 2, pp. 109–127.

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Opera Slavica, 1992, vol. 2, issue 1.

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Daníčková, Eva. Review of The Routledge Companion to Dramaturgy. Theatralia. 2015, vol. 18, iss. 2, pp. 485–489.

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Zich, Otakar. Puppet theatre. Theatralia. 2015, vol. 18, iss. 2, pp. 505–513.

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Daníčková, Eva. Review of Dramaturgy in the Making: A User's Guide for Theatre Practitioners. Theatralia. 2015, vol. 18, iss. 2, pp. 490–492.

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Blecha, Jaroslav. The enigmatic puppets of important Czech marionettists, the Flachs. Theatralia. 2015, vol. 18, iss. 2, pp. 35–69.

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Opera Slavica, 2020, vol. 30, issue 3.

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Drábek, Pavel. Review of Petr Matásek – the scenographic puppet master. Theatralia. 2015, vol. 18, iss. 2, pp. 463–465.

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Billing, Christian M.. Review of Jan Švankmajer: Dimensions of Dialogue Between Film and Art. Theatralia. 2015, vol. 18, iss. 2, pp. 477–480.

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Chryssouli, Georgia. Surreally human: Jan Švankmajer's world of self-destructive puppets. Theatralia. 2015, vol. 18, iss. 2, pp. 303–328.

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Lech, Kasia. Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta's Polish productions. Theatralia. 2015, vol. 18, iss. 2, pp. 277–302.

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Opera Slavica, 1993, vol. 3, issue 1.