Titles
Displaying 141 - 150 of 308
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Svoboda, Jan.
Whiteheadova interpretace Platónovy "schránky" a paralely s pojmem "nadčasové skutečnosti". Studia philosophica. 2017, vol. 64, iss. 2, pp. 21–42.
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Chalupská, Martina.
Whiteheadovo pojetí kosmu jako organické jednoty. Pro-Fil. 2014, vol. 15, iss. Doplňkové číslo, pp. 120–133.
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Turzíková, Tereza.
Who gets to (re)define theatre?. Theatralia. 2021, vol. 24, iss. 2, pp. 188–190.
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Mišterová, Ivona.
Who is afraid of William Shakespeare? Shakespeare for young adults. Brno studies in English. 2021, vol. 47, iss. 1, pp. 205–222.
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Tyrrell, John.
Why did Act 1 of From the House of the Dead end with the Skuratov theme?. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 105–114.
Chapter
Kačer, Tomáš.
Why mainstream. In: Kačer, Tomáš. New messengers : short narratives in plays by Michael Frayn, Tom Stoppard and August Wilson.
, pp. 15–18.
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Zgheib, Yara.
Why Mavis Gallant, and why I went to Paris. The Central European journal of Canadian studies. 2022, vol. 17, iss. [1], pp. 31–35.
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Šmardová, Daniela.
"Why should I not live the art I love?" : the liberating power of art in Jeanette Winterson's literary work. Brno studies in English. 2023, vol. 49, iss. 1, pp. 179–192.
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Martin, Luther H., Wiebe, Donald.
Why the possible is not impossible but is unlikely: a response to our colleagues. Religio. 2012, vol. 20, iss. 1, pp. 63–72.
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Knickerbocker, Dale.
Why Zombies matter: the undead as critical posthumanist. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 59–82.