Zobrazují se záznamy 1 - 25 z celkového počtu 119
Kapitola
Zita, Antonín.
The reception in the United States: the fifties and the sixties. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 48–82.
Kapitola
Zita, Antonín.
Conclusion. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 175–177.
Kapitola
Zita, Antonín.
Theoretical background. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 24–35.
Kapitola
Zita, Antonín.
Table of contents. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 5–6.
Kapitola
Zita, Antonín.
Acknowledgments. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 8.
Kapitola
Zita, Antonín.
Zusammenfassung. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 181–183.
Kapitola
Back matter. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. .
Kapitola
Zita, Antonín.
Czechoslovakia of the fifties and sixties: an introduction. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 103–118.
Kapitola
Zita, Antonín.
The reception in the United States: current reception. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 83–102.
Kapitola
Zita, Antonín.
The reception in the Czech Republic. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 143–162.
Kapitola
Zita, Antonín.
Bibliography. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 184–197.
Kapitola
Zita, Antonín.
Introduction to the Beat Generation. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 9–23.
Kapitola
Zita, Antonín.
The United States of the fifties and the sixties: an introduction. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 36–47.
Kapitola
Zita, Antonín.
Motto. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 7.
Kapitola
Zita, Antonín.
Index. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 198–200.
Kapitola
Front matter. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. .
Kapitola
Zita, Antonín.
The reception in Czechoslovakia. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 119–142.
Kapitola
Zita, Antonín.
Summary. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 178–180.
Kapitola
Zita, Antonín.
The reception of the Beat Generation: a discussion. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, s. 163–174.
Článek
Niubo, Marc.
Classy scene for connoisseurs or snobby meeting point? : considerations upon the repertoire and functions of the Thun Theatre in Prague during the years 1781-1784. Musicologica Brunensia. 2018, roč. 53, č. Supplementum, s. 297–303.
Článek
Perutková, Jana.
Oratorios performed at the holy sepulchre in the Bohemian Lands and Austria in the 18th century (Part II) : on the issue of transferring sepolcri and the possibilities of their semi-staged or staged performance. Musicologica Brunensia. 2018, roč. 53, č. Supplementum, s. 339–353.
Článek
Over, Berthold.
Albinoni für Laute : Transkriptionen italienischer Musik für die Münchner Prinzessinnen Josepha Maria und Maria Josepha von Bayern. Musicologica Brunensia. 2018, roč. 53, č. Supplementum, s. 305–316.
Článek
Deisinger, Marko.
Musikbezogene Quellen aus der Korrespondenz zwischen Rom und dem Wiener Kaiserhof : neues zu Antimo Liberati, Alessandro Stradella und anderen italienischen Musikern und Musikerinnen des Barock. Musicologica Brunensia. 2018, roč. 53, č. Supplementum, s. 19–34.
Článek
Kokole, Metoda.
Andrea Bernasconi's earliest operatic music on its way north of the Alps. Musicologica Brunensia. 2018, roč. 53, č. Supplementum, s. 207–226.
Článek
Voss, Steffen.
Das Johann Adolf Hasse zugeschriebene Passions-Oratorium La morte di Cristo und seine musikhistorische Einordnung. Musicologica Brunensia. 2018, roč. 53, č. Supplementum, s. 261–281.