Název: Rushdie's story of "The sea of stories" : the text as an echoing space
Zdrojový dokument: Brno studies in English. 2006, roč. 32, č. 1, s. [143]-159
Rozsah
[143]-159
-
ISSN1211-1791
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/104081
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Reference
[1] Baldick, Chris (1990) Oxford Concise Dictionary of Literary Terms. Oxford, OUP.
[2] Buchbinder, D. (1991) Contemporary Literary Theory and the Reading of Poetry. Australia: Macmillan Education Pvt Ltd.
[3] Calvino, Italo (1989) 'Right and Wrong Political Uses of Literature'. The Literature Machine: Essays. Trans. Patrick Creagh. London: Picador, 89–100.
[4] Eco, Umberto (1998[1980]) The Name of the Rose. Trans. from Italian by William Weaver. London: Vintage.
[5] Eco, Umberto (1986). Nachscrift zum 'Namen der Rose'. Munchen.
[6] Gonzalez, Madelena (2004) Fiction after the Fatwa: Salman Rushdie and the Charm of Catastrophe. Amsterdam/New York: Rodopi.
[7] Harlow, Barbara (1987) Resistance Literature. N.Y.: Methuen.
[8] Jansen, Sue Curry (1988) Censorship: The Knot that Binds Power and Knowledge. N.Y.: Oxford UP.
[9] McDonald, Mark. "Surrogate Authorial Figures in Haroun and the Sea of Stories, on the website 'PoCo Web: The Literature and Culture of Pakistan'.
[10] Minca, Claudio (2001) 'Postmodern Temptation'. In: Minca, Claudio (ed.) Postmodern Geography: Theory and Praxis. Oxford: Blackwell.
[11] Patterson, Annabel (1991) 'Censorship'. In: Encyclopaedia of Literature and Criticism. London: Routledge.
[12] Rushdie, Salman (1990) Haroun and the Sea of Stories. New Delhi: Penguin Books India, 1991.
[13] Rushdie, Salman (2003) 'Influence'. In: Step across this Line . London: Vintage.
[14] Rushdie, Salman (2003) 'Step across this Line'. In: Step across this Line . London: Vintage.
[15] Rushdie, Salman (2004) 'Man in a Sea of Stories'. The Telegraph, Kolkata, 19 December 2004, 8.
[16] Said, Edward (1995[1978]) Orientalism. Harmondsworth: Penguin.
[17] Barth, John. '"The Parallels!" Italo Calvino and Jorge Luis Borges'. CONTEXT: A Forum for Literary Arts & Culture. No.1. Online Edition. http://www.centerforbookculture.org/contentcontext/no.1/barth.html.
[18] Bongartz, Christiane and Esther Richey. 'Language and Meaning in Salman Rushdie's Haroun and the Sea of Stories'.
[19] Chandran, Mini. 'Fabulation as Narrative in Haroun and the Sea of Stories'. Jouvert 7:1
[20] Cohen, Walter. Don Quijote and The Intercontinental History of the Novel. (Form copyright © 2004 Early Modern Culture. Content copyright © 2004 Walter Cohen.)
[21] Kullmann (Göttingen), Thomas. 'Eastern and Western Story-Telling in Salman Rushdie's Haroun and the Sea of Stories'. EESE 1/1996
[22] McDonald, Mark. 'Surrogate Authorial Figures in Haroun and the Sea of Stories'. "The Literature and Culture of Pakistan" site. Postcolonial Web.
[2] Buchbinder, D. (1991) Contemporary Literary Theory and the Reading of Poetry. Australia: Macmillan Education Pvt Ltd.
[3] Calvino, Italo (1989) 'Right and Wrong Political Uses of Literature'. The Literature Machine: Essays. Trans. Patrick Creagh. London: Picador, 89–100.
[4] Eco, Umberto (1998[1980]) The Name of the Rose. Trans. from Italian by William Weaver. London: Vintage.
[5] Eco, Umberto (1986). Nachscrift zum 'Namen der Rose'. Munchen.
[6] Gonzalez, Madelena (2004) Fiction after the Fatwa: Salman Rushdie and the Charm of Catastrophe. Amsterdam/New York: Rodopi.
[7] Harlow, Barbara (1987) Resistance Literature. N.Y.: Methuen.
[8] Jansen, Sue Curry (1988) Censorship: The Knot that Binds Power and Knowledge. N.Y.: Oxford UP.
[9] McDonald, Mark. "Surrogate Authorial Figures in Haroun and the Sea of Stories, on the website 'PoCo Web: The Literature and Culture of Pakistan'.
[10] Minca, Claudio (2001) 'Postmodern Temptation'. In: Minca, Claudio (ed.) Postmodern Geography: Theory and Praxis. Oxford: Blackwell.
[11] Patterson, Annabel (1991) 'Censorship'. In: Encyclopaedia of Literature and Criticism. London: Routledge.
[12] Rushdie, Salman (1990) Haroun and the Sea of Stories. New Delhi: Penguin Books India, 1991.
[13] Rushdie, Salman (2003) 'Influence'. In: Step across this Line . London: Vintage.
[14] Rushdie, Salman (2003) 'Step across this Line'. In: Step across this Line . London: Vintage.
[15] Rushdie, Salman (2004) 'Man in a Sea of Stories'. The Telegraph, Kolkata, 19 December 2004, 8.
[16] Said, Edward (1995[1978]) Orientalism. Harmondsworth: Penguin.
[17] Barth, John. '"The Parallels!" Italo Calvino and Jorge Luis Borges'. CONTEXT: A Forum for Literary Arts & Culture. No.1. Online Edition. http://www.centerforbookculture.org/contentcontext/no.1/barth.html.
[18] Bongartz, Christiane and Esther Richey. 'Language and Meaning in Salman Rushdie's Haroun and the Sea of Stories'.
[19] Chandran, Mini. 'Fabulation as Narrative in Haroun and the Sea of Stories'. Jouvert 7:1
[20] Cohen, Walter. Don Quijote and The Intercontinental History of the Novel. (Form copyright © 2004 Early Modern Culture. Content copyright © 2004 Walter Cohen.)
[21] Kullmann (Göttingen), Thomas. 'Eastern and Western Story-Telling in Salman Rushdie's Haroun and the Sea of Stories'. EESE 1/1996
[22] McDonald, Mark. 'Surrogate Authorial Figures in Haroun and the Sea of Stories'. "The Literature and Culture of Pakistan" site. Postcolonial Web.