Název: Changing perspectives on religion in African American women's autobiographies
Zdrojový dokument: Brno studies in English. 2005, roč. 31, č. 1, s. [111]-118
Rozsah
[111]-118
-
ISSN1211-1791
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/104211
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Reference
[1] Angelou, Maya (1984 [1969]). I Know Why the Caged Bird Sings. London: Virago, 1984.
[2] Angelou, Maya (1985 [1974]). Gather Together in My Name. London: Virago, 1985.
[3] Angelou, Maya (1985 [1976]). Singin' and Swingin' and Gettin' Marry Like Christmas. London: Virago, 1985.
[4] Brantley, Will (1993). Feminine Sense in Southern Memoir: Smith, Glasgow, Welty, Hellman, Porter, and Hurston. Jackson: UP of Mississippi, 1993.
[5] Braxton, Joanne M. (1989). Black Women Writing Autobiography: A Tradition Within a Tradition. Philadelphia: Temple UP, 1989.
[6] Gates, Henry Louis Jr. (1985). "'A Negro Way of Saying.'" Rev. of Dust Tracks on a Road, by Zora Neale Hurston. The New York Times 21 Apr. 1985: 1.
[7] Hurston, Zora Neale (1995). Dust Tracks on a Road. 1942. Folklore, Momoirs, and Other Writings. Ed. Cheryl A. Wall. New York: The Library of America, 1995: 559–808.
[8] Jacobs, Harriet (Linda Brent) (1987 [1861]). Incidents in the Life of a Slave Girl, Written by Herself. In The Classic Slave Narratives. Ed. Henry Louis Gates, Jr. New York: Mentor, 1987: 335–515.
[9] Kent, George E. (1993). "Maya Angelou's I Know Why the Caged Bird Sings and Black Autobiographical Tradition." African American Autobiography: A Collection of Critical Essays. Ed. William L. Andrews. Eaglewood Cliffs: Prentice Hall, 1993: 162–170.
[10] McPherson, Dolly A. (1999). "Initiation and Self-Discovery." Maya Angelou's I Know Why the Caged Bird Sings: A Casebook. Ed. Joanne M. Braxton. New York: Oxford UP, 1999.
[11] Plant, Deborah G. (1995). Every Tub Must Sit on Its Own Bottom: The Philosophy and Politics of Zora Neale Hurston. Chicago: U of Illinois P, 1995.
[12] Stampp, Kenneth M. (1989). The Peculiar Institution: Slavery in Ante-Bellum South. New York: Vintage, 1989.
[13] Taves, Ann (2001). "Spiritual Purity and Sexual Shame: Religious Themes in the Writings of Harriet Jacobs." Incidents in the Life of a Slave Girl, Written by Herself. Eds. Nellie Y. McKay and Francis Smith Foster. New York: Norton, 2001: 209–222.
[14] Walker, Pierre A. (1998). "Zora Neale Hurston and the Post-Modern Self in Dust Tracks on a Road." African American Review 32.3 (1998): 387–399. 22 Jun. 2004 http://www.jstor.org/. | DOI 10.2307/3042240
[2] Angelou, Maya (1985 [1974]). Gather Together in My Name. London: Virago, 1985.
[3] Angelou, Maya (1985 [1976]). Singin' and Swingin' and Gettin' Marry Like Christmas. London: Virago, 1985.
[4] Brantley, Will (1993). Feminine Sense in Southern Memoir: Smith, Glasgow, Welty, Hellman, Porter, and Hurston. Jackson: UP of Mississippi, 1993.
[5] Braxton, Joanne M. (1989). Black Women Writing Autobiography: A Tradition Within a Tradition. Philadelphia: Temple UP, 1989.
[6] Gates, Henry Louis Jr. (1985). "'A Negro Way of Saying.'" Rev. of Dust Tracks on a Road, by Zora Neale Hurston. The New York Times 21 Apr. 1985: 1.
[7] Hurston, Zora Neale (1995). Dust Tracks on a Road. 1942. Folklore, Momoirs, and Other Writings. Ed. Cheryl A. Wall. New York: The Library of America, 1995: 559–808.
[8] Jacobs, Harriet (Linda Brent) (1987 [1861]). Incidents in the Life of a Slave Girl, Written by Herself. In The Classic Slave Narratives. Ed. Henry Louis Gates, Jr. New York: Mentor, 1987: 335–515.
[9] Kent, George E. (1993). "Maya Angelou's I Know Why the Caged Bird Sings and Black Autobiographical Tradition." African American Autobiography: A Collection of Critical Essays. Ed. William L. Andrews. Eaglewood Cliffs: Prentice Hall, 1993: 162–170.
[10] McPherson, Dolly A. (1999). "Initiation and Self-Discovery." Maya Angelou's I Know Why the Caged Bird Sings: A Casebook. Ed. Joanne M. Braxton. New York: Oxford UP, 1999.
[11] Plant, Deborah G. (1995). Every Tub Must Sit on Its Own Bottom: The Philosophy and Politics of Zora Neale Hurston. Chicago: U of Illinois P, 1995.
[12] Stampp, Kenneth M. (1989). The Peculiar Institution: Slavery in Ante-Bellum South. New York: Vintage, 1989.
[13] Taves, Ann (2001). "Spiritual Purity and Sexual Shame: Religious Themes in the Writings of Harriet Jacobs." Incidents in the Life of a Slave Girl, Written by Herself. Eds. Nellie Y. McKay and Francis Smith Foster. New York: Norton, 2001: 209–222.
[14] Walker, Pierre A. (1998). "Zora Neale Hurston and the Post-Modern Self in Dust Tracks on a Road." African American Review 32.3 (1998): 387–399. 22 Jun. 2004 http://www.jstor.org/. | DOI 10.2307/3042240