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Title: Theatralia
Rok: 2012
Ročník: 15
Číslo: 2
Název čísla
Prague semiotic stage revisited
Rok vydání
2012
ISSN
1803-845X (print)
2336-4548 (online)
ISBN
978-80-210-5571-1
Poznámka
  • A special issue on structuralist theatre theory. The section Yorick presents the outcome from an international symposium "Prague semiotic stage revisited: an international symposium on Czech structuralist thought on theatre and drama, Brno, 27th - 29th June 2011".
  • Číslo připravila Katedra divadelních studií FF MU Brno ve spolupráci s Katedrou divadelních, filmových a mediálních studií FF UP Olomouc.
  • Číslo vychází v rámci projektu Český divadelní strukturalismus: souvislosti a potenciál (2011-2015; GAČR, č. P409/11/1082), financovaného Grantovou agenturou ČR.
Title Document
Podmínky přijímání příspěvků
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hidden section From the editors
Title Document
From the editors | 7–8
Havlíčková Kysová, Šárka; Příhodová, Barbora
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Title Document
Prague semiotic stage revisited: an international symposium on Czech structuralist thought on theatre and drama, Brno, 27th - 29th June 2011 : programme | 9–12
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Yorick
Title Document
Launching a structuralist assembly : convening the scattered structures | 13–23
Drábek, Pavel
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The legacy of the Linguistic Circle of Prague | 24–36
Toro, Fernando de
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Semiology after semiology | 37–49
Pavis, Patrice
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The schools of Structuralism – an overview : the impact of Prague School Structuralism on other centres of textual analysis | 50–73
Hess-Lüttich, Ernest W. B.
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Puppets, statues, men, objects, and the Prague School | 74–88
Ambros, Veronika
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"Asian" theatre sign : its potential and its limits in the history of the Czech Structuralist thought | 89–99
Havlíčková Kysová, Šárka
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Manufacturing authenticity : anonymous acting celebrities in Atalaya's production of Lorca's The House of Bernarda Alba (2009) | 100–111
Pérez-Simón, Andrés
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The concept of sign, its origin and influence on Mukařovský's Structuralism | 112–124
Schmid, Herta
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Concretization‒transduction‒adaptation : on Prague School legacy in theatre studies today | 125–153
Meerzon, Yana
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"Aktualisace" in English scholarly literature : interpretation, ignorance, and misunderstanding | 154–167
Šlaisová, Eva
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Theatrology an Zich, and beyond : notes towards a metacritical repositioning of theory, semiotics, theatre, and aesthetics | 168–186
Volek, Emil
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Reviews
Title Document
Payment on debt | 187–188
Stehlíková, Eva
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Kateřina Miholová. Reproductions of twentieth century Czech theatre in context: The Coming to Wisdom of Don Quixote (1914) and Julius Caesar (1936) | 189–191
Brandesky, Joseph E.
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The faces of European direction | 192–194
Satková, Naďa
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John Russell Brown. Studying Shakespeare in performance | 194–196
Drábek, Pavel
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John Russell Brown (ed.) The Routledge companion to actors' Shakespeare | 196–199
Drábek, Pavel
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Marie Zdeňková, and Josef Vomáčka. Miroslav Melena: Scénograf a architekt (Scenographer and Architect) : published in Czech with a (mostly) parallel English translation | 199–205
Billing, Christian M.
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Alice Dubská. The travels of the puppeteers Brát and Pratte through Europe in the eighteenth and nineteenth centuries | 206–207
Drábek, Pavel
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Donatella Barbieri. Encounters in the Archive | 207–209
Příhodová, Barbora
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Ivan R. V. Rumánek. Japonská dráma nó: žáner vo vývoji (Japanese Noh Drama: genre in development) | 209–211
Leštáchová, Barbora
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Nicola Savarese. Eurasian theatre: drama and performance between East and West from classical antiquity to the present | 211–219
Havlíčková Kysová, Šárka
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Jiří Veltruský. An approach to the semiotics of theatre | 220–226
Puchner, Walter
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Archive
Title Document
Miroslav Kouřil's theory of scenography in the archive materials : a research report | 227–231
Havlíčková Kysová, Šárka; Příhodová, Barbora
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The background story of the book | 232–237
Veltrusky, Jarmila F.
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Title Document
Podmínky uveřejňování rukopisu | [241]
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