Název: Family relations of stock characters in Atellan farce – a few remarks on the influence of palliata on Atellana
Zdrojový dokument: Graeco-Latina Brunensia. 2016, roč. 21, č. 2, s. 229-246
Rozsah
229-246
-
ISSN1803-7402 (print)2336-4424 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/GLB2016-2-17
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/136238
Type: Článek
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The article presents possible relationships between two types of Roman comedy: palliata and Atellana; it focuses especially on the influence of palliata on the literary Atellan farce in the field of stock characters. The subject of this paper are family figures, i.e. uxor, senex, adulescens, virgo, servi. There are two kinds of evidence for these personae dramatis having been borrowed into Atellana – the plays, titles and fragments. All of these aspects are analysed in conjunction with relevant passages from palliata. It appears that Atellana employs all of the family masks with their specific features but at the same time often transforms them, exaggerating their sexual actions and using more terms of abuse in their depiction. The author gives English translations for the quoted Atellana fragments.
Reference
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[2] Alliaud, M. (1988). La figura del servo in Menandro. Zetesis, 8(1), 15–26.
[3] Barsby, J. (Ed.). (2001). Terence: Phormio, The Mother-in-law, The Brothers (Vol. 2). Cambridge: Harvard University Press.
[4] Christenson, D. M. (Ed.). (2005). T. M. Plautus: Amphitruo. Cambridge: Cambridge University Press.
[5] Couto, A. P. (2007). A rivalidade pai/filho no Mercator de Plauto. Ágora. Estudos Clássicos em Debate, 9, 41–73.
[6] Culham, P. (1982). Lex Oppia. Latomus, 41, 786–793.
[7] Danese, R. M. (2010). Stile e sesso nei frammenti dell' Atellana letteraria. In R. Raffaelli, & A. Tontini (Eds.), L'atellana letteraria, Atti della Prima Giornata di Studi sull' Atellana (pp. 101–117). Urbino: Quattroventi.
[8] Debouy, E. (2010). The Titles of the Atellanae: an Attempt at a Typology. In R. Raffaelli, & A. Tontini (Eds.), L'atellana letteraria, Atti della Prima Giornata di Studi sull' Atellana (pp. 157–168). Urbino: Quattroventi.
[9] Della Corte, F. (1978). La tipologia del personaggio della palliata. Opuscula, 6, 155–194.
[10] Duckworth, G. E. (1952). The Nature of Roman Comedy: A Study in Popular Entertainment. Princeton: University of Oklahoma Press.
[11] Enk, P. J. (Ed.). (1979). T. M. Plautus: Mercator (Vol. II). New York: Arno Press.
[12] Forcellini, E. (Ed.). (1828). Totius Latinitatis Lexicon (Vol. II). Londini: Baldwin and Cradock [etc.].
[13] Fraenkel, E. (2007). Plautine Elements in Plautus (Transl. T. Drevikovsky, & F. Muecke). Oxford: Oxford University Press.
[14] Frassinetti, P. (Ed.). (1967). Atellanae fabulae. Romae: In aedibus Athenaei.
[15] Fredershausen, O. (1906). De iure Plautino et Terentiano. Göttingen: Goldschmidt & Hubert.
[16] Graziani, F. (1896). I personaggi dell'Atellana. Rivista di Filologia e d'Istruzione Classica, 24, 388–392.
[17] Henderson, J. (1975). The Maculate Muse. Obscene Language in Attic Comedy. New Haven, CT: Yale University Press.
[18] Hopfner, T. (1938). Das Sexualleben der Griechen und Römer. Prague: J. G. Calve.
[19] Hurbánková, Š. (2008). Personae oscae e il riso popolare nelle atellane. Graeco-Latina Brunensia, 13, 67–79.
[20] Hurbánková, Š. (2009). Personae oscae delle atellane. Rassegna storica dei comuni, 35, 7–15.
[21] Hurbánková, Š. (2010). Characters and Comic Situations in Roman Comedy: The Atellan Farce and Mime. Graeco-Latina Brunensia, 15(2), 69–80.
[22] Hurbánková, Š. (2014). Repertoire of Characters in Roman Comedy: New Classification Approaches. Graeco-Latina Brunensia, 19(2), 3–15.
[23] Kupiszewski, H. (1962). Dyskolos Menandra i jego znaczenie dla prawa greckiego i rzymskiego. Eos, 52(1), 47–56.
[24] Kuryłowicz, M. (1994). Prawo i obyczaje w starożytnym Rzymie. Lublin: Lubelskie Wydawnictwa Prawnicze.
[25] Lefèvre, E. (2010). Atellana e Palliata: gli influssi reciproci. In R. Raffaelli, & A. Tontini (Eds.), L'atellana letteraria, Atti della Prima Giornata di Studi sull' Atellana (pp. 15–36). Urbino: Quattroventi.
[26] Lelewska, B. M. (1998). Żona posażna w komediach Plauta. Meander, 53(1), 15–23.
[27] Leo, F. (1895). Plautinische Forschungen. Zur Kritik und Geschichte der Komödie. Berlin: Weidmann.
[28] Lindsay, W. M. (Ed.). (1910). T. M. Plautus: Comoediae (Vol. I and II). Oxford: Clarendon Press.
[29] MacCary, W. T., & Willcock, M. M. (Eds.). (2004). T. M. Plautus: Casina. Cambridge: Cambridge University Press.
[30] MacCary, W. T. (1971). Menander's Old Men. Transactions and Proceedings of the American Philological Association, 102, 303–325. | DOI 10.2307/2935946
[31] Manuwald, G. (2011). Roman Republican Theatre. Cambridge: Cambridge University Press.
[32] Marzullo, A. (1973). Dalla satira al teatro popolare latino. Ricerche varie. Milano: Ceschina.
[33] Maurice, L. (2003). Amici et sodales: An Examination of a Double Motif in Plautus. Mnemosyne, 56(2), 164–193. | DOI 10.1163/156852503321625132
[34] McDonnell, M. (1983). Divorce Initiated by Women in Rome: The Evidence of Plautus. American Journal of Ancient History, 8, 54–80.
[35] Nixon, P. (Ed.). (1916). Plautus: Amphitryon, The Comedy of Asses, The Pot of Gold, The Two Bacchises, The Captives (Vol. 1). London: William Heinemann.
[36] Nixon, P. (Ed.). (1917). Plautus: Casina, The Casket Comedy, Curculio, Epidicus, The Two Menaechmuses (Vol. 2). London: William Heinemann.
[37] Nixon, P. (Ed.). (1924). Plautus: The Merchant, The Braggart Warrior, The Haunted House, The Persian (Vol. 3). London: William Heinemann.
[38] Perna, R. (1955). L'originalità di Plauto. Bari: Leonardo da Vinci Editore.
[39] Pezone, F. E. (1969). Persone e parole di fabulae Atellanae. Rassegna storica dei comuni, 1, 206–210.
[40] Pieczonka, J. (2007). Ustawy okresu republikańskiego w komediach Plauta. Classica Wratislaviensia, 27, 113–126.
[41] Piwonka, P. (1949). Lucilius und Kallimachos: zur Geschichte einer Gattung der hellenistisch-römischen Poesie. Frankfurt: Klostermann.
[42] Preston, K. (1916). Studies in the Diction of the Sermo Amatorius in Roman Comedy. Diss. Chicago.
[43] Ribbeck, O. (1898). Scaenicae Romanorum poesis fragmenta. Vol. II: Comicorum Romanorum praeter Plautum et Terentium reliquiae (3. ed.). Lipsiae: In aedibus B. G. Teubneri.
[44] Rosenmeyer, P. A. (1995). Enacting the Law: Plautus' Use of the Divorce Formula on Stage. Phoenix, 49(3), 201–217. | DOI 10.2307/1192521
[45] Roy, J. (1999). Polis and oikos in Classical Athens. Greece and Rome, 46, 1–18. | DOI 10.1017/S0017383500026036
[46] Schuhmann, E. (1977). Der Typ der 'uxor dotata' in den Komödien des Plautus. Philologus, 121, 45–65. | DOI 10.1524/phil.1977.121.1.45
[47] Sitti, K. (1895). I personaggi dell'Atellana. Rivista di storia antica e scienze affini, 3, 27–30.
[48] Skwara, E. (2001). Historia komedii rzymskiej. Warszawa: Prószyński i S-ka.
[49] Stephenson, R. C. (1960). Farce as Method. The Tulane Drama Review, 5(2), 85–93. | DOI 10.2307/1124761
[50] Tarwacka, A. (2002). Rozwód Carviliusa Rugi – czy naprawdę pierwszy? Czasopismo Prawno–Historyczne, 54(1), 301–308.
[51] Tarwacka, A. (2004). 'Ei foras, mulier', czyli rozwód w komediach Plauta. Zeszyty Prawnicze UKSW, 4(1), 7–26. | DOI 10.21697/zp.2004.4.1.01
[52] Tarwacka, A. (2005). W krzywym zwierciadle: Satyrycy okresu pryncypatu o repudium. In H. Kowalski, & M. Kuryłowicz (Eds.), 'Contra leges et bonos mores'. Przestępstwa obyczajowe w starożytnej Grecji i Rzymie (pp. 355–362). Lublin: Wyd. Uniwersytetu M. Curie-Skłodowskiej.
[53] Walker, S. L. (1980). The senex amator in Plautus. Diss. Chapel Hill.
[54] Watson, A. (1967). The Law of Persons in the Later Roman Republic. Oxford: Clarendon Press.
[55] Wright, J. (1974). Dancing in Chains: the Stylistic Unity of the Comoedia Palliata. Rome: American Academy.