Název: Neoanalisi e intertestualità dell'Inno omerico ad Apollo: modelli, immagini, stemma
Variantní název:
- Neoanalysis and intertextuality in the Homeric Hymn to Apollo: models, motifs, and stemma
Zdrojový dokument: Graeco-Latina Brunensia. 2017, roč. 22, č. 2, s. 77-118
Rozsah
77-118
-
ISSN1803-7402 (print)2336-4424 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/GLB2017-2-5
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/137625
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The aim of this paper is to illustrate a first neoanalytical frame of the Homeric Hymn to Apollo (HHA) intertextuality in function of a new critical edition with commentary. After Currie 2011's reflections about neoanalysis for the archaic hymns to Demeter, and the hermeneutical models of Olson 2012 and Vergados 2013 for the Homeric Hymns to Aphrodite and Hermes, I will show and discuss a provisional stemma of the genetic relationships between the HHA and a limited sample of honorific-dedicatory, cathartic-programmatic, and performative-hymnodic texts. The whole scheme of relationships has been established with regard to the productivity and recurrence of seven re-semantizated topoi. The stemma will enable us to define the domain of HHA prehistory, survivals and reminiscences in literary and paraliterary production before and after the terminus ante quem of 478 BC.
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