Transforming medieval art from Saint Petersburg to Paris : André Grabar's life and scholarship between 1917 and 1945

Název: Transforming medieval art from Saint Petersburg to Paris : André Grabar's life and scholarship between 1917 and 1945
Variantní název:
  • Transformace středověkého umění na cestě ze Sankt-Petěrburgu do Paříže : život a dílo Andrého Grabara mezi lety 1917 a 1945
Zdrojový dokument: Convivium. 2020, roč. 7, č. Supplementum, s. 122-141
Rozsah
122-141
  • ISSN
    2336-3452 (print)
    2336-808X (online)
Type: Článek
Jazyk
Licence: Neurčená licence
Přístupová práva
plný text nepřístupný
 

Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.

Abstrakt(y)
André Nikolajevič Grabar (1896–1990) – today esteemed as one of the twentieth century's most important scholars of medieval art history – endured the upheaval of his life path by emigrating, from Russia to France by way of Bulgaria, before becoming the famous French art historian we recognize. The experience of emigration profoundly recast Grabar's thought both on his homeland and on his studies of medieval and Byzantine art. This transformation happened during a timespan, between 1917 and 1945, when the field of art history itself was undergoing important, seemingly contrary, changes, not only in the direction of internationalization but also toward nationalisms. Throughout those crucial years, Grabar ultimately became an ideal figure of mediation between his native Russian milieu and the French one to which he acculturated.
Note
This article was carried out as part of the project "The Heritage of Nikodim Pavlovič Kondakov in the Experiences of André Grabar and the Seminarium Kondakovianum" (Czech Science Foundation, Reg. No 18–20666S).