Název: How to '(not) Arrive': Hélène Cixous's and Sara Stridsberg's drama vs. appropriation
Zdrojový dokument: Brünner Beiträge zur Germanistik und Nordistik. 2021, roč. 35, č. 2, s. 125-136
Rozsah
125-136
-
ISSN1803-7380 (print)2336-4408 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/BBGN2021-2-8
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/144809
Type: Článek
Jazyk
Licence: CC BY-SA 4.0 International
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
In answer to Cara Berger, this article examines how Hélène Cixous's play Portrait de Dora and Sara Stridsberg's play Valerie ska bli president i Amerika approach as examples of feminist drama (and in case of Cixous, also an example of feminist postdramatic theatre) the problem of appropriation, an important question of feminist theories. The article maps the means the texts use to tackle the problem, or whether they resign on it, and discusses Cixous's reinstalment of the narrator in drama and usage of a structure based on the narrative mode of the stream of consciousness as methods to highlight appropriation processes.
Reference
[1] Berger, Cara (2019): 'Feminism in Postdramatic Theatre: An Oblique Approach'. In: Contemporary Theatre Review, 29/4, pp. 423–438.
[2] Blyth, Ian – Sellers, Susan (2004): Hélène Cixous: Live Theory. New York/London: Continuum.
[3] Cixous, Hélène (1993): Three Steps on the Ladder of Writing. New York: Columbia University Press.
[4] Cixous, Hélène (1995): Le Rire de la Meduse. New York: Columbia University Press.
[5] Cixous, Hélène (2004): 'Portrait of Dora'. In: Prenowitz, Eric (ed.). Selected Plays of Hélène Cixous. London/New York: Routledge, pp. 33–59.
[6] Cixous, Hélène (2010): La Rire de la Méduse et autres ironies. Paris: Editions Galilée.
[7] Cooper, Sarah (2000). 'The Ethics of Rewriting the Loss of Exile in "Manne aux Mandelstams aux Mandelas"'. In: Paragraph, 23/3, pp. 311–323.
[8] Desroziers, Marianne (not dated): 'Valérie Solanas: "Souvenez-vous que je suis la seule femme ici qui ne soit pas folle"'. Editions de l'Abat-Jour [online, quoted 10-5-2021]. Available from: http://www.editionsdelabatjour.com/pages/Valerie_Solanas_Souvenezvous_que_je_suis_la_seule_femme_ici_qui_ne_soit_pas_folle_-4098732.html
[9] Fahs, Braenne (2014): Valerie Solanas: The Defiant Life of the Woman Who Wrote SCUM (and Shot Andy Warhol. New York: The Feminist Press at CUNY.
[10] Freud, Sigmund (1981a): 'Notes upon a Case of Obsessional Neurosis'. In: The Standard Edition of the Complete Psychological Works of Sigmund Freud X (1909): Two Case Histories ('Little Hans' and the 'Rat Man'). London: Vintage, pp. 155–318.
[11] Freud, Sigmund (1981b): 'Fragment of an Analysis of a Case of Hysteria'. In: The Standard Edition of the Complete Psychological Works of Sigmund Freud VII (1901–1905): A Case of Hysteria, Three Essays on Sexuality and Others Works. London: Vintage, pp. 7–123.
[12] Hanrahan, Maireád (1998): 'Cixous's Portrait de Dora: The Play of Whose Voice?'. In: The Modern Language Review, 93/1, pp. 48–58.
[13] Lehmann, Hans-Thies (2006): Postdramatic Theatre. London/New York: Routledge.
[14] Sem-Sandberg, Steve (2012): 'Medealand. (… Moderkartan, hemlandet, det övergivna, bortglömda, flyktningens dagdröm…)'. In: Stridsberg, Sara: Medealand och andra pjäser. Stockholm Albert Bonniers Förlag, pp. 455–463.
[15] Stridsberg, Sara (2006): Drömfakulteten. Stockholm: Albert Bonniers Förlag.
[16] Stridsberg, Sara (2012): 'Valerie Jean Solanas ska bli president i Amerika'. In: Stridsberg, Sara Medealand och andra pjäser. Stockholm Albert Bonniers Förlag, pp. 307–451.
[2] Blyth, Ian – Sellers, Susan (2004): Hélène Cixous: Live Theory. New York/London: Continuum.
[3] Cixous, Hélène (1993): Three Steps on the Ladder of Writing. New York: Columbia University Press.
[4] Cixous, Hélène (1995): Le Rire de la Meduse. New York: Columbia University Press.
[5] Cixous, Hélène (2004): 'Portrait of Dora'. In: Prenowitz, Eric (ed.). Selected Plays of Hélène Cixous. London/New York: Routledge, pp. 33–59.
[6] Cixous, Hélène (2010): La Rire de la Méduse et autres ironies. Paris: Editions Galilée.
[7] Cooper, Sarah (2000). 'The Ethics of Rewriting the Loss of Exile in "Manne aux Mandelstams aux Mandelas"'. In: Paragraph, 23/3, pp. 311–323.
[8] Desroziers, Marianne (not dated): 'Valérie Solanas: "Souvenez-vous que je suis la seule femme ici qui ne soit pas folle"'. Editions de l'Abat-Jour [online, quoted 10-5-2021]. Available from: http://www.editionsdelabatjour.com/pages/Valerie_Solanas_Souvenezvous_que_je_suis_la_seule_femme_ici_qui_ne_soit_pas_folle_-4098732.html
[9] Fahs, Braenne (2014): Valerie Solanas: The Defiant Life of the Woman Who Wrote SCUM (and Shot Andy Warhol. New York: The Feminist Press at CUNY.
[10] Freud, Sigmund (1981a): 'Notes upon a Case of Obsessional Neurosis'. In: The Standard Edition of the Complete Psychological Works of Sigmund Freud X (1909): Two Case Histories ('Little Hans' and the 'Rat Man'). London: Vintage, pp. 155–318.
[11] Freud, Sigmund (1981b): 'Fragment of an Analysis of a Case of Hysteria'. In: The Standard Edition of the Complete Psychological Works of Sigmund Freud VII (1901–1905): A Case of Hysteria, Three Essays on Sexuality and Others Works. London: Vintage, pp. 7–123.
[12] Hanrahan, Maireád (1998): 'Cixous's Portrait de Dora: The Play of Whose Voice?'. In: The Modern Language Review, 93/1, pp. 48–58.
[13] Lehmann, Hans-Thies (2006): Postdramatic Theatre. London/New York: Routledge.
[14] Sem-Sandberg, Steve (2012): 'Medealand. (… Moderkartan, hemlandet, det övergivna, bortglömda, flyktningens dagdröm…)'. In: Stridsberg, Sara: Medealand och andra pjäser. Stockholm Albert Bonniers Förlag, pp. 455–463.
[15] Stridsberg, Sara (2006): Drömfakulteten. Stockholm: Albert Bonniers Förlag.
[16] Stridsberg, Sara (2012): 'Valerie Jean Solanas ska bli president i Amerika'. In: Stridsberg, Sara Medealand och andra pjäser. Stockholm Albert Bonniers Förlag, pp. 307–451.