Název: Narratives, their gaps and worlds
Zdrojový dokument: Brno studies in English. 2021, roč. 47, č. 2, s. 57-68
Rozsah
57-68
-
ISSN0524-6881 (print)1805-0867 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/BSE2021-2-5
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/144876
Type: Článek
Jazyk
Licence: CC BY-NC-ND 4.0 International
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Abstrakt(y)
Fictional literary narratives display missing information in varying extents and distributions, the extent of which is determined by multiple internal (essential) and external (aesthetic) factors. At the same time, fictional worlds, by definition, contain specific gaps which are inevitable parts of their structure and are also either of an essential or aesthetic nature. The present study tries to find a correlation between two concepts, one focused primarily on narratives and the other on their worlds, critically comparing the methodological equipment and potentials of both approaches. As a result, a typology of possible correlations of both concepts is delivered.
Reference
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[2] Alber, Jan and Stefan Iversen and Henrik Skov Nielsen and Brian Richardson (2013) What really is unnatural narratology? Storyworlds: A Journal of Narrative Studies 5, 101–118. | DOI 10.5250/storyworlds.5.2013.0101
[3] Chatman, Seymour (1990) Coming to Terms: The Rhetoric of Narrative in Fiction and Film. Ithaca: Cornell University Press.
[4] Doležel, Lubomír (1998) Heterocosmica.: Fiction and Possible Worlds. Baltimore: Johns Hopkins University Press.
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[13] The living handbook of narratology. https://www.lhn.uni-hamburg.de/node/104.html
[2] Alber, Jan and Stefan Iversen and Henrik Skov Nielsen and Brian Richardson (2013) What really is unnatural narratology? Storyworlds: A Journal of Narrative Studies 5, 101–118. | DOI 10.5250/storyworlds.5.2013.0101
[3] Chatman, Seymour (1990) Coming to Terms: The Rhetoric of Narrative in Fiction and Film. Ithaca: Cornell University Press.
[4] Doležel, Lubomír (1998) Heterocosmica.: Fiction and Possible Worlds. Baltimore: Johns Hopkins University Press.
[5] Friend, Stacie (2017) The real foundation of fictional worlds. Australasian Journal of Philosophy 95 (1), 29–42. | DOI 10.1080/00048402.2016.1149736
[6] Kafka, Franz (1988) The Metamorphosis, the Penal Colony, and Other Stories. Trans. by Willa and Edwin Muir. New York: Schocken Books.
[7] Phelan, James (2005) Living to Tell About It. A Rhetoric and Ethics of Character Narration. Ithaca: Cornell University Press.
[8] Richardson, Brian (1997) Unlikely Stories. Casuality and the Nature of Modern Narrative. Newark: University of Delaware Press.
[9] Ronen, Ruth (1994) Possible Worlds in Literary Theory. Cambridge: Cambridge University Press.
[10] Ryan, Marie-Laure (1991) Possible Worlds, Artificial Intelligence, and Narrative Theory. Bloomington: Indiana University Press.
[11] Ryan, Marie-Laure (1992) Possible worlds in recent literary theory. Style 26 (4), 528–553.
[12] Ryan, Marie-Laure (2007) Toward a definition of narrative. In: Herman, David (ed.) The Cambridge Companion to Narrative. Cambridge: Cambridge University Press.
[13] The living handbook of narratology. https://www.lhn.uni-hamburg.de/node/104.html