Název: Fantasies of resistance : Neil Gaiman's "A Study in Emerald" and Bryan Singer's X2:X-men United
Zdrojový dokument: Brno studies in English. 2021, roč. 47, č. 2, s. 119-137
Rozsah
119-137
-
ISSN0524-6881 (print)1805-0867 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/BSE2021-2-9
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/144880
Type: Článek
Jazyk
Licence: CC BY-NC-ND 4.0 International
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The paper discusses Neil Gaiman's critically acclaimed short story, "A Study in Emerald" (2003), and an early superhero film, Bryan Singer's X2:X-Men United (2003), in terms of their portrayal of resistance under/to oppressive regimes – the eldritch abominations' reign in alternative nineteenth-century Great Britain in Gaiman's story, and, in Singer's film, the law-suspending state of exception which produces bare life in the name of national security. The paper focuses on the critical and political potential of these narratives' representations of resistance, situating and examining each within their respective relevant contexts (anarchism; Victorian economy and society; security; state of exception, and exceptionalism).
Reference
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[2] Agamben, Giorgio (2005) State of Exception. Chicago and London: University of Chicago Press.
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[14] Jann, Rosemary (1990) Sherlock Holmes codes the social body. ELH 57 (3), 685–708. | DOI 10.2307/2873238
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[18] Marshall, Peter (2010) Demanding the Impossible: A History of Anarchism. Oakland, CA: PM Press.
[19] Moss, Stephen (2011) Interview with Arundhati Roy. The Guardian, 6/5/2011. Available online at https://www.theguardian.com/books/2011/jun/05/arundhati-roy-keep-destabilised-danger [Accessed on 10/21/2020]
[20] Neal, Andrew W. (2010) Exceptionalism and the Politics of Counter-Terrorism: Liberty, Security and the War on Terror. London and New York: Routledge.
[21] Otis, Laura (1998) The empire bites back: Sherlock Holmes as an imperial immune system. Studies in 20th Century Literature 22 (1), 31–60.
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[23] Reaves, Michael and Pelan, John (eds.) (2005) Shadows over Baker Street: New Tales of Terror! New York: Ballantine Books.
[24] Riofrancos, Thea (2020) Seize and resist. The Baffler 54. Available online at: https://the-baffler.com/salvos/seize-and-resist-riofrancos [Accessed on 11/15/2020]
[25] Ruskin, John (1880) The Stones of Venice. Volume The Second. The Sea Stories. New York: John Wiley.
[26] Siddiqi, Yumna (2006) The cesspool of empire: Sherlock Holmes and the return of the repressed. Victorian Literature and Culture 7 (1), 233–247. | DOI 10.1017/S1060150306051138
[27] Singer, Bryan (2000) X-Men.
[28] Singer, Bryan (2003) X2:X-Men United.
[29] Singer, Bryan (2014) X-Men: Days of Future Past.
[30] Vaughn, Matthew (2011) X-Men: First Class.
[31] Waever, Ole (2007) Securitization and desecuritization. In: Buzzan, Berry and Hansen, Lene (eds.) International Security Volume III: Widening Security. Los Angeles and London: Sage Publications, 66–99.
[32] Zipes, Jack (2006) Why Fairy Tales Stick: The Evolution and Relevance of a Genre. New York and London: Routledge.
[2] Agamben, Giorgio (2005) State of Exception. Chicago and London: University of Chicago Press.
[3] Arendt, Hannah (1973) The Origins of Totalitarianism. San Diego, New York and London: Harcourt Brace Jovanovich.
[4] Bradbeer, Harry (2020) Enola Holmes.
[5] Cohen, Jeffrey Jerome (1996) Monster culture (seven theses). In: Cohen, Jeffrey Jerome (ed.) Monster Theory: Reading Culture. Minneapolis and London: University of Minnesota Press, 3–25.
[6] Darowski, Joseph J. (2014) X-Men and the Mutant Metaphor: Race and Gender in the Comic Books. Lanham and Boulder: Rowman & Littlefield.
[7] del Toro, Guillermo (2006) Pan's Labyrinth.
[8] Doyle, A. C. (2001) Sherlock Holmes: The Complete Illustrated Novels. London: Bounty Books.
[9] Fitzpatrick, Peter (2005) Bare sovereignty: homo sacer and the insistence of law. In: Norris, Andrew (ed.) Politics, Metaphysics, and Death: Essays on Giorgio Agamben's Homo Sacer. Durham and London: Duke University Press, 49–73.
[10] Frame, Gregory (2019) The odds are never in your favor: the form and function of American cinema's neoliberal dystopias. New Review of Film and Television Studies 17 (3), 379– 397. | DOI 10.1080/17400309.2019.1622894
[11] Gabriel, Elun (2007) The anarchist as monster in fin-de-siècle Europe. In: Scott, Niall (ed.) Monsters and the Monstrous: Myths and Metaphors of Enduring Evil. Amsterdam and New York: Rodopi, 103–120.
[12] Gaiman, Neil (2007) A study in emerald. In Fragile Things: Short Fictions and Wonders. London: Headline Review, 27–56.
[13] Goldman, Emma (1911) Anarchism and Other Essays. New York and London: Mother Earth Publishing Association.
[14] Jann, Rosemary (1990) Sherlock Holmes codes the social body. ELH 57 (3), 685–708. | DOI 10.2307/2873238
[15] Kropotkin, Pëtr (1898) Anarchism: Its Philosophy and Ideal. Available online at: https://theanarchistlibrary.org/library/petr-kropotkin-anarchism-its-philosophy-and-ideal [Accessed on 12/20/2020]
[16] Lipschutz, Ronnie D. (2010) Political Economy, Capitalism, and Popular Culture. Lanham and Boulder: Rowman & Littlefield Publishers.
[17] Lund, Martin (2015) The mutant problem: X-Men, confirmation bias, and the methodology of comics and identity. European Journal of American Studies 10 (2). Available online at: https://doi-org.ezproxy.muni.cz/10.4000/ejas.10890 https://journals.openedition.org/ejas/10890 [Accessed on 12/2/2020]
[18] Marshall, Peter (2010) Demanding the Impossible: A History of Anarchism. Oakland, CA: PM Press.
[19] Moss, Stephen (2011) Interview with Arundhati Roy. The Guardian, 6/5/2011. Available online at https://www.theguardian.com/books/2011/jun/05/arundhati-roy-keep-destabilised-danger [Accessed on 10/21/2020]
[20] Neal, Andrew W. (2010) Exceptionalism and the Politics of Counter-Terrorism: Liberty, Security and the War on Terror. London and New York: Routledge.
[21] Otis, Laura (1998) The empire bites back: Sherlock Holmes as an imperial immune system. Studies in 20th Century Literature 22 (1), 31–60.
[22] Phillips, Nickie D. (2010) The dark knight: constructing images of good vs. evil in an age of anxiety. In Deflem, Mathieu (ed.) Popular Culture, Crime and Social Control. Bingley: Emerald, 25-44.
[23] Reaves, Michael and Pelan, John (eds.) (2005) Shadows over Baker Street: New Tales of Terror! New York: Ballantine Books.
[24] Riofrancos, Thea (2020) Seize and resist. The Baffler 54. Available online at: https://the-baffler.com/salvos/seize-and-resist-riofrancos [Accessed on 11/15/2020]
[25] Ruskin, John (1880) The Stones of Venice. Volume The Second. The Sea Stories. New York: John Wiley.
[26] Siddiqi, Yumna (2006) The cesspool of empire: Sherlock Holmes and the return of the repressed. Victorian Literature and Culture 7 (1), 233–247. | DOI 10.1017/S1060150306051138
[27] Singer, Bryan (2000) X-Men.
[28] Singer, Bryan (2003) X2:X-Men United.
[29] Singer, Bryan (2014) X-Men: Days of Future Past.
[30] Vaughn, Matthew (2011) X-Men: First Class.
[31] Waever, Ole (2007) Securitization and desecuritization. In: Buzzan, Berry and Hansen, Lene (eds.) International Security Volume III: Widening Security. Los Angeles and London: Sage Publications, 66–99.
[32] Zipes, Jack (2006) Why Fairy Tales Stick: The Evolution and Relevance of a Genre. New York and London: Routledge.