Název: Wise Children and The Blind Assassin: fictional (auto)biographies
Zdrojový dokument: Brno studies in English. 2016, roč. 42, č. 2, s. [21]-34
Rozsah
[21]-34
-
ISSN0524-6881 (print)1805-0867 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/BSE2016-2-2
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/136094
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
In Wise Children and The Blind Assassin, Carter and Atwood portray older women who narrate their (fictional) life-stories with the freedom and confidence of their age. They tell their versions, now free from the fear of the gaze of the audience and men. Through Dora in Wise Children and Iris in The Blind Assassin, Carter and Atwood draw attention to the relevance of (auto)biography for aging women and their need to find their voice and articulate their story, to be heard and to make sense of their lives. Carter and Atwood raise the issue of bodily changes and their effects on the sense of self. Elderly narrators, Dora and Iris, combat the official history that has previously marginalized and/or silenced them and their sisters, Nora and Laura. As narrators, they offer their own versions of truth, often transgressing the boundaries between fact and fantasy, and inviting readers to co-create their story. As I show, Dora and Iris avoid being caught in a single meaning. I suggest that Dora and Iris inscribe their elderly women's bodies and selves into their stories to produce the multilayered texts of their fictional autobiographies.
Reference
[1] Atwood, Margaret (2003) The Blind Assassin. London: Virago.
[2] Bouson, J. Brooks (2003) "'A Commemoration of Wounds Endured and Resented': Margaret Atwood's The Blind Assassin as Feminist Memoir." Critique, 44 (3): 251–269. Academic Search Premier. Accessed on April 15, 2011.
[3] Bouson, J. Brooks, Ed. (2010) Margaret Atwood. The Robber Bride, Alias Grace, Oryx and Crake. London and New York: Continuum.
[4] Carter, Angela (1991) Wise Children. London: Penguin.
[5] Cixous, Hélène (1997) "The Laugh of Medusa." In: Warhol, Robyn R. and Diane Price Herndl (eds.) Feminisms: An Anthology of Literary Theory and Criticism. New Brunswick: Rutgers University Press, 347–363.
[6] Cixous, Hélène (1990) "Two Countries of Writing: Theater and Poetical Fiction." In: Flower MacCanner, Juliet (ed.) The Other Perspectives in Gender and Culture: Rewriting Women and the Symbolic. New York: Columbia University Press, 191–208.
[7] Davies, Madeleine (2006) "Margaret Atwood's Female Bodies." In: Howells, Coral Ann (ed.) The Cambridge Companion to Margaret Atwood. Cambridge: Cambridge University Press, 58–71.
[8] Day, Aidan (1998) Angela Carter: The Rational Glass. Manchester: Manchester University Press.
[9] Flower MacCanner, Juliet (1990) The Other Perspectives in Gender and Culture: Rewriting Women and the Symbolic. New York: Columbia University Press.
[10] Hegerfeldt, A. (2003) "The Stars That Spring from Bastardising: Wise Children Go for Shakespeare (Angela Carter, Wise Children)." Anglia-Zeitschrift Fur Englische Philologie 121 (3): 351–372. Web of Science. Accessed on March 15, 2011.
[11] Ingersoll, Earl (2003) "Waiting for the End: Closure in Margaret Atwood's The Blind Assassin." Studies in the Novel 35 (4): 543–58. Academic Search Premier. Accessed on March 30, 2010.
[12] Howells, Coral Ann (ed.) (2006) The Cambridge Companion to Margaret Atwood. Cambridge: Cambridge University Press.
[13] Ku, Chung-Hao (2004) "Eating, Cleaning, and Writing: Female Abjection and Subjectivity in Margaret Atwood's The Blind Assassin." Concentric: Literary and Cultural Studies 30 (1): 93–129. Accessed on April 4, 2010.
[14] Lee, Alison (1997) Angela Carter. New York: Twayne.
[15] McWilliams, Ellen (2009) Margaret Atwood and the Female Bildungsroman. Surrey: Ashgate.
[16] Morris, Pam (1993) Literature and Feminism: An Introduction. Oxford: Blackwell Publishers.
[17] Peach, Linden (2009) Angela Carter. 2nd ed. Houndsmills: Palgrave Macmillan.
[18] Roessner, Jeffrey (2002) "Writing a History of Difference: Jeanette Winterson's Sexing the Cherry and Angela Carter's Wise Children." College Literature 29 (1): 102–22. Expanded Academic ASAP. Accessed on January 29, 2011.
[19] Simon, Julia (2004) Rewriting the Body: Desire, Gender and Power in Selected Novels by Angela Carter. Frankfurt am Main: Peter Lang.
[20] Smith, Sidonie and Julia Watson (eds.) (1998) Women, Autobiography, Theory: A Reader. Madison: University of Wisconsin Press.
[21] Staels, Hilde (2004) "Atwood's Specular Narrative: The Blind Assassin." English Studies 85 (2): 147–160. Academic Search Premier. Accessed on March 18, 2011. | DOI 10.1080/00138380409609832
[22] Stein, Karen F. (2003) "A Left-Handed Story: The Blind Assassin." In: Wilson, Sharon Rose (ed.) Margaret Atwood's Textual Assassinations: Recent Poetry and Fiction. Columbus: Ohio State University Press, 135–54.
[23] Stein, Karen F. (2003) "Talking Back to Bluebeard: Atwood's Fictional Storytellers." In: Wilson, Sharon Rose (ed.) Margaret Atwood's Textual Assassinations: Recent Poetry and Fiction. Columbus: Ohio State University Press, 154–173.
[24] Tolan, Fiona (2007) Margaret Atwood: Feminism and Fiction. Amsterdam: Rodopi.
[25] Tolan, Fiona (2010) "'Was I My Sister's Keeper?': The Blind Assassin and Problematic Feminisms". In: Bouson, J. Brooks (ed.) Margaret Atwood: The Robber Bride, Alias Grace, Oryx and Crake. London and New York: Continuum, 74–88.
[26] Vickroy, Laurie (2013) "Sexual Trauma, Ethics, and the Reader in the Works of Margaret Atwood." In: Bouson, J. Brooks (ed.) Critical Insights: Margaret Atwood. Ipswich: Salem Press, 254–267.
[27] Warhol, Robyn R., and Diane Herndl Price (eds.) (1997) Feminisms: An Anthology of Literary Theory and Criticism. New Brunswick: Rutgers University Press.
[28] Waugh, Patricia (1989) Feminine Fictions: Revisiting the Postmodern. London: Routledge.
[29] Wilson, Sharon Rose (ed.) (2003) Margaret Atwood's Textual Assassinations: Recent Poetry and Fiction. Columbus: Ohio State University Press.
[30] Wilson, Sharon Rose (ed.) (2013) Critical Insights: Margaret Atwood. Ipswich: Salem Press.
[2] Bouson, J. Brooks (2003) "'A Commemoration of Wounds Endured and Resented': Margaret Atwood's The Blind Assassin as Feminist Memoir." Critique, 44 (3): 251–269. Academic Search Premier. Accessed on April 15, 2011.
[3] Bouson, J. Brooks, Ed. (2010) Margaret Atwood. The Robber Bride, Alias Grace, Oryx and Crake. London and New York: Continuum.
[4] Carter, Angela (1991) Wise Children. London: Penguin.
[5] Cixous, Hélène (1997) "The Laugh of Medusa." In: Warhol, Robyn R. and Diane Price Herndl (eds.) Feminisms: An Anthology of Literary Theory and Criticism. New Brunswick: Rutgers University Press, 347–363.
[6] Cixous, Hélène (1990) "Two Countries of Writing: Theater and Poetical Fiction." In: Flower MacCanner, Juliet (ed.) The Other Perspectives in Gender and Culture: Rewriting Women and the Symbolic. New York: Columbia University Press, 191–208.
[7] Davies, Madeleine (2006) "Margaret Atwood's Female Bodies." In: Howells, Coral Ann (ed.) The Cambridge Companion to Margaret Atwood. Cambridge: Cambridge University Press, 58–71.
[8] Day, Aidan (1998) Angela Carter: The Rational Glass. Manchester: Manchester University Press.
[9] Flower MacCanner, Juliet (1990) The Other Perspectives in Gender and Culture: Rewriting Women and the Symbolic. New York: Columbia University Press.
[10] Hegerfeldt, A. (2003) "The Stars That Spring from Bastardising: Wise Children Go for Shakespeare (Angela Carter, Wise Children)." Anglia-Zeitschrift Fur Englische Philologie 121 (3): 351–372. Web of Science. Accessed on March 15, 2011.
[11] Ingersoll, Earl (2003) "Waiting for the End: Closure in Margaret Atwood's The Blind Assassin." Studies in the Novel 35 (4): 543–58. Academic Search Premier. Accessed on March 30, 2010.
[12] Howells, Coral Ann (ed.) (2006) The Cambridge Companion to Margaret Atwood. Cambridge: Cambridge University Press.
[13] Ku, Chung-Hao (2004) "Eating, Cleaning, and Writing: Female Abjection and Subjectivity in Margaret Atwood's The Blind Assassin." Concentric: Literary and Cultural Studies 30 (1): 93–129. Accessed on April 4, 2010.
[14] Lee, Alison (1997) Angela Carter. New York: Twayne.
[15] McWilliams, Ellen (2009) Margaret Atwood and the Female Bildungsroman. Surrey: Ashgate.
[16] Morris, Pam (1993) Literature and Feminism: An Introduction. Oxford: Blackwell Publishers.
[17] Peach, Linden (2009) Angela Carter. 2nd ed. Houndsmills: Palgrave Macmillan.
[18] Roessner, Jeffrey (2002) "Writing a History of Difference: Jeanette Winterson's Sexing the Cherry and Angela Carter's Wise Children." College Literature 29 (1): 102–22. Expanded Academic ASAP. Accessed on January 29, 2011.
[19] Simon, Julia (2004) Rewriting the Body: Desire, Gender and Power in Selected Novels by Angela Carter. Frankfurt am Main: Peter Lang.
[20] Smith, Sidonie and Julia Watson (eds.) (1998) Women, Autobiography, Theory: A Reader. Madison: University of Wisconsin Press.
[21] Staels, Hilde (2004) "Atwood's Specular Narrative: The Blind Assassin." English Studies 85 (2): 147–160. Academic Search Premier. Accessed on March 18, 2011. | DOI 10.1080/00138380409609832
[22] Stein, Karen F. (2003) "A Left-Handed Story: The Blind Assassin." In: Wilson, Sharon Rose (ed.) Margaret Atwood's Textual Assassinations: Recent Poetry and Fiction. Columbus: Ohio State University Press, 135–54.
[23] Stein, Karen F. (2003) "Talking Back to Bluebeard: Atwood's Fictional Storytellers." In: Wilson, Sharon Rose (ed.) Margaret Atwood's Textual Assassinations: Recent Poetry and Fiction. Columbus: Ohio State University Press, 154–173.
[24] Tolan, Fiona (2007) Margaret Atwood: Feminism and Fiction. Amsterdam: Rodopi.
[25] Tolan, Fiona (2010) "'Was I My Sister's Keeper?': The Blind Assassin and Problematic Feminisms". In: Bouson, J. Brooks (ed.) Margaret Atwood: The Robber Bride, Alias Grace, Oryx and Crake. London and New York: Continuum, 74–88.
[26] Vickroy, Laurie (2013) "Sexual Trauma, Ethics, and the Reader in the Works of Margaret Atwood." In: Bouson, J. Brooks (ed.) Critical Insights: Margaret Atwood. Ipswich: Salem Press, 254–267.
[27] Warhol, Robyn R., and Diane Herndl Price (eds.) (1997) Feminisms: An Anthology of Literary Theory and Criticism. New Brunswick: Rutgers University Press.
[28] Waugh, Patricia (1989) Feminine Fictions: Revisiting the Postmodern. London: Routledge.
[29] Wilson, Sharon Rose (ed.) (2003) Margaret Atwood's Textual Assassinations: Recent Poetry and Fiction. Columbus: Ohio State University Press.
[30] Wilson, Sharon Rose (ed.) (2013) Critical Insights: Margaret Atwood. Ipswich: Salem Press.