Název: "Making my Meaning Understood" : analysing metaphors in Great Expectations
Zdrojový dokument: Brno studies in English. 2020, roč. 46, č. 1, s. 243-260
Rozsah
243-260
-
ISSN0524-6881 (print)1805-0867 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/BSE2020-1-12
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/142610
Type: Článek
Jazyk
Licence: CC BY-NC-ND 4.0 International
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The aim of this investigation is to identify and examine the metaphors found in several specific extracts of Great Expectations, in order to explore the significance of these tropes and thereby analyse the impact they have on the semantics of the novel as a whole. The investigation begins by focusing on the opening chapter, paying particular attention to the description of the landscape given by Pip, as well as his terrifying encounter with the escaped convict Abel Magwitch in the cemetery scene. Next, it will analyse the range of metaphors included in the ironic depiction of Wemmick's house at Walworth, as well as the later episode depicting his son's interactions with Miss Skiffins (Chapter 37). Lastly, it will explore the metaphorical rhetoric employed in the description of Miss Havisham (Chapter 8) and the fire at Satis House (Chapter 49), investigating the significance that this has for the narrative. These inferences will shed light on the tone of the extracts and corroborate the rhetorical and stylistic mastery of Dickens as a writer.
Reference
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[2] Aristotle (1902) The Poetics of Aristotle. Edited by S. H. Butcher. London: Macmillan.
[3] Aristotle (1823) A New Translation of Aristotle's Rhetoric. Edited by John Gillies. London: Printed for T. Cadell.
[4] Besant, Walter & Henry James (1884) The Art of Fiction. Boston: Cupples and Hurd.
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[7] Brooks, Peter (2000) Reception, Repression, and Return: The Plotting of Great Expectations. In: Bloom, Harold (ed.) Charles Dickens's Great Expectations. New York: Chelsea House, 14–38.
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[15] Hidalgo, Pilar (1985) Introducción. In: Grandes Espeanzas. Madrid: Cátedra, 7–61.
[16] James, Henry (2003) The Art of Fiction. In: Wegelin, Christopher and Henry B. Wonham (eds.) Tales of Henry James. New York: Norton, 375–394.
[17] Kucich, John (2005) Intellectual debate in the Victorian novel: religion, science, and the professional. In: Deirdre, David (ed.) The Cambridge Companion to the Victorian Novel. Cambridge: Cambridge University Press, 212–233.
[18] Miller, H. (1958) (1970) Great Expectations. In: Dickens. The World of his Novels. Cambridge: Harvard University Press, 249–278.
[19] Newey, Vincent (2004) (2016) Great Expectations: Pip Pirrip's Gospel for Modern Man. In: The Scriptures of Charles Dickens Novels of Ideology, Novels of the Self. New York: Routledge, 175–234.
[20] Pragglejazz Group (2007) MIP: A Method for Identifying Metaphorically Used Words in Discourse. Metaphor and Symbol 22 (1), 1–39.
[21] Rosenberg, Edgar (1999) Notes. In: Great Expectations, New York: Norton, 9–356.
[22] Shaw, G. B. (1958) Foreword to Great Expectations. In: Laurence, Dan H. and Martin Quin (eds.) Shaw on Dickens. New York: Frederick Ungar, 45–59.
[23] Shires, Linda M. (2005) The aesthetics of the Victorian novel: form, subjectivity, ideology. In: Deirdre, David (ed.) The Cambridge Companion to the Victorian Novel. Cambridge: Cambridge University Press, 61–76.
[24] Smith, G. (1996) Great Expectations: Literary Career and Literary Text. New York: Palgrave, 159–178.
[25] Sucksmith, H. P. (1970) The Narrative Art of Charles Dickens. Oxford: Clarendon Press.
[2] Aristotle (1902) The Poetics of Aristotle. Edited by S. H. Butcher. London: Macmillan.
[3] Aristotle (1823) A New Translation of Aristotle's Rhetoric. Edited by John Gillies. London: Printed for T. Cadell.
[4] Besant, Walter & Henry James (1884) The Art of Fiction. Boston: Cupples and Hurd.
[5] Brook, G. L. (1970) The Language of Dickens. London: Andre Deutsch.
[6] Brooks, Peter (1980) Repetition, Repression, and Return: Great Expectations and the Study of Plot. New Literary History 11(3), On Narrative and Narratives: II (Spring), 503–526. | DOI 10.2307/468941
[7] Brooks, Peter (2000) Reception, Repression, and Return: The Plotting of Great Expectations. In: Bloom, Harold (ed.) Charles Dickens's Great Expectations. New York: Chelsea House, 14–38.
[8] Daleski, H. M. (1970) Great Expectation. In: Dickens and the Art of Analogy. London: Faber and Faber, 237–269.
[9] Darwin, Charles (1859) On the Origin of Species. London: John Murray.
[10] Dickens, Charles (2003) Great Expectations. Edited by C. Mitchell. London: Penguin.
[11] Dickens, Charles (1994) Hard Times. London: Penguin.
[12] Eagleton, Terry (2013) How to Read Literature. New Haven: Yale University Press.
[13] Eliot, George (2008) Middlemarch. Edited by David Carroll. Oxford: Oxford University Press.
[14] Forster, John (1928) The Life of Charles Dickens, Edited by J. W. T. Ley. London: C. Palmer.
[15] Hidalgo, Pilar (1985) Introducción. In: Grandes Espeanzas. Madrid: Cátedra, 7–61.
[16] James, Henry (2003) The Art of Fiction. In: Wegelin, Christopher and Henry B. Wonham (eds.) Tales of Henry James. New York: Norton, 375–394.
[17] Kucich, John (2005) Intellectual debate in the Victorian novel: religion, science, and the professional. In: Deirdre, David (ed.) The Cambridge Companion to the Victorian Novel. Cambridge: Cambridge University Press, 212–233.
[18] Miller, H. (1958) (1970) Great Expectations. In: Dickens. The World of his Novels. Cambridge: Harvard University Press, 249–278.
[19] Newey, Vincent (2004) (2016) Great Expectations: Pip Pirrip's Gospel for Modern Man. In: The Scriptures of Charles Dickens Novels of Ideology, Novels of the Self. New York: Routledge, 175–234.
[20] Pragglejazz Group (2007) MIP: A Method for Identifying Metaphorically Used Words in Discourse. Metaphor and Symbol 22 (1), 1–39.
[21] Rosenberg, Edgar (1999) Notes. In: Great Expectations, New York: Norton, 9–356.
[22] Shaw, G. B. (1958) Foreword to Great Expectations. In: Laurence, Dan H. and Martin Quin (eds.) Shaw on Dickens. New York: Frederick Ungar, 45–59.
[23] Shires, Linda M. (2005) The aesthetics of the Victorian novel: form, subjectivity, ideology. In: Deirdre, David (ed.) The Cambridge Companion to the Victorian Novel. Cambridge: Cambridge University Press, 61–76.
[24] Smith, G. (1996) Great Expectations: Literary Career and Literary Text. New York: Palgrave, 159–178.
[25] Sucksmith, H. P. (1970) The Narrative Art of Charles Dickens. Oxford: Clarendon Press.