Název: Nostalgia, kitsch and the Great Recession in Margaret Atwood's The Heart Goes Last and Westworld (Season 1)
Zdrojový dokument: Brno studies in English. 2019, roč. 45, č. 1, s. [143]-155
Rozsah
[143]-155
-
ISSN0524-6881 (print)1805-0867 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/BSE2019-1-9
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/141000
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The paper is a comparative study of Margaret Atwood's 2015 dystopian novel The Heart Goes Last and the 2016 HBO science-fiction TV series Westworld (Season 1) created by Jonathan Nolan and Lisa Joy. Drawing upon Susan Faludi's The Terror Dream and Marita Sturken's Tourists of History, the paper focuses on the American frontier myth, and the concepts of nostalgia and kitsch (in particular, Sturken's symbol of the snow globe) to analyse both works as cultural reactions to the recent Great Recession. While both analysed works can be said to reflect an anxiety about the growing class gap and express resentment against the rich, they respond differently to the popular demand for comfort in times of crisis. While Westworld uplifts with a vicarious experience of the underdog's emancipation, Atwood's satire ironically withholds a happy ending, providing readers with a lesson and a challenge instead.
Reference
[1] Atwood, Margaret (2015) The Heart Goes Last. New York, Random House.
[2] Boyle, Kirk and Daniel Mrozowski (eds.) (2013) The Great Recession in Fiction, Film and Television: Twenty-first Century Bust Culture. Plymouth, UK: Lexington Books.
[3] Cain, Sian (2018) Margaret Atwood announces The Handmaid's Tale sequel, The Testaments. The Guardian, 28 Nov. https://www.theguardian.com/books/2018/nov/28/margaret-atwood-announces-the-handmaids-tale-sequel-the-testaments (Accessed on 7.12.2018).
[4] Carter, Angela (1985 [1979]) The Bloody Chamber. Harmondsworth: Penguin Books.
[5] Fahrenheit 11/9 (2018) Michael Moore. Midwestern Films.
[6] Faludi, Susan (2007) The Terror Dream. What 9/11 Revealed about America. London: Atlantic Books.
[7] Flint Town (2018) Zackary Canepari, Drea Cooper, Jessica Dimmock. Netflix.
[8] Harrison, M. John (2015) The Heart Goes Last by Margaret Atwood review – rewardingly strange. The Guardian, 23 Sept. https://www.theguardian.com/books/2015/sep/23/the-heart-goes-last-margaret-atwood-review-novel (Accessed on 20.02.2018).
[9] Howells, Coral Ann (2017) True trash: genre fiction revisited in Margaret Atwood's Stone Mattress, The Heart Goes Last, and Hag-Seed. Contemporary Women's Fiction 11(3), 293–316.
[10] Irvine, Lorna (2000) Recycling culture: kitsch, camp and trash in Margaret Atwood's fiction. In: Nischik, Reingard M. (ed.), Margaret Atwood: Works and Impact. Rochester, NY: Camden House, 202–214.
[11] Jensen, Erin (2018) Evan Rachel Wood details sexual assaults to Congress. USA Today, 28 Feb. https://www.usatoday.com/story/life/people/2018/02/28/evan-rachel-wood-details-sexual-assaults-congress/381118002/ (Accessed on 12.03.2018).
[12] Jensen, Jeff (2016) Westworld: Entertainment Weekly review. Entertainment Weekly, 30 Sept. http://ew.com/article/2016/09/30/westworld-review/ (Accessed on 20.02.2018).
[13] Kindleberger, Charles P. and Robert Z. Aliber (2011) Manias, Panics, and Crashes. A History of Financial Crashes. 6th edition. NewYork: Palgrave Macmillan.
[14] Levin, Ira (2002 [1972]) The Stepford Wives. New York: Perennial.
[15] McCormack, J.W. (2015) Margaret Atwood's wonderfully trashy dystopia. The New Republic, 2 Oct., https://newrepublic.com/article/122995/margaret-atwoods-wonderfully-trashy-dystopia (Accessed on 29.11.2018).
[16] Negra, Diane and Yvonne Tasker (eds.) (2014) Gendering the Recession: Media and Culture in an Age of Austerity. Durham and London: Duke University.
[17] Piketty, Thomas (2014 [2013]) Capital in the Twenty-First Century. Trans. Arthur Goldhammer. Cambridge, Massachusetts, London, England: The Belknap Press of Harvard University Press.
[18] Poniewozik, James (2016) Review: 'Westworld' is a provocative but flawed sci-fi shoot-'em-up. The New York Times, 30 Sept. https://www.nytimes.com/2016/10/01/arts/television/review-westworld-is-a-provocative-but-flawed-sci-fi-shoot-em-up.html (Accessed on 20.02.2018).
[19] Reinhart, Carmen M. and Kenneth S. Rogoff (2011) This Time is Different. Eight Centuries of Financial Folly. Princeton and Oxford: Princeton University Press.
[20] Sontag, Susan (2018 [1966]) Notes on 'Camp'. Notes on 'Camp'. London: Penguin Books, 1–33.
[21] Sturken, Marita (2007) Tourists of History. Memory, Kitsch, and Consumerism from Oklahoma City to Ground Zero. Durham and London: Duke University Press.
[22] Westworld website. https://discoverwestworld.com/#about (Accessed on 18.02.2018).
[23] Westworld. Season 1 (2016) Jonathan Nolan, Lisa Joy. HBO.
[2] Boyle, Kirk and Daniel Mrozowski (eds.) (2013) The Great Recession in Fiction, Film and Television: Twenty-first Century Bust Culture. Plymouth, UK: Lexington Books.
[3] Cain, Sian (2018) Margaret Atwood announces The Handmaid's Tale sequel, The Testaments. The Guardian, 28 Nov. https://www.theguardian.com/books/2018/nov/28/margaret-atwood-announces-the-handmaids-tale-sequel-the-testaments (Accessed on 7.12.2018).
[4] Carter, Angela (1985 [1979]) The Bloody Chamber. Harmondsworth: Penguin Books.
[5] Fahrenheit 11/9 (2018) Michael Moore. Midwestern Films.
[6] Faludi, Susan (2007) The Terror Dream. What 9/11 Revealed about America. London: Atlantic Books.
[7] Flint Town (2018) Zackary Canepari, Drea Cooper, Jessica Dimmock. Netflix.
[8] Harrison, M. John (2015) The Heart Goes Last by Margaret Atwood review – rewardingly strange. The Guardian, 23 Sept. https://www.theguardian.com/books/2015/sep/23/the-heart-goes-last-margaret-atwood-review-novel (Accessed on 20.02.2018).
[9] Howells, Coral Ann (2017) True trash: genre fiction revisited in Margaret Atwood's Stone Mattress, The Heart Goes Last, and Hag-Seed. Contemporary Women's Fiction 11(3), 293–316.
[10] Irvine, Lorna (2000) Recycling culture: kitsch, camp and trash in Margaret Atwood's fiction. In: Nischik, Reingard M. (ed.), Margaret Atwood: Works and Impact. Rochester, NY: Camden House, 202–214.
[11] Jensen, Erin (2018) Evan Rachel Wood details sexual assaults to Congress. USA Today, 28 Feb. https://www.usatoday.com/story/life/people/2018/02/28/evan-rachel-wood-details-sexual-assaults-congress/381118002/ (Accessed on 12.03.2018).
[12] Jensen, Jeff (2016) Westworld: Entertainment Weekly review. Entertainment Weekly, 30 Sept. http://ew.com/article/2016/09/30/westworld-review/ (Accessed on 20.02.2018).
[13] Kindleberger, Charles P. and Robert Z. Aliber (2011) Manias, Panics, and Crashes. A History of Financial Crashes. 6th edition. NewYork: Palgrave Macmillan.
[14] Levin, Ira (2002 [1972]) The Stepford Wives. New York: Perennial.
[15] McCormack, J.W. (2015) Margaret Atwood's wonderfully trashy dystopia. The New Republic, 2 Oct., https://newrepublic.com/article/122995/margaret-atwoods-wonderfully-trashy-dystopia (Accessed on 29.11.2018).
[16] Negra, Diane and Yvonne Tasker (eds.) (2014) Gendering the Recession: Media and Culture in an Age of Austerity. Durham and London: Duke University.
[17] Piketty, Thomas (2014 [2013]) Capital in the Twenty-First Century. Trans. Arthur Goldhammer. Cambridge, Massachusetts, London, England: The Belknap Press of Harvard University Press.
[18] Poniewozik, James (2016) Review: 'Westworld' is a provocative but flawed sci-fi shoot-'em-up. The New York Times, 30 Sept. https://www.nytimes.com/2016/10/01/arts/television/review-westworld-is-a-provocative-but-flawed-sci-fi-shoot-em-up.html (Accessed on 20.02.2018).
[19] Reinhart, Carmen M. and Kenneth S. Rogoff (2011) This Time is Different. Eight Centuries of Financial Folly. Princeton and Oxford: Princeton University Press.
[20] Sontag, Susan (2018 [1966]) Notes on 'Camp'. Notes on 'Camp'. London: Penguin Books, 1–33.
[21] Sturken, Marita (2007) Tourists of History. Memory, Kitsch, and Consumerism from Oklahoma City to Ground Zero. Durham and London: Duke University Press.
[22] Westworld website. https://discoverwestworld.com/#about (Accessed on 18.02.2018).
[23] Westworld. Season 1 (2016) Jonathan Nolan, Lisa Joy. HBO.