Název: In-between states: Sarah Polley's Take This Waltz and Xavier Dolan's Laurence Anyways
Zdrojový dokument: Brno studies in English. 2013, roč. 39, č. 2, s. [91]-106
Rozsah
[91]-106
-
ISSN0524-6881 (print)1805-0867 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/BSE2013-2-6
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/130311
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
Two recent films by young Canadian directors, deal with characters entangled in in-between states. Margot in Sarah Polley's Take This Waltz is caught between her comfortable marriage and her passionate affair with a neighbour, while Laurence in Xavier Dolan's Laurence Anyways is more radically unsettled by his decision to become a woman. Both films lay themselves open to accusations of superficiality, by drawing on the conventions of romantic comedy (Take This Waltz) or by a flamboyantly melodramatic style (Laurence Anyways), but both work to unsettle easy assumptions about the relations of surface and depth, image and self, fantasy and bodily reality.
eng
Reference
[1] Armbrecht, Thomas J.D. (2013) "'On ne se baigne deux fois dans le même fleuve': L'ontologie trans- de Laurence, Anyways." L’Esprit Créateur 53 (1), Spring, 31–44. | DOI 10.1353/esp.2013.0013
[2] Brady, Tara (2012) "Laurence Anyways." Irish Times, 7 December.
[3] Cavell, Richard, and Peter Dickinson (2006) "Sex and Canada: A Theoretical Introduction". In: Cavell Richard and Peter Dickinson (ed.) Sexing the Maple: A Canadian Sourcebook. Peterborough: Broadview Press, xiii–xliii.
[4] Debono, John (2012) "Take This Waltz: A Refreshingly Honest Portrayal of Youth and Love." Film Matters, Summer, 74–75.
[5] Dequen, Bruno (2012) "Je t'aime, moi non plus." 24 Images 158, September, 64.
[6] Fradet, Pierre-Alexandre (2012a) "Laurence Anyways: Aux profondeurs de la surface." Séquences 279, July–August, 48.
[7] Fradet, Pierre-Alexandre (2012b) "Xavier Dolan." Séquences 279, July–August, 46–47.
[8] Hays, Matthew (2012) "Drama Queen." Xtra, 6 September.
[9] Johnson, Brian D. (2012) "This Documentary Needs a Spoiler Alert." Maclean's 125 (40), 15 October, 71.
[10] Kawin, Bruce (1978) "Mindscreen: Bergman, Godard, and First-Person Film". Princeton: Princeton University Press.
[11] Kroenert, Tim (2012) "Intimate Study of a Failing Marriage." Eureka Street 22 (11), 15 June, 31–32.
[12] Milzoff, Rebecca (2012) "Sarah Polley on Take This Waltz, Canadian Pride, and Always Keeping the Bathroom Door Closed." www.vulture.com/2012/06/sarah-polley-take-this-waltz-interview.html.
[13] Monk, Katherine (2001) Weird Sex and Snowshoes and Other Canadian Film Phenomena. Vancouver: Raincoast Books.
[14] Monk, Katherine (2013) "Why Sex Matters in Canadian Film and Literature." In: Jarraway, David (ed.) Double-Takes: Intersections Between Canadian Literature and Film. Ottawa: University of Ottawa Press, 247–257.
[15] Mortimer, Claire (2010) Romantic Comedy. London: Routledge.
[16] Porton, Richard (2013) "Family Viewing: An Interview with Sarah Polley." Cineaste 38 (3), Summer, 36–40.
[17] Protat, Zoé (2012) "Ecce Homo." Ciné-Bulles 30 (3), Summer, 16–17.
[18] Rothkopf, Joshua (2013) "Laurence Anyways: Film Review." Time Out New York, 25 June.
[19] Thomson, David (2013) "When Did You Last Film Your Father?" New Republic 244 (6), 29 April, 60–62.
[20] Vincendeau, Ginette (1996) The Companion to French Cinema. London: Cassell.
[21] Wheatley, Catherine (2012) "This Waltz." Sight and Sound 22 (9), September, 112–113.
[22] Wigley, Samuel (2012) "Laurence Anyways." Sight and Sound 22 (12), December, 95.
[2] Brady, Tara (2012) "Laurence Anyways." Irish Times, 7 December.
[3] Cavell, Richard, and Peter Dickinson (2006) "Sex and Canada: A Theoretical Introduction". In: Cavell Richard and Peter Dickinson (ed.) Sexing the Maple: A Canadian Sourcebook. Peterborough: Broadview Press, xiii–xliii.
[4] Debono, John (2012) "Take This Waltz: A Refreshingly Honest Portrayal of Youth and Love." Film Matters, Summer, 74–75.
[5] Dequen, Bruno (2012) "Je t'aime, moi non plus." 24 Images 158, September, 64.
[6] Fradet, Pierre-Alexandre (2012a) "Laurence Anyways: Aux profondeurs de la surface." Séquences 279, July–August, 48.
[7] Fradet, Pierre-Alexandre (2012b) "Xavier Dolan." Séquences 279, July–August, 46–47.
[8] Hays, Matthew (2012) "Drama Queen." Xtra, 6 September.
[9] Johnson, Brian D. (2012) "This Documentary Needs a Spoiler Alert." Maclean's 125 (40), 15 October, 71.
[10] Kawin, Bruce (1978) "Mindscreen: Bergman, Godard, and First-Person Film". Princeton: Princeton University Press.
[11] Kroenert, Tim (2012) "Intimate Study of a Failing Marriage." Eureka Street 22 (11), 15 June, 31–32.
[12] Milzoff, Rebecca (2012) "Sarah Polley on Take This Waltz, Canadian Pride, and Always Keeping the Bathroom Door Closed." www.vulture.com/2012/06/sarah-polley-take-this-waltz-interview.html.
[13] Monk, Katherine (2001) Weird Sex and Snowshoes and Other Canadian Film Phenomena. Vancouver: Raincoast Books.
[14] Monk, Katherine (2013) "Why Sex Matters in Canadian Film and Literature." In: Jarraway, David (ed.) Double-Takes: Intersections Between Canadian Literature and Film. Ottawa: University of Ottawa Press, 247–257.
[15] Mortimer, Claire (2010) Romantic Comedy. London: Routledge.
[16] Porton, Richard (2013) "Family Viewing: An Interview with Sarah Polley." Cineaste 38 (3), Summer, 36–40.
[17] Protat, Zoé (2012) "Ecce Homo." Ciné-Bulles 30 (3), Summer, 16–17.
[18] Rothkopf, Joshua (2013) "Laurence Anyways: Film Review." Time Out New York, 25 June.
[19] Thomson, David (2013) "When Did You Last Film Your Father?" New Republic 244 (6), 29 April, 60–62.
[20] Vincendeau, Ginette (1996) The Companion to French Cinema. London: Cassell.
[21] Wheatley, Catherine (2012) "This Waltz." Sight and Sound 22 (9), September, 112–113.
[22] Wigley, Samuel (2012) "Laurence Anyways." Sight and Sound 22 (12), December, 95.