Název: Marcel Duchamp's and John Cage's chess intermedia
Zdrojový dokument: Musicologica Brunensia. 2023, roč. 58, č. 1, s. 19-28
Rozsah
19-28
-
ISSN1212-0391 (print)2336-436X (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/MB2023-1-2
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/digilib.78845
Type: Článek
Jazyk
Licence: CC BY-SA 4.0 International
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
Chess played an important role in the life and art of both Marcel Duchamp and John Cage, it became a "becoming-chess" in the generative sense of an immanent transformation onto the being of a qualitatively new kind or with qualitatively new functions, in the sense of how Gilles Deleuze and Félix Guattari understood their concept of "becoming". The following paper reveals the chess realizations, appropriations and inspirations of two influential artists in the context of their large and intense work as well as in the broader interdisciplinary context of the art, philosophy, and aesthetics they helped form in the 20th century.
Reference
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[2] CABANNE, Pierre. Dialogues with Marcel Duchamp. Boston, Massachusetts: Da Capo Press, 1987.
[3] CAGE, John. Chess Pieces for Piano (score). New York/London/Frankfurt/Leipzig: C. F. Peters Corporation, 2006.
[4] CAGE, John. Composition in Retrospect. Cambridge, Mass.: Exact Change, 1993.
[5] CAGE, John. Silence. Middletown, CT: Wesleyan University Press, 1973.
[6] CROSS, Lowell. Reunion: John Cage, Marcel Duchamp, Electronic Music and Chess. Leonardo Music Journal, Vol. 9 (1999), p. 35–42. The International Society of the Arts, Sciences and Technology and/or The MIT Press, 1999.
[7] CSERES, Jozef. Zásadný Duchamp. Profil súčasného výtvarného umenia, č. 1, 2020. Bratislava: Kruh súčasného umenia Profil, p. 106–123.
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[9] DELEUZE, Gilles – GUATTARI, Félix. A Thousand Plateaus. Capitalism and Schizophrenia. London/New York: Continuum, 2004. English Translation: Brian Massumi.
[10] d'HARNONCOURT, Anne – McSHINE, Kynaston (eds.). Marcel Duchamp. New York/Philadelphia: The Museum of Modern Art a Philadelphia Museum of Art/Prestel, 1963/1989.
[11] HENDERSON, Linda Dalrymple. Duchamp in Context. Science and Technology in the Large Glass and Related Works. Princeton, New Jersey: Princeton University Press, 1998.
[12] KOSTELANETZ, Richard. Conversing with Cage. London/New York/Sydney: Omnibus Press, 1989.
[13] LIST, Larry (ed.). The Imagery of Chess Revisited. New York: The Isamu Noguchi Foundation and Garden Museum / George Braziller Publishers, 2005.
[14] SANOUILLET, Michel – PETERSON, Elmer (eds.). The Writings of Marcel Duchamp. New York: Da Capo Press, 1989.
[15] SILVERMAN, Kenneth. Begin Again. A Biography of John Cage. New York: Alfred A. Knopf, 2010.
[16] SCHWARZ, Arturo. The Complete Works of Marcel Duchamp. London: Tames and Hudson, 1969.
[17] STROUHAL, Ernst. M. Duchamp / V. Halberstadt. Spiel im Spiel. Cully/Nuremberg: Kunsthalle Marcel Duchamp/Verlag für moderne Kunst Nürnberg, 2012.
[18] TOMKINS, Calvin. Marcel Duchamp: The Afternoon Interviews. Brooklyn: Badlands Unlimited, 2013.
[2] CABANNE, Pierre. Dialogues with Marcel Duchamp. Boston, Massachusetts: Da Capo Press, 1987.
[3] CAGE, John. Chess Pieces for Piano (score). New York/London/Frankfurt/Leipzig: C. F. Peters Corporation, 2006.
[4] CAGE, John. Composition in Retrospect. Cambridge, Mass.: Exact Change, 1993.
[5] CAGE, John. Silence. Middletown, CT: Wesleyan University Press, 1973.
[6] CROSS, Lowell. Reunion: John Cage, Marcel Duchamp, Electronic Music and Chess. Leonardo Music Journal, Vol. 9 (1999), p. 35–42. The International Society of the Arts, Sciences and Technology and/or The MIT Press, 1999.
[7] CSERES, Jozef. Zásadný Duchamp. Profil súčasného výtvarného umenia, č. 1, 2020. Bratislava: Kruh súčasného umenia Profil, p. 106–123.
[8] De DUVE, Thierry (ed.). The Definitively Unfinished Marcel Duchamp. Halifax, New Scotia/Cambridge, Massachusetts/London: Nova Scotia College of Art and Design/The MIT Press, 1991.
[9] DELEUZE, Gilles – GUATTARI, Félix. A Thousand Plateaus. Capitalism and Schizophrenia. London/New York: Continuum, 2004. English Translation: Brian Massumi.
[10] d'HARNONCOURT, Anne – McSHINE, Kynaston (eds.). Marcel Duchamp. New York/Philadelphia: The Museum of Modern Art a Philadelphia Museum of Art/Prestel, 1963/1989.
[11] HENDERSON, Linda Dalrymple. Duchamp in Context. Science and Technology in the Large Glass and Related Works. Princeton, New Jersey: Princeton University Press, 1998.
[12] KOSTELANETZ, Richard. Conversing with Cage. London/New York/Sydney: Omnibus Press, 1989.
[13] LIST, Larry (ed.). The Imagery of Chess Revisited. New York: The Isamu Noguchi Foundation and Garden Museum / George Braziller Publishers, 2005.
[14] SANOUILLET, Michel – PETERSON, Elmer (eds.). The Writings of Marcel Duchamp. New York: Da Capo Press, 1989.
[15] SILVERMAN, Kenneth. Begin Again. A Biography of John Cage. New York: Alfred A. Knopf, 2010.
[16] SCHWARZ, Arturo. The Complete Works of Marcel Duchamp. London: Tames and Hudson, 1969.
[17] STROUHAL, Ernst. M. Duchamp / V. Halberstadt. Spiel im Spiel. Cully/Nuremberg: Kunsthalle Marcel Duchamp/Verlag für moderne Kunst Nürnberg, 2012.
[18] TOMKINS, Calvin. Marcel Duchamp: The Afternoon Interviews. Brooklyn: Badlands Unlimited, 2013.