Aestheticizing enslavement : representations of Jawārī in Fatimid visual culture

This study brings together various images of enslaved women characterized as jawārī (sing. jāriya) across Fatimid visual culture to shed light on the frequency with which jawārī are represented in the corpus of Fatimid art and to offer an explanation for their ubiquity in the visual archive. This study argues that the oft-repeated visual motif of jawārī highlights the required visibility of enslaved women in Fatimid society. In addition to their labor being exploited as well as their bodies being sexually accessible to their owners, jawārī were also visually available to those they served. In this sense, the jawārī represented in Fatimid visual culture became mere objects on the surface of objects, things on things, constructed to provide pleasurable experiences for their audiences – their owners, of course, but also members of elite society at large. Carved in wood and ivory, painted on ceramics and walls of architectural spaces, drawn on paper, and crafted in sculptural form, representations of jawārī sought to beautify physical and sexual labor, superimposing an aesthetic element on the representation of enslavement. Representations of jawārī thus reveal less about the day-to-day experience of enslaved women in the Fatimid world and more about the carefully constructed ideologies and desires undergirding enslavement in the period. Slavery and its images were therefore not hidden features of the Fatimid visual landscape but rather spectacles to be commodified, consumed, and enjoyed.