Název: Avant-garde theory in the 1960s : [with an introduction by Matthew Rampley]
Variantní název:
- Avant-garde theory in the 1960s
Přispěvatel
Rampley, Matthew (překladatel)
Rampley, Matthew (Author of Introduction)
Zdrojový dokument: Art East Central. 2024, roč. [4], č. 4, s. 35-65
Rozsah
35-65
-
ISSN2695-1428 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/AEC2024-4-3
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/digilib.80953
Type: Článek
Jazyk
Licence: CC BY-NC-ND 4.0 International
Přístupová práva
otevřený přístup
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
Vratislav Effenberger is remembered primarily as the heir to Karel Teige from the 1950s and, as such, the leading representative of Surrealism in post-war Czechoslovakia. The editor of Teige's collected writings, as well as of anthologies of Surrealist texts, he wrote numerous articles on contemporary art and culture, with a focus on the legacy of relevance of Surrealism in the 1950s and 1960s. This text consists of a translation of a chapter from his only book-length theoretical study, Reality and the Poetic (1969), in which he offered an interpretation of the history of the avant-garde as well as a theoretical elaboration of avant-garde aesthetics. The translated chapter is prefaced with an introduction that provides a historical and intellectual background to Effenberger's work, including discussion of his marginalization by the socialist authorities as well as emphasis on key concepts in his work.
eng
Note
Contents: Introduction by Matthew Rampley, p. 35-48.
Contents: Effenberger, Vratislav. The Concept of the Avant-Garde. Translated and edited by Matthew Rampley, p. 49-65. -- Originally published as 'Pojem avantgardy' in Vratislav Effenberger, Realita a poesie: k vývojové dialektice moderního umění, Prague: Mladá fronta. 1969, 162-184.