Název: Repertoire of characters in Roman comedy: new classification approaches
Zdrojový dokument: Graeco-Latina Brunensia. 2014, roč. 19, č. 2, s. [3]-15
Rozsah
[3]-15
-
ISSN1803-7402 (print)2336-4424 (online)
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/131945
Type: Článek
Jazyk
Jazyk shrnutí
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
What is Roman comedy? Which ancient theatre forms can be included under this term? How to classify the characters of palliatae, togatae, atellanae and mimi, having mostly complete texts of Plautus's and Terence's palliatae available on the one hand, and palliatae, togatae, atellanae and mimi preserved only fragmentally on the other? This study presents a method of classifying a repertoire of characters in Roman comedy which I used in my dissertation. Complete texts were analyzed in terms of contrasts and correspondences, allowing me to determine the correspondences and similarities not only among dramatic characters or types separately in Plautus's and separately in Terence's comedies, but also point out certain correspondences and similarities in the entire historical corpus of texts mapping a specific period or genre. Therefore, I determined structural functions of individual types and their roles in the corpus of texts, which, at the same time, provided me with a summary of typical traits of various types of characters, manifested in antagonism or cooperation with other types of characters. I compared this set of "words-signs" with words describing the characters from fragments, using clear arrangement into contingency tables. Due to this comparison and other partial findings enabled by this method and tools used, it was possible to describe, at least partially, not only a repertoire of characters of individual comic forms, but also compare them with each other and determine how the "dramatis personae" of Roman comedy changed diachronically.
Reference
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[22] Propp, Vladimir Jakovlevič. 1968. Morphology of the Folktale. Texas.
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[24] Stehlíková, Eva. 1993. Římské divadlo. Praha.
[25] Souriau, Étienne. 1950. Les deus cent mille situations dramatiques. Paris.
[26] Svelo. Adele. 1980. Un capitolo nella storia del comico del sesso: Atellane e mimi. Reggio Calabria.
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[28] Warmington, Eric Herbert [ed.]. 1936. Remains of old Latin: Livius, Naevius, Pacuvius, Accius. Cambridge (Massachusetts).
[2] Bonaria, Mario [ed.]. 1965. I mimi romani. Roma.
[3] Della Corte, Francesco. 1973. "La tipologia del personaggio della Palliata." Actes du IX Congrés de l'Association G. Baudé, 9, 1, 354–393.
[4] Duckworth, George E. 1952. "Characters and Characterization." In Duckworth, George E. The Nature of Roman comedy: A Study in Popular Entertainment. Princeton, 236–268.
[5] Elam, Keir. 2002. The semiotics of the theater and drama. London.
[6] Frassinetti, Paolo [ed.]. 1967. Atellanae fabulae. Roma.
[7] Greimas, Julien Algirdas. 1966. Sémantique structurale. recherche de méthode. Paris.
[8] Guardì, Tommaso. 1978. "I fullones e la commedia romana." PAN studi dell'Istituto di filologia latina, 6, 37–45.
[9] Hamon, Philippe. 1977. "Pour un statut sémiologique du personnage." Poétique de récit. Paris.
[10] Hendl, Jan. 2006. Přehled statistických metod zpracování dat: analýza a metaanalýza dat. Praha.
[11] Hurbánková, Šárka. 2012. Repertoár postav v římské komedii: palliata, togata, atellana, mimus. [online] Brno. [cit. 2014-10-03]. Dissertation. Masaryk University. Faculty of Arts. Department of Classical Studies. Dissertation supervisor doc. PhDr. Dagmar Bartoňková, CSc. Available from: https://is.muni.cz/th/40056/ff_d.
[12] Hurbánková, Šárka. 2010. "Characters and comic situations in Roman comedy: the Atellan farce and Mime." Sborník prací Filozofické fakulty brněnské univerzity, Graeco-Latina Brunensia, Brno, 15, 2, 69–80.
[13] Hurbánková, Šárka. 2008. "Personae oscae e il riso popolare nelle atellane." Sborník prací Filozofické fakulty brněnské univerzity, Graeco-Latina Brunensia, Brno, 13, 67–79.
[14] Karakasis, Evangelos. 2005. Terence and the Language of Roman Comedy. Cambridge.
[15] Kolář, Antonín. 1923. Příspěvky k poznání Nové komedie attické, zvláště Menandrovy. Praha.
[16] Levý, Jiří. 1971. Bude literární věda exaktní vědou? Praha.
[17] López, Aurora ‒ Pociña, Andrés. 2007. Comedia romana. Madrid.
[18] López López, Aurora [ed.]. 1983. Fabularum Togatarum fragmenta: Edición crítica. Salamanca.
[19] Lukeš, Milan. 1987. Umění dramatu. Praha.
[20] Manuwald, Gesine. 2011. Roman Republican Theatre. Cambridge.
[21] Pfister, Manfred. 1991. The Theory and Analysis of Drama. Cambridge.
[22] Propp, Vladimir Jakovlevič. 1968. Morphology of the Folktale. Texas.
[23] Rychlewska, Ludovica [ed.]. 1971. Turpilii comici fragmenta. Leipzig.
[24] Stehlíková, Eva. 1993. Římské divadlo. Praha.
[25] Souriau, Étienne. 1950. Les deus cent mille situations dramatiques. Paris.
[26] Svelo. Adele. 1980. Un capitolo nella storia del comico del sesso: Atellane e mimi. Reggio Calabria.
[27] Warmington, Eric Herbert [ed.]. 1935. Remains of old Latin: Ennius, Caecilius. Cambridge (Massachusetts).
[28] Warmington, Eric Herbert [ed.]. 1936. Remains of old Latin: Livius, Naevius, Pacuvius, Accius. Cambridge (Massachusetts).