Displaying 76 - 100 of 169
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Ryčeva, Jekaterina.
Манипулятивный потенциал метаязыковых операторов в российском политическом дискурсе. Новая русистика. 2020, vol. 13, iss. 2, pp. 29–41.
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Hashemi, Michaela.
Výjimečný divadelní počin: Mejerchold : (představení Divadelního Studia Marta Janáčkovy Akademie múzických umění). Новая русистика. 2020, vol. 13, iss. 2, pp. 53–57.
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Kapičiak, Jakub.
Tracing Dmitrij Prigov in contemporary Russia : preliminary remarks on postmodern (dis)continuity. Новая русистика. 2020, vol. 13, iss. 2, pp. 5–18.
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Špačeková, Zina.
Когда слова могут оказаться нашими врагами.... Новая русистика. 2020, vol. 13, iss. 2, pp. 70–72.
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Andrejs, René.
Московский период Йиржи Вайла. Новая русистика. 2020, vol. 13, iss. 2, pp. 43–52.
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Šalounová, Kateřina.
Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.
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Koubová, Alice.
Filosofické aspekty Estetiky performativity Eriky Fischer-Lichte. Theatralia. 2020, vol. 23, iss. 2, pp. 13–29.
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Sarkissian, Alena.
Jaká doba, takové divadlo : k povzdechu Wolfganga Spitzbardta nad mimésis v dnešním divadle, komentář prizmatem Aristotelovy Poetiky. Theatralia. 2020, vol. 23, iss. 2, pp. 183–188.
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Stehlíková, Karolína.
Je libo ceduli nebo plakát?. Theatralia. 2020, vol. 23, iss. 2, pp. 194–197.
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Daniel, Clara.
Hic et nunc: Amy Richlin's Iran Man and the ethics of translating Plautus. Theatralia. 2020, vol. 23, iss. 2, pp. 143–162.
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Koubská, Vlasta.
Ke spolupráci Antonína Heythuma s Karlem Hugo Hilarem a Karlem Dostalem v Národním divadle. Theatralia. 2020, vol. 23, iss. 2, pp. 109–142.
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Stehlíková, Karolína, Lollike, Christian.
I hope that the debates the performances stimulate will change something' : interview with Danish playwright Christian Lollike. Theatralia. 2020, vol. 23, iss. 2, pp. 169–172.
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Klembarová, Klaudia.
Performatívne umenie v teréne Brna. Theatralia. 2020, vol. 23, iss. 2, pp. 189–191.
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Bulandrová, Amálie.
Proměny Pražského Quadriennale. Theatralia. 2020, vol. 23, iss. 2, pp. 30–56.
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Poláčková, Eliška.
Planctus Mariae : performing compassion as a means of social promotion. Theatralia. 2020, vol. 23, iss. 2, pp. 74–91.
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Poláčková, Eliška, Kubina, Lukáš.
Perform(ance) or (something) else : Od materiálu k pojmosloví a zpět : editorial. Theatralia. 2020, vol. 23, iss. 2, pp. 7–12.
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Kubina, Lukáš.
Performativní? Kreativní? Interdisciplinární?. Theatralia. 2020, vol. 23, iss. 2, pp. 192–193.
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Krajník, Filip.
Zpupný krákal – Shakespeara pro naši dobu. Theatralia. 2020, vol. 23, iss. 2, pp. 198–202.
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Kačer, Tomáš, Drozd, David.
(Re-)translating Zich's aesthetics into English : a work in progress. Theatralia. 2020, vol. 23, iss. 1, pp. 199–213.
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Ambros, Veronika.
Otakar Zich and Prague's 'Semiotic Stage' : reading performance avant la lettre. Theatralia. 2020, vol. 23, iss. 1, pp. 13–29.
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Drábek, Pavel.
A Czech dictionary of structuralist literary theory and criticism. Theatralia. 2020, vol. 23, iss. 1, pp. 168–170.