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Displaying 51 - 75 of 213

Article
Tazelaar, Kees. Roelof Vermeulen at Philips : a search for space in music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 17–27.

Article
Cseres, Jozef. Musica practica according to Roland Barthes. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 149–153.

Article
Fulka, Vladimír. Arnold Schönberg and musica artificiosa : a rationality in the musical composition. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 69–78.

Article
Ščepán, Michal. New media and the work of Slovak composer Tadeáš Salva. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 101–116.

Article
Horáková, Jana. Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.

Article
Richards, John. Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.

Article
Cenkerová, Zuzana. Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.

Article
Landy, Leigh. Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 5–16.

Article
Armand, Louis. Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139–147.

Article
Watt, Paul. Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.

Article
Flašar, Martin. Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.

Article
Zagorski, Marcus. The role of technology in the aesthetics of postwar serial music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 127–137.

Article
Rataj, Michal. Everyone can be composer today – full stop or question mark?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 43–52.

Article
Urniežius, Rytis. The possibilities of transcribing orchestral works subject to essentiality of their original orchestration. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 85–93.

Article
Hruška, Viktor. Profil nátrubkového nástroje z pohledu organologické systematiky založené na akustických vlastnostech. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 141–156.

Article
Spurný, Lubomír, Fančal, Petr. Hudba a interpretace : k otázkám analýzy hudebního výkonu. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 109–120.

Article
Pantůček, Viktor. ... ten, kdo si je svou kulturní identitou jist, si může zahrávat i s pravidly kulturní hry... : metainspirace Jiřím Fukačem. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 49–56.

Article
Haas, Petr. The language of the assistant and the language of the creator : selected aspects of computer assisted composition. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 121–139.

Article
Perutková, Jana. Fukačovy výzkumy v oblasti staré hudby jako inspirace pro dnešek. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 27–41.

Chapter
Brönnimann, David, Rissanen, Hannele. Vivre et mourir sur le site de la Tène de Bâle-Gasfabrik (Suisse) - l'étude interdisciplinaire de structures d'habitat choisies et de deux nécropoles donne un aperçu de la société à la fin de l'âge du Fer. In: Interdisciplinarité et nouvelles approches dans les recherches sur l'âge du Fer. 2017, pp. 93–97.

Chapter
Harasim, Przemysław. Remarques sur les influences de la culture de La Tène le bassin de la Baltique. In: Interdisciplinarité et nouvelles approches dans les recherches sur l'âge du Fer. 2017, pp. 115–118.

Chapter
Bellamy, Clément, Villette, Mathilde. Caractériser les contacts entre Grecs et indigènes au sein d'un atelier de potier du VIIe s. av. J.-C. en Italie du Sud. In: Interdisciplinarité et nouvelles approches dans les recherches sur l'âge du Fer. 2017, pp. 135–139.

Chapter
Belard, Chloé. Nouvelles approches et perspectives méthodologiques pour l'archéologie funéraire du genre. In: Interdisciplinarité et nouvelles approches dans les recherches sur l'âge du Fer. 2017, pp. 99–101.