Displaying 76 - 100 of 380
Chapter
Havlíčková, Margita.
Zur Untersuchungsproblematik. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733.
2012, pp. 13–18.
Chapter
Havlíčková, Margita.
Heinrich Rademins Theateraufführungen in Brünn. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733.
2012, pp. 54–74.
Chapter
Havlíčková, Margita.
Vorwort. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733.
2012, pp. 7–8.
Chapter
Havlíčková, Margita.
Personenregister. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733.
2012, pp. 166–168.
Chapter
Havlíčková, Margita.
Das Opernhaus "In der Taffern". In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733.
2012, pp. 114–120.
Chapter
Havlíčková, Margita.
Professional Theatre in Brno between 1668 and 1733. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733.
2012, pp. 160.
Chapter
Havlíčková, Margita.
Zur Baugeschichte der städtischen Taverne in den Jahren 1600–1733. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733.
2012, pp. 144–158.
Chapter
Havlíčková, Margita.
Das Berufstheater in Brünn in der ersten Hälfte der 1720er Jahre. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733.
2012, pp. 75–96.
Chapter
Havlíčková, Margita.
Schlusswort. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733.
2012, pp. 159.
Chapter
Havlíčková, Margita.
Die Anfänge des barocken Berufstheaters in Brünn in der zweiten Hälfte des 17. Jahrhunderts. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733.
2012, pp. 19–53.
Article
Šlaisová, Eva, Revermann, Martin.
'The Roaring Twenties' : theatre of the early 2020s. Theatralia. 2023, vol. 26, iss. 1, pp. 7–10.
Article
Jovanović, Nenad.
Playing for and against the microphone : the theatrical soundstage, the cinematic meeting interface. Theatralia. 2023, vol. 26, iss. 1, pp. 11–28.
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Meerzon, Yana.
Playing a tyrant – rethinking an autocrat in Asya Voloshina's Antigona: Redukciia. Theatralia. 2023, vol. 26, iss. 1, pp. 29–54.
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Reuss, Gabriella.
In search of the 'real Shakespeare' : Sándor Hevesi's Taming of the Shrew in 1923, Budapest. Theatralia. 2023, vol. 26, iss. 1, pp. 55–81.
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Havlíčková Kysová, Šárka.
Presages of contemporary theatre studies theories in Vladimír Jindra's structuralist theory of scenography. Theatralia. 2023, vol. 26, iss. 1, pp. 82–100.
Article
Revermann, Martin, Kotsovilis, Spyridon.
Theatre and pedagogy : adapting Euripides' Trojan Women and the political science classroom. Theatralia. 2023, vol. 26, iss. 1, pp. 101–107.
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Jovanović, Nenad.
Liveness and its pandemical other. Theatralia. 2023, vol. 26, iss. 1, pp. 109–113.
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Havlíčková Kysová, Šárka.
Acting method as an (embodied) worldview. Theatralia. 2023, vol. 26, iss. 1, pp. 115–117.
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Drábek, Pavel.
PQ 2023 is inviting you! : PQ Best Publication Award in Performance Design & Scenography. Theatralia. 2023, vol. 26, iss. 1, pp. 118–121.
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Šlaisová, Eva.
The diaries of Jindřich Honzl: 1912–1952. Theatralia. 2023, vol. 26, iss. 1, pp. 123–137.
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Jochmanová, Andrea.
Archive of costume designer Inez Tuschnerová. Theatralia. 2023, vol. 26, iss. 1, pp. 138–151.
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Rais, Mish, Eliášová, Mirka, Le Quesne, Lizzy, Hamilton, Julyen.
Improvisation as practicing trust : interview with Julyen Hamilton . Theatralia. 2023, vol. 26, iss. 2, pp. 197–203.
Article
Bernátek, Martin.
New book on the Czech avant-garde theatre. Theatralia. 2023, vol. 26, iss. 2, pp. 239–247.