Displaying 101 - 125 of 311
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Šťastná, Kateřina Alexandra.
Christian Gottfried Krause: Von der musikalischen Poesie – an annotated translation : summary. In: Šťastná, Kateřina Alexandra. , Krause, Christian Gottfried. Christian Gottfried Krause: O hudební poezii : komentovaný překlad.
2022, pp. 313–314.
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Veselovská, Eva.
The Latin Office of the Dead in mediaeval manuscripts from the territory of Slovakia. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 53–77.
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Musil, Ondřej.
Dvořák, Martinů and Gershwin as a source of inspiration for Vladimír Sís's music films. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 145–161.
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Łaszkiewicz, Weronika, Dědinová, Tereza.
Native Americans and speculative fiction : what popular literature tells us about stereotyping and cultural biases. Bohemica litteraria. 2022, vol. 25, iss. 2, pp. 129–135.
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Hruška, Viktor.
Early Czech music theory : characterization, personalities and trends. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 39–55.
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Kajanová, Yvetta.
Migration of Central European musicians exemplified by John Dopyera, Diana Krall, Andreas Varady, and Celeste Buckingham. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 57–74.
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Dobšinský, Peter.
The AMC Trio jazz combo and their inspirations drawn from Slovak folk music. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 75–88.
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Pavlica, Lukáš.
The operas arrangements for chamber ensembles in the Moravian and Lower Austrian monasteries. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 153–166.
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Škapcová, Tatiana.
Vplyv a dosah myšlienok Vladimíra Helferta na slovenskú hudbu. Musicologica Brunensia. 2016, vol. 51, iss. 2, pp. 187–193.
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Hudecová, Danuta, Kalina, Petr.
Leoš Janáček's interpretation and misinterpretation of Dostoyevsky's The House of the Dead. Musicologica Brunensia. 2016, vol. 51, iss. 2, pp. 27–40.
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Kalinayová-Bartová, Jana.
Philomela angelica Daniela Speera – k neznámemu dielu známeho hudobníka. Musicologica Brunensia. 2016, vol. 51, iss. 2, pp. 41–53.
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Slouka, Petr.
Johann Heinrich Schmelzer's serenata for the celebrations of Maria Antonia Habsburg's birthday. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 243–251.
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Kozel, David.
Repetition as a principle of mythological thinking and music of the twentieth century. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 157–167.
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Mohammad, Iyad Abdelhafeez.
Compositional technique and phenomenological categories of perception in the Passacaglia of Shostakovich's Symphony No. 8. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 95–108.
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Macek, Petr.
Music lexicographer Jiří Fukač and the Brno School of Music Lexicography. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 43–48.
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Beckerman, Michael.
Klein the Janáčkian. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 25–33.
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Tyrrell, John.
Janáček, religion and belief. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 209–215.
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Špaček, Jan.
Private feelings and public statements in the music of Dmitry Shostakovich. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 203–208.
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Kopecký, Jiří.
Wagnerism in the Czech lands around 1900. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 83–90.
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Chalupka, Ľubomír.
Pohľad muzikológa Jozefa Kresánka na hudbu 20. storočia. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 55–66.
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Niubo, Marc.
Classy scene for connoisseurs or snobby meeting point? : considerations upon the repertoire and functions of the Thun Theatre in Prague during the years 1781-1784. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 297–303.
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Perutková, Jana.
Oratorios performed at the holy sepulchre in the Bohemian Lands and Austria in the 18th century (Part II) : on the issue of transferring sepolcri and the possibilities of their semi-staged or staged performance. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 339–353.
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Kokole, Metoda.
Andrea Bernasconi's earliest operatic music on its way north of the Alps. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 207–226.
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Černá, Zuzana.
Antonio Bioni and his compositions preserved in Kroměříž archive. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 217–242.