Displaying 3251 - 3275 of 4583
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Sluşanschi, Dan.
Anew on the "Etruscan homeland". Sborník prací Filozofické fakulty brněnské univerzity. N, Řada klasická. 2007, vol. 56, iss. N12, pp. 125–129.
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Blažek, Václav.
Two Greek words of a foreign origin : I. ἐλέφᾱς, II. φοῖνιξ. Sborník prací Filozofické fakulty brněnské univerzity. N, Řada klasická. 1998-1999, vol. 47-48, iss. N3-4, pp. 11–28.
Article
Alušík, Tomáš.
Minoan defensive architecture in Palaikastro area. Sborník prací Filozofické fakulty brněnské univerzity. N, Řada klasická. 2005, vol. 54, iss. N10, pp. 5–13.
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Weiss, Jernej.
Janáček's "Slovenian" pupil Emerik Beran and his forgotten opera Melusina. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 129–138.
Article
Tyrrell, John.
Why did Act 1 of From the House of the Dead end with the Skuratov theme?. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 105–114.
Article
Efthimiou, Charris.
About the instrumentation of bass and melody line in Leoš Janáček's Sinfonietta and Mládí. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 31–43.
Article
Kocmanová, Jessie.
[Lüdeke, Henry. Geschichte der amerikanischen Literatur]. Sborník prací Filozofické fakulty brněnské univerzity. D, Řada literárněvědná. 1965, vol. 14, iss. D12, pp. 251–252.
Article
Procházková, Adéla.
Henry Lefebvre's rhythmanalysis as a tool for comprehensive listening of the city. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 97–104.
Article
Franková, Jana.
Music at the court of Adam Franz and Joseph Adam von Schwarzenberg : Vienna, Český Krumlov and Paris and transitions at to the end of baroque era. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 159–177.
Article
Macek, Petr.
Jaroslav Střítecký at 70. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 5–7.
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Spurný, Lubomír.
The Hába school. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 141–148.
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Macek, Petr.
On the project of Czech Music Dictionary of Persons and Institutions. Musicologica Brunensia. 2019, vol. 54, iss. 2, pp. 55–62.
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Beckerman, Michael.
How desperate he must feel sitting there helplessly : Jews, Gypsies, Czechs... and the Chinese... from Zápisník to Terezín and beyond. Musicologica Brunensia. 2019, vol. 54, iss. 2, pp. 5–15.
Article
Perutková, Jana.
Die glückliche Vorbedeutung and Aristheus : unknown libretti of German-language operas performed in the Kärntnertortheater in Vienna in 1741. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 123–155.
Article
Spáčilová, Jana.
Orlandini's Antigona (vendicata) : transformation of a Venetian opera on its transalpine journey. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 227–248.
Article
Slouka, Petr.
Viva eterno Leopoldo! : Italian birthday serenatas by Johann Heinrich Schmelzer. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 35–46.
Article
Ryszka-Komarnicka, Anna.
Between Venice, Lubowla in Spiš and Kraków : Prince Teodor Lubomirski – an enthusiast of Italian opera (a preliminary study). Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 191–205.
Article
Stirton, Paul.
Faces of modernism after Trianon : Károly Kós, Lajos Kozma and Neo-Baroque design in interwar Hungary. Art East Central. 2021, vol. 1, iss. 1, pp. 11–49.
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Secklehner, Julia.
Women and the Wiener Werkstätte. Art East Central. 2021, vol. 1, iss. 1, pp. 141–145.
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Drozdek, Adam.
Philosophical remarks of Nikolai Nikolev. Opera Slavica. 2019, vol. 29, iss. 1, pp. 5–13.
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Fishhof, Gil.
The meanings of Byzantium : the church of Abu-Ghosh (Emmaus) and the meanings of Byzantine pictorial language in the Latin Kingdom of Jerusalem. Convivium. 2020, vol. 7, iss. 2, pp. 14–35.
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Schulz, Vera-Simone.
Artistic exchanges across Afro-Eurasia : a global taste for metal artifacts from Mamluk Syria and Egypt in Italy, West Africa, and China in the fourteenth and fifteenth centuries. Convivium. 2020, vol. 7, iss. 2, pp. 132–157.
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Bacci, Michele.
[Immerzeel, Mat. The narrow way to heaven: identity and identities in the art of Middle Eastern Christianity]. Convivium. 2020, vol. 7, iss. 2, pp. 188–191.
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Janjalia, Mzia.
Cross-cultural features in medieval art : the case of the early fourteenth-century wall paintings at the Monastery of the Holy Cross in Jerusalem. Convivium. 2020, vol. 7, iss. 2, pp. 74–91.