Displaying 451 - 475 of 510
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Kunderová, Radka, Balme, Christopher.
The risks are fairly clear' : interview with Christopher Balme. Theatralia. 2021, vol. 24, iss. 2, pp. 161–166.
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Damien, Hadi.
Curating amidst compounding crises : the Lebanese contribution to the 2023 Prague Quadrennial of Performance Design and Space. Theatralia. 2024, vol. 27, iss. 1, pp. 236–266.
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Garett, Ian.
Ethical scenography in the North American Cluster programme at the Prague Quadrennial. Theatralia. 2024, vol. 27, iss. 1, pp. 215–235.
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Call for papers : Brno Theatralia Conference 2016: Czech and Slovak Scenography for Shakespeare, 8-9 November 2016. Theatralia. 2016, vol. 19, iss. 1, pp. 334–335.
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Dlask, Jan.
Ingmar Bergman's Guests at the Last Supper in the time of nuclear threats. Theatralia. 2019, vol. 22, iss. 1, pp. 76–87.
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Šík, Jan-Marek.
Writing film, writing literature: new Czech translations of four Ingmar Bergman's film short stories. Theatralia. 2019, vol. 22, iss. 1, pp. 119–121.
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Hanáčková, Andrea, Bojda, Tomáš.
Silent Bergman full of words. Theatralia. 2019, vol. 22, iss. 1, pp. 45–60.
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Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2018, vol. 21, iss. 1, Supplementum, pp. 73–76.
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Kalinayová-Bartová, Jana.
Italian sacred monody north of the Alps : from Chiara Margarita Cozzolani's Scherzi di sacra melodia (1648) to Daniel Speer's Philomela angelica (1688). Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 87–104.
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Studeničová, Hana.
Q. in search of musicalia from the Baroque library of the Augustinian Eremites in Brno. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 5–23.
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Kapsa, Václav.
The information value of a music inventory : "Musicalien und Instrumenten" listed in Sokolov (Falkenau) in the first half of the 18th century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 179–199.
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Stýblová, Magdaléna.
Italian music in the inventories of Nitra from the 18th and early 19th centuries. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 271–280.
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Stockigt, Janice B..
Italian sacred music listed in the catalogue of Dresden's Catholic court church, 1765. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 221–237.
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Toffetti, Marina.
Deconstructing Daniel Speer's Philomela angelica (1688) to reconstruct Chiara Margarita Cozzolani's Scherzi di sacra melodia (1648). Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 105–127.
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Owens, Samantha.
The music collection of Johann (Ján) Kusser (1626–1695) : a Hungarian émigré in seventeenth-century Stuttgart. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 61–85.
Article
Weiss, Jernej.
Janáček's "Slovenian" pupil Emerik Beran and his forgotten opera Melusina. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 129–138.
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Tyrrell, John.
Why did Act 1 of From the House of the Dead end with the Skuratov theme?. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 105–114.
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Efthimiou, Charris.
About the instrumentation of bass and melody line in Leoš Janáček's Sinfonietta and Mládí. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 31–43.
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Procházková, Adéla.
Henry Lefebvre's rhythmanalysis as a tool for comprehensive listening of the city. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 97–104.
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Franková, Jana.
Music at the court of Adam Franz and Joseph Adam von Schwarzenberg : Vienna, Český Krumlov and Paris and transitions at to the end of baroque era. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 159–177.
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Macek, Petr.
Jaroslav Střítecký at 70. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 5–7.
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Spurný, Lubomír.
The Hába school. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 141–148.
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Macek, Petr.
On the project of Czech Music Dictionary of Persons and Institutions. Musicologica Brunensia. 2019, vol. 54, iss. 2, pp. 55–62.
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Beckerman, Michael.
How desperate he must feel sitting there helplessly : Jews, Gypsies, Czechs... and the Chinese... from Zápisník to Terezín and beyond. Musicologica Brunensia. 2019, vol. 54, iss. 2, pp. 5–15.