Displaying 201 - 225 of 510
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Svoboda, František.
When the music changes, so does the dance : do we still need copyright collectives?. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 93–113.
Article
Ševčíková, Veronika.
Romani music in Czech film after 1989, specifically between 1993 and 2017. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 129–142.
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Tichý, Vlastimil.
The oldest scores of sacred music in the collection of Carl Winiker's Musikalien-Leih-Anstalt in Brno. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 143–192.
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Tukova, Iryna.
Art music and war : Ukrainian case 2022. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 193–204.
Article
Voříšek, Martin.
"Die rechte Liebe grünet auf Beständigkeit", or "Gelosia, filia è d'amor"? : love and virtue in two wedding operas from the milieu of the mid-18th century Schwarzenberg court. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 205–222.
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Beckerman, Michael.
Love and virtue in Cavalli's L'Erismena. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 5–12.
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Cígler, Pavel .
Sources for research on the Union of Czechoslovak Composers. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 41–51.
Article
Studeničová, Hana.
From Moravská Třebová to Klosterneuburg: to the fate of one part book. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 79–92.
Chapter
Mikulová, Iva.
Karel Novák : theatre director (1916–1968) : summary. In: Mikulová, Iva. Divadelní režisér Karel Novák (1916–1968).
2017, pp. 231–233.
Chapter
Flašar, Martin.
Poème électronique. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis.
2012, pp. 98–143.
Chapter
Flašar, Martin.
Summary. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis.
2012, pp. 148.
Chapter
Šťastná, Kateřina Alexandra.
Christian Gottfried Krause: Von der musikalischen Poesie – an annotated translation : summary. In: Šťastná, Kateřina Alexandra. , Krause, Christian Gottfried. Christian Gottfried Krause: O hudební poezii : komentovaný překlad.
2022, pp. 313–314.
Article
Veselovská, Eva.
The Latin Office of the Dead in mediaeval manuscripts from the territory of Slovakia. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 53–77.
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Musil, Ondřej.
Dvořák, Martinů and Gershwin as a source of inspiration for Vladimír Sís's music films. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 145–161.
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Foellmer, Susanne.
The archival turn in dance/studies : reflections on (corporeal) archives and documents : (reprint). Theatralia. 2022, vol. 25, iss. 2, pp. 129–147.
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Bernátek, Martin.
Building reenactment studies. Theatralia. 2022, vol. 25, iss. 2, pp. 149–154.
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Čiripová, Dáša.
Political body in relation to memory and history. Theatralia. 2022, vol. 25, iss. 2, pp. 155–157.
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Kubina, Lukáš.
Performance constellations: to show the invisible. Theatralia. 2022, vol. 25, iss. 2, pp. 158–161.
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Kolařík, Aleš.
Poetics and contexts of unofficial drama in a totalitarianism. Theatralia. 2022, vol. 25, iss. 2, pp. 167–171.
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Havlíčková Kysová, Šárka.
Hamlet jako člověk rozumu i emoce. Theatralia. 2022, vol. 25, iss. 2, pp. 172–174.
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Turzíková, Tereza.
Theatrical mind: from tradition to new frontiers. Theatralia. 2022, vol. 25, iss. 2, pp. 183–185.
Article
Woollard, Jane.
My mother's voice : 'a view from ground level, in the thick of things'. Theatralia. 2022, vol. 25, iss. 2, pp. 187–202.
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Veselovska, Hanna, Ruban, Viktor.
Reconstructing the glorious past : Bronislava Nijinska's School of Movement. Theatralia. 2022, vol. 25, iss. 2, pp. 203–222.