Displaying 226 - 250 of 402
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Slovo úvodem. Brünner Beiträge zur Germanistik und Nordistik. 2011, vol. 16 [25], iss. 1-2, pp. 3–4.
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Humpál, Martin.
Literary characters as archetypes and stereotypes : Gustav Pallas and Hamsun reception in Czechoslovakia. Brünner Beiträge zur Germanistik und Nordistik. 2011, vol. 16 [25], iss. 1-2, pp. 9–17.
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Juříčková, Miluše.
[Březinová, Helena. Slavíci, mořské víly a bolavé zuby: pohádky H. Ch. Andersena: mezi romantismem a modernitou]. Brünner Beiträge zur Germanistik und Nordistik. 2019, vol. 33, iss. 1, pp. 189–190.
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Horbowicz, Paulina, Janik, Marta Olga.
The Norwegian particles jo and nok in second language writing : a qualitative study of three learner groups from the ASK-corpus. Brünner Beiträge zur Germanistik und Nordistik. 2020, vol. 34, iss. 1, pp. 73–92.
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Kanavaris, Nikolas.
Scenography as a living transformator of the theatrical space : the 'on stage' spatialities of Giorgos Patsas and Dionisis Fotopoulos. Theatralia. 2024, vol. 27, iss. 1, pp. 13–34.
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Hanáčková, Andrea.
Tendons, meat, fat : the invisible body in the liminal space of podcasting. Theatralia. 2022, vol. 25, iss. 2, pp. 62–80.
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Rebouças, Renato Bolelli.
Expanded scenography from the Global South. Theatralia. 2024, vol. 27, iss. 1, pp. 35–56.
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Barros, Natália Dário Mendes , Rodrigues, Cristiano Cezarino.
Architecture, performance, and scenography : exploring the body experience in the house – insights from Ensaios do corpo. Theatralia. 2024, vol. 27, iss. 1, pp. 57–78.
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Almási, Zsolt.
The theatrical fate of Shakespeare's Great Tragedies in Hungary : metadata and their value. Theatralia. 2024, vol. 27, iss. 1, pp. 145–166.
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Stehlíková, Tereza, Vaghi, Katja.
Experiencing the infra-ordinary : the power of imaginative spaces. Theatralia. 2024, vol. 27, iss. 1, pp. 112–144.
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Stourna, Athena.
Transformation, repair, and change! : scenographic strategies in teaching socially-engaged performance. Theatralia. 2024, vol. 27, iss. 1, pp. 294–301.
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Tagareva, Albena.
The Late Antroposcene Findings : rethink/recycling the theatre props : Bulgarian participation in PQ 2023. Theatralia. 2024, vol. 27, iss. 1, pp. 287–293.
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Penna, Christina.
Scenographic contraptions : designing uncertainty and orchestrating error for the generation of participatory scenography. Theatralia. 2024, vol. 27, iss. 1, pp. 79–111.
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Bojda, Tomáš.
Radio and audiobook acting : comparative analysis of two audio productions of The Master and Margarita. Theatralia. 2024, vol. 27, iss. 1, pp. 167–193.
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Álvarez, Jhonn.
Costume design for public space : a view from Complejo Conejo, Chilean performance collective. Theatralia. 2024, vol. 27, iss. 1, pp. 303–309.
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Filmer, Andrew.
Acts of Assembly : the Performance Space Exhibition at PQ 2023. Theatralia. 2024, vol. 27, iss. 1, pp. 271–278.
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Raiterová, Eliška.
And so the world bleeped, blooped, buzzed, and glitched. Now hear this. Theatralia. 2024, vol. 27, iss. 1, pp. 267–270.
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Zieglerová, Klára.
Fragments exhibition at PQ 2023. Theatralia. 2024, vol. 27, iss. 1, pp. 279–286.
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Instrukce pro přispěvatele - Guidelines for contributors. Brünner Beiträge zur Germanistik und Nordistik. 2013, vol. 27, iss. 1-2, pp. 6.
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Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 85–88.
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Brandesky, Joseph E..
...time for play...time played out..., ...time played out...time for play... : comments on Jaroslav Malina's 2016 exhibits in Jindřichův Hradec and Brno. Theatralia. 2017, vol. 20, iss. 1, pp. 190–193.
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Drábek, Pavel.
Shakespeare's treasure trove of Italian tales. Theatralia. 2021, vol. 24, iss. 1, pp. 274–278.
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Turzíková, Tereza.
In search for new realities in post-pandemic dystopia. Theatralia. 2021, vol. 24, iss. 1, pp. 309–311.
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Šalounová, Kateřina.
When audience in a theatre used to be a natural thing. Theatralia. 2021, vol. 24, iss. 1, pp. 279–283.
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van Hensbergen, Claudine.
The "Scaene of Elysium": painters, plaintiffs and paradise in John Dryden's Tyrannick Love (1669). Theatralia. 2021, vol. 24, iss. 1, pp. 11–33.