Displaying 126 - 150 of 422
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Slovo úvodem - Introduction. Brünner Beiträge zur Germanistik und Nordistik. 2012, vol. 26, iss. 1-2, pp. 3–4.
Article
Vázquez-Larruscaín, Miguel.
A bird's eye view over a Scandinavian isogloss : exponence of definiteness (in word prosody). Brünner Beiträge zur Germanistik und Nordistik. 2016, vol. 30, iss. 1, pp. 151–166.
Article
Hägi-Mead, Sara.
Tabus und Integration : Willkommen in Deutschland. Brünner Beiträge zur Germanistik und Nordistik. 2019, vol. 33, iss. Supplementum, pp. 21–42.
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Stykket, Sigrid Aksnes.
The organic birth and growth of a friendship and an institutional cooperation : Norway and EEA Grants report. Brünner Beiträge zur Germanistik und Nordistik. 2016, vol. 30, iss. 1, pp. 185–188.
Article
Tveter, Evy Beate.
Knud Knudsen and the question of purism. Brünner Beiträge zur Germanistik und Nordistik. 2016, vol. 30, iss. 1, pp. 121–129.
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Švachová, Romana.
The childish Unga Klara : contemporary Swedish children's theatre and its experimental aesthetics. Brünner Beiträge zur Germanistik und Nordistik. 2016, vol. 30, iss. 1, pp. 51–63.
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Chocholousova Fagertun, Bohumila Mia.
Norwegian synes and tro and their English translations. Brünner Beiträge zur Germanistik und Nordistik. 2016, vol. 30, iss. 1, pp. 167–183.
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Hanto, Kristian.
Language policies in Norway and Galicia : comparing the impact of diglossic situations on policy strategies in two European communities. Brünner Beiträge zur Germanistik und Nordistik. 2016, vol. 30, iss. 1, pp. 131–150.
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Slovo úvodem. Brünner Beiträge zur Germanistik und Nordistik. 2010, vol. 15 [24], iss. 1-2, pp. 3–4.
Article
Majcen Linn, Olga.
The chronotopical overview of Croatian performance art. Theatralia. 2014, vol. 17, iss. 2, pp. 233–237.
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Pšenička, Martin.
Otakar Zich's invisible actors and creative minds. Theatralia. 2014, vol. 17, iss. 2, pp. 71–80.
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Šlaisová, Eva.
The Prague School's contribution to the theory of intermediality. Theatralia. 2014, vol. 17, iss. 2, pp. 41–49.
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Havlíčková Kysová, Šárka, Příhodová, Barbora.
Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s). Theatralia. 2014, vol. 17, iss. 2, pp. 111–121.
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Billing, Christian M..
Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences. Theatralia. 2014, vol. 17, iss. 2, pp. 13–23.
Article
Bulandrová, Amálie.
The Fleury Playbook: liturgical drama and its production in Saint-Benoît-sur-Loire. Theatralia. 2018, vol. 21, iss. 1, pp. 133–149.
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Přidalová, Jana.
Překlad Macbetha z konce 18. století (H. Kukla). Theatralia. 2010, vol. 13, iss. 2, pp. 94–106.
Article
Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2017, vol. 20, iss. 1, Supplementum, pp. 71–74.
Article
Cetera-Włodarczyk, Anna.
Shakespeare in purgatory: (re)writing the history of the post-war reception. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 17–32.
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Almási, Zsolt.
Textuality, heritage, and identity in Hungary: contexts for the interpretation of Szikszai's insertion in Macbeth (2018). Theatralia. 2021, vol. 24, iss. Special Issue, pp. 222–238.
Article
Kowalcze-Pawlik, Anna.
Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.
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Deres, Kornélia.
Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 105–119.
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Reuss, Gabriella.
Shakespeare in the post-1989 Hungarian Puppet Scene. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 151–170.
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Daníčková, Eva.
Review of The Routledge Companion to Dramaturgy. Theatralia. 2015, vol. 18, iss. 2, pp. 485–489.