Displaying 36351 - 36375 of 38684
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Kyselová, Eva.
Doktorandský víkend v Brne : (pátý mezinárodní seminář doktorských studií divadelních škol, JAMU Brno, 2.–3.12.2011). Theatralia. 2012, vol. 15, iss. 1, pp. 174–177.
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Christov, Petr.
Tak pravil Jarryho Zelený pták (glosy ke třem překladům glos). Theatralia. 2012, vol. 15, iss. 1, pp. 151–168.
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Justl, Vladimír.
O nepřeložitelnosti jazyka divadla. Theatralia. 2012, vol. 15, iss. 1, pp. 82–101.
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Drábek, Pavel.
A Štěstěna, ta povstalecká děvka, se na něj zubila: shakespearovské překlady Milana Lukeše. Theatralia. 2012, vol. 15, iss. 1, pp. 48–64.
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Stehlíková, Eva.
How to present ancient theatre on television. Theatralia. 2018, vol. 21, iss. 2, pp. 214–216.
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Turzíková, Tereza.
The urge to share knowledge. Theatralia. 2018, vol. 21, iss. 2, pp. 217–219.
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Fergusson, Cat.
Visualising process: Hofman's 1926 Hamlet reconstructive practice. Theatralia. 2018, vol. 21, iss. 2, pp. 15–28.
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Warstat, Matthias.
Obamovo tělo : performativní aspekty politické rétoriky. Theatralia. 2018, vol. 21, iss. 2, pp. 187–199.
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Zálešáková, Tereza.
What makes British musicals uniquely British?. Theatralia. 2018, vol. 21, iss. 2, pp. 208–210.
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Inštitorisová, Dagmar.
The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno. Theatralia. 2018, vol. 21, iss. 2, pp. 112–126.
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Tomaszewska, Ewa.
A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián Pecko. Theatralia. 2018, vol. 21, iss. 2, pp. 95–111.
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Tagareva, Albena.
Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts. Theatralia. 2018, vol. 21, iss. 2, pp. 141–160.
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Krajník, Filip.
Mirrors of/for the times: Shakespeare in Central European theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 201–203.
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Matthews, Dan.
A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets. Theatralia. 2018, vol. 21, iss. 2, pp. 29–37.
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Wild, Jana.
From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 64–78.
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Billing, Christian M., Havlíčková Kysová, Šárka.
Making space for Shakespeare in the Central European imaginary : editorial. Theatralia. 2018, vol. 21, iss. 2, pp. 7–13.
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Kačer, Tomáš.
Theatre and philosophy: the two as two-in-one in a theoretical issue of Anglia Journal and a Follow-up Symposium. Theatralia. 2018, vol. 21, iss. 2, pp. 211–213.
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Drozd, David, Spurná, Helena, Bártová, Jindřiška, Flašar, Martin, Drábek, Pavel, Zahrádka, Jiří, Částková, Patricie, Kovaříková, Hana, Hložková, Hana.
Zich's Guilt – reactions to the concert performance of extracts. Theatralia. 2018, vol. 21, iss. 2, pp. 223–235.