Title: The dangers of wit : re-examining of C.S. Lewis's study of a word
Source document: Brno studies in English. 2009, vol. 35, iss. 1, pp. [87]-102
Extent
[87]-102
-
ISSN0524-6881 (print)1805-0867 (online)
Stable URL (handle): https://hdl.handle.net/11222.digilib/105133
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
In his Study in Words, C. S. Lewis identifies three senses of wit – old sense, wit-ingenium sense and the "dangerous" sense. The article looks at the last of the three senses as it manifested itself in the Restoration dramatic practice and theory, identifying wit as one of the key notions of literature of the period. Both in Restoration comedy and the establishing dramatic criticism the term represents a receptacle for matters of language, decorum, and aesthetics respectively. In many of the Restoration comedies, wit's social and dialogical propensities allow for expressing earnest concerns of the contemporary society. In the sphere of dramatic criticism on the other hand, wit as a term of early modern aesthetics is being reformulated in tentative definitions several times during the period to become firmly rooted in the cultural vocabulary of the Augustan period.
Note
Název článku v tištěném obsahu: The dangers of wit: re-examination of C.S. Lewis's study of a word
References
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[2] Brewer, E. Cobham (1909) Dictionary of Phrase and Fable: giving the derivation, source, or origin of common phrases, allusions, and words that have a tale to tell; to which is added a concise bibliography of English literature. London: Cassell.
[3] Cassin, Barbara (ed.) (2004) Vocabulaire Européen des Philosophies: Dictionnaire des Intraduisibles. Paris: Seuil and Le Robert.
[4] Etheredge, George (2007) The Man of Mode. ed. John Barnard. London: A&C Black Publishers.
[5] Foster Jones, Richard (ed.) (1951) The Seventeenth Century. The Studies in the History of English Thought and Literature from Bacon to Pope. Stanford: Stanford University Press.
[6] Fujimura, Thomas H. (1968) The Restoration Comedy of Wit. New York: Barnes & Noble.
[7] Hammond, Paul (ed.) (2002) Restoration Literature. An Anthology. Oxford: Oxford University Press.
[8] Hawkes, Terence (1977) Metaphor. Bristol: Methuen and Co Ltd.
[9] Hobbes, Thomas (1968[1651]) Leviathan. ed. C. B. Macpherson. London: Penguin.
[10] Hooker, Edward Niles and Swedenberg, Jr., Hugh Tomas (eds) (1971) The Works of John Dryden. Vols. II and XVII. Berkeley; London: University of California Press.
[11] Lewis, C. S. (1960) Studies in Words. Cambridge: Cambridge University Press.
[12] McDonald, Charles O. (1964) 'Restoration Comedy as Drama of Satire: An Investigation into Seventeenth Century Aesthetics'. Studies in Philology. 61(3), 522–544.
[13] Payne Fisk, Deborah (ed.) (2000) The Cambridge Companion to English Restoration Theatre. Cambridge: Cambridge University Press.
[14] Price, John V. (ed.) Aesthetics: Sources in the Eighteenth Century. 8 volumes. Bristol: Thoemmes Press, 1998. Volume 1.
[15] Milburn, D. Judson (1966) The Age of Wit, 1650–1750. New York: Macmillan.
[16] Simpson, J. A. and Weiner, E. S. C. (1989) The Oxford English Dictionary. Vol. XX. Oxford: Clarendon Press.
[17] Sitter, John (1991) Arguments of Augustan wit. Cambridge: Cambridge University Press.
[18] Smith, A. J. (1991) Metaphysical Wit. Cambridge: Cambridge University Press.
[19] Spingarn, J. E. (1908) Critical Essays of the Seventeenth Century. Volumes I. – III. Oxford: Clarendon Press.
[20] Warwick Bond, R. (ed.) (1967) The Complete Works of John Lyly. Oxford: Clarendon Press.
[21] Weiss, Abba Samuel (1953) Hobbism and Restoration Comedy. Ann Arbor and London: Doctoral Dissertations Series. University Microfilms.