Title: Zur Problematik der Akzentqualität im klassischen Latein
Source document: Graeco-Latina Brunensia. 2013, vol. 18, iss. 1, pp. [3]-22
Extent
[3]-22
-
ISSN1803-7402 (print)2336-4424 (online)
Stable URL (handle): https://hdl.handle.net/11222.digilib/127193
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
From among the earlier alternative, opposing views on the quality, i.e. the phonetic background of the Latin word accent, only the theory of the so-called German school ("Deutsche Schule und Theorie") is widespread in our days. According to this theory, a vigorous stress accent prevailed in the classical period, as well as in the preceding and in the subsequent periods of the history of the Latin language. A reconsideration of the (linguistic, metalinguistic, metrical and typological) arguments for a vigorous stress accent assumed for the classical period however suggests that the classical Latin word accent has to be identified rather as a type of weak stress accent or pitch accent.
References
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[2] Allen, W. Sidney. 1973. Prosodic Features of Latin and Greek: A Study in Theory and Reconstruction. Cambridge.
[3] Baldi, Philip. 2002. The Foundations of Latin. Berlin ‒ New York.
[4] Banfi, Emanuele. 1996. Tendenze romanze comuni I. Fonetica. In: Holtus, G. et al. [eds.]. Lexikon der Romanistischen Linguistik 2,1. Tübingen, 163‒199.
[5] Bartonĕk, Antonín. 1996. Das lateinische Vokalsystem. In: Bammesberger, Alfred. ‒ Heberlein, Friedrich. [eds.]. Akten des VIII. internationalen Kolloquiums zur lateinischen Linguistik. Heidelberg, 117‒124.
[6] Fortson, Benjamin W. 2011. Latin Prosody and Metrics. In: Clackson, James. [ed.]. A Companion to the Latin Language. Malden ‒ Oxford ‒ Chichester, 92‒104.
[7] Fox, Anthony. 2000. Prosodic Features and Prosodic Structure. The Phonology of Suprasegmentals. Oxford.
[8] Gósy, Mária. 2004. Fonetika, a beszéd tudománya. Budapest.
[9] Hanson, Kristin. ‒ Kiparsky Paul. 1996. A Parametric Theory of Poetic Meter, Language 72, 287‒335. | DOI 10.2307/416652
[10] Herman, József. 2000. Vulgar Latin. Pennsylvania.
[11] Hofmann, Johann. B. ‒ Szantyr, Anton. 1972. Lateinische Syntax und Stilistik. München.
[12] Jacobs, Haike. 2004. Rhythmic vowel deletion in OT: Syncope in Latin, Probus 16, 63–90.
[13] Kassai, Ilona. 2005. Fonetika. Budapest.
[14] Keil, Heinrich. [ed.]. 1864. Grammatici Latini 4. Leipzig.
[15] Keil, Heinrich. [ed.]. 1923. Grammatici Latini 5. Leipzig.
[16] Lehiste, Ilse. 1970. Suprasegmentals. Cambridge ‒ London.
[17] Lepscky, Giulio. C. 1962. Il problema dell'accento latino. Rassegna critica di studi sull'accento latino e sullo studio dell'accento. ASNP 31, 199‒246.
[18] Leumann, Manu. 1977. Lateinische Laut‒ und Formenlehre. München.
[19] Lienard, Edmond. 1982. Accent tonique et hexamètre dactylique. In: Hellegouarch, Joseph. [ed.]. L'Accent latin: colloque de Morigny, 19 mai 1979. Paris, 6‒19.
[20] Loporcaro, Michele. 2011. Syllable, Segment and Prosody. In: Maiden, M. ‒ Smith, J. C. ‒ Ledgeway, Adam. [eds.]. The Cambridge History of the Romance Languages: Volume 1, Structures, Cambridge, 50‒108, 684‒689.
[21] Mariner Bigorra, Sebastián. 1992. Fonetica Latina. Madrid.
[22] Marrotta, Giovanna. 2006. L'Algoritmo accentuale latino nel confronto di due teorie fonologhice. In: Oniga, Renato ‒ Zennaro, Luigi. [eds.]. Atti della Giornata di Linguistica Latina. Venezia 7. maggio 2004. Venezia, 133‒158.
[23] McCullagh, Matthew. 2011. The Sounds of Latin: Phonology. In: Clackson, J. [ed.]. A Companion to the Latin Language. Malden ‒ Oxford ‒ Chichester, 83‒91.
[24] Meiser, Gerhard. 1998. Historische Laut- und Formenlehre der lateinischen Sprache. Darmstadt.
[25] Niedermann, Max. 1953. Historische Lautlehre des Lateinischen. Paris.
[26] Norberg, Dag. 1958. Introduction a l'étude de la versification latine médiévale. Stockholm.
[27] Sihler, Andrew. L. 1995. New Comparative Grammar of Greek and Latin. New York ‒ Oxford.
[28] Siptár, Péter. ‒ Törkenczy, Miklós. 2000. The Phonology of Hungarian. Oxford.
[29] Sommer, Ferdinand. 1914. Kritische Erläuterungen zur lateinischen Laut- und Formenlehre. Heidelberg.
[30] Sturtevant, Edgar. H. 1940. The Pronunciation of Greek and Latin. Philadelphia.
[31] Sussex, Roland. ‒ Cubberley, Paul. 2006. The Slavic Languages. Cambridge.
[32] Vaníková, Martina. 2010. The Saturnian verse. A new attempt at the establishment of its metric structure. In Anreiter, Peter. ‒ Kienpointer, Manfred. [edd.]. Latin Linguistics Today, Akten des 15. Internationalen Kolloquiums zur Lateinischen Linguistik, Innsbruck, 4.‒9. April 2009. Innsbruck, 87‒100.
[33] Varga, László. 1998. Rhythmical Variation in Hungarian. Phonology 15, 227‒266. | DOI 10.1017/S0952675798003583
[34] Varga, László. 2002. Intonation and Stress: Evidence from Hungarian. New York.
[35] Väänänen, Veikko. 1966. Le latin vulgaire des inscriptions pompéiennes. Berlin.
[36] Väänänen, Veikko. 1981. Introduction au latin vulgaire. Paris.
[37] Vine, Brent. 2012. "PIE mobile accent in Italic: Further evidence". In: Whitehead, Benedict. N. et al [eds.]. The sound of Indo-European: Phonetics, phonemics, and morphophonemics. Copenhagen, 545‒575.
[38] Vroomen, Jean. ‒ Tuomainen, Jyrki. ‒ de Gelder, Beatrice. 1998. The Roles of Word Stress and Vowel Harmony in Speech Segmentation. Journal of Memory and Language 38, 133–149. | DOI 10.1006/jmla.1997.2548
[39] Weiss, Michael. 2009. Outline of the Historical and Comparative Grammar of Latin. Ann Arbor ‒ New York.
[40] Zeleny, Karin. 2008. Itali Modi. Akzentrhythmen in der lateinischen Dichtung der augusteischen Zeit. Wien.