Title: Thomas Weelkes a jeho madrigal As Vesta was from Lathmos hill descending
Variant title:
- Thomas Weelkes' madrigal As Vesta was from Lathmos hill descending
Source document: Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. [85]-105
Extent
[85]-105
-
ISSN1212-0391 (print)2336-436X (online)
Persistent identifier (DOI): https://doi.org/10.5817/MB2014-2-7
Stable URL (handle): https://hdl.handle.net/11222.digilib/132800
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
Thomas Weelkes (ca 1575 to 1623) is an English composer of late Renaissance period of transition to early Baroque. In addition to numerous works of sacred music is known as a representative of the English madrigal, sung in polyphony exclusively on English texts. One of his songs, As Vesta was from Latmos hill descending, composed in 1601 on order as part of the Triumphs of Oriana collection, known for its music rhetorical figures, technique of "word painting" that uses music options esp. in terms of content words such as up and down, numbers, and numbers or length of time. This song may well be used in the study of musical rhetorical figures as a didactic tool.
References
[1] ARNOLD, Denis. Thomas Weelkes and the Madrigal. Music & Letters, 1950, No. 31, s. 1–12. | DOI 10.1093/ml/XXXI.1.1
[2] BRETT, Philip. The two musical personalities of Thomas Weelkes. Music & Letters, 1972, s. 369–376. | DOI 10.1093/ml/LIII.4.369
[3] BRETT, Philip – KERMAN, Joseph – MORONEY, Davitt. William Byrd and his contemporaries: essays and a monograph. London: University of California Press, 2007, s. 66–77.
[4] BROWN, David. Thomas Weelkes: a Biographical and Critical Study. London: Faber, 1969, 223 s.
[5] BROWN, David. Thomas Weelkes. Grove Music Online ed. L. Macy [online, cit. 2014-08-15]. Dostupné z https://www.grovemusic.com
[6] BRUCKNER, Josef – FILIP, Jiří. Větší poetický slovník. Praha: Čs. spisovatel, 1968, 321 s.
[7] BUELOW, George J. Music and Rhetoric. In: The New Grove Dictionary of Music and Musicians. Ed. Sadie S., New York: Macmillan, 2001, s. 798–803.
[8] BURMEISTER, Joachim. Musical Poetics. (překlad Benito Rivera) New Haven: Yale University Press, 1993. 306 s.
[9] COLLINS, Walter S. Recent discoveries concerning the Biography of Thomas Weelkes. Music & Letters, 1963, Vol. 44, No. 2, s. 123–131. | DOI 10.1093/ml/44.2.123
[10] FUKAČ, Jiří. Znaky a metaznaky v hudební komunikaci. In Hudební věda, Praha: Academia, 1980, vol. 17, č. 3, s. 211–220.
[11] HOLST, Gustav. My favourite Tudor Composer. Midland Musician, 1926, No. 1, s. 4–5.
[12] JANOVKA, Tomáš Baltazar. Clavis ad thesaurum magnae artis musicae., Praha: KLP, 2006, 387 s.
[13] WELCH, C. E. Two Cathedral Organists: Thomas Weelkes (1601–1623) and Thomas Kelway (1720–1744), Chichester City Council, 1957, 12 s.
[2] BRETT, Philip. The two musical personalities of Thomas Weelkes. Music & Letters, 1972, s. 369–376. | DOI 10.1093/ml/LIII.4.369
[3] BRETT, Philip – KERMAN, Joseph – MORONEY, Davitt. William Byrd and his contemporaries: essays and a monograph. London: University of California Press, 2007, s. 66–77.
[4] BROWN, David. Thomas Weelkes: a Biographical and Critical Study. London: Faber, 1969, 223 s.
[5] BROWN, David. Thomas Weelkes. Grove Music Online ed. L. Macy [online, cit. 2014-08-15]. Dostupné z https://www.grovemusic.com
[6] BRUCKNER, Josef – FILIP, Jiří. Větší poetický slovník. Praha: Čs. spisovatel, 1968, 321 s.
[7] BUELOW, George J. Music and Rhetoric. In: The New Grove Dictionary of Music and Musicians. Ed. Sadie S., New York: Macmillan, 2001, s. 798–803.
[8] BURMEISTER, Joachim. Musical Poetics. (překlad Benito Rivera) New Haven: Yale University Press, 1993. 306 s.
[9] COLLINS, Walter S. Recent discoveries concerning the Biography of Thomas Weelkes. Music & Letters, 1963, Vol. 44, No. 2, s. 123–131. | DOI 10.1093/ml/44.2.123
[10] FUKAČ, Jiří. Znaky a metaznaky v hudební komunikaci. In Hudební věda, Praha: Academia, 1980, vol. 17, č. 3, s. 211–220.
[11] HOLST, Gustav. My favourite Tudor Composer. Midland Musician, 1926, No. 1, s. 4–5.
[12] JANOVKA, Tomáš Baltazar. Clavis ad thesaurum magnae artis musicae., Praha: KLP, 2006, 387 s.
[13] WELCH, C. E. Two Cathedral Organists: Thomas Weelkes (1601–1623) and Thomas Kelway (1720–1744), Chichester City Council, 1957, 12 s.