Title: Shaping black feminist literary criticism: on intersections of legal and literary narratives
Source document: Brno studies in English. 2015, vol. 41, iss. 2, pp. [57]-71
Extent
[57]-71
-
ISSN0524-6881 (print)1805-0867 (online)
Persistent identifier (DOI): https://doi.org/10.5817/BSE2015-2-4
Stable URL (handle): https://hdl.handle.net/11222.digilib/135026
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
Analyzing Karla FC Holloway's most recent book on literary criticism, Legal Fictions: Constituting Race, Composing Literature (2014), which explores the resonance between American literature and American jurisprudence, the paper makes a case for a new, viable trajectory within black feminist literary criticism. It argues that Holloway expands the line of black feminist (literary) scholars who have engaged in critical discussions of the construction(s) of race, offering new interpretations of black fictional works by way of engaging knowledge derived from or issues related to legal studies and/or by way of articulating legal criticism. In doing so, it demonstrates how black feminist critics continue to shape the landscape of both literary criticism and African American studies, creating a space for new conversations about and/or understandings of race in American society and culture.
References
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[2] Crane, Gregg (2002) Race, Citizenship and Law in American Literature. New York: Cambridge University Press.
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[6] Griffin, Farah Jasmine (2007) "That the Mothers May Soar and the Daughters May Know Their Names: A Retrospective of Black Feminist Literary Criticism." Signs: Journal of Women in Culture and Society 32 (2): 483–507. | DOI 10.1086/508377
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[8] Hartman, Saidiya V. and Frank B. Wilderson, III (2003) "The Position of the Unthought." Qui Parle 13 (2): 283–201.
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[14] King, Lovalerie and Richard Schur, eds. (2009) African American Culture and Legal Discourse. Basingstoke: Palgrave McMillan.
[15] Ledwon, Lenora, ed. (1996) Law and Literature: Text and Theory. New York and London: Garland Publishers.
[16] Leman, Hope (2014) "Interview with Karla F.C. Holloway, Author of 'Legal Fictions: Constituting Race, Composing Literature.'" Critical Margins. Available at http://criticalmargins.com/2014/03/05/interview-karla-f-c-holloway/. Accessed on April 12, 2015.
[17] Lordi, Emily (2013) Black Resonances: Iconic Blues Singers and African American Literature. New Brunswick: Rutgers University Press.
[18] Morrison, Toni (1992) Playing in the Dark: Whiteness and the Literary Imagination. New York: Vintage Books.
[19] Ross, Marlon B. (2012) "Kenneth W. Warren's What Was African American Literature?: A Review Essay." Callaloo 35 (3): 604–612. | DOI 10.1353/cal.2012.0098
[20] Shockley, Evie (2011) Renegade Politics: Black Aesthetics and Formal Innovation in African American Poetry. Iowa: University of Iowa Press.
[21] Spillers, Hortense ([1987]2000) "'Mama's Baby, Papa's Maybe': An American Grammar Book." In: James, Joy and T. Denean Sharpley-Whiting (eds.) The Black Feminist Reader. Malden and Oxford: Blackwell Publishers, 57–87.
[22] Suggs, Jon-Christian (2010) Whispered Consolations: Law and Narrative in African American Life. Ann Arbor: University of Michigan Press.
[23] Van Thompson, Carlyle (2010) Black Outlaws: Race, Law and Male Subjectivity in African American Literature and Culture. New York: Peter Lang Publishers.
[24] Warren, Kenneth (2011) What Was African American Literature? Cambridge, MA: Harvard University Press.
[25] Washington, Mary Helen (2014) The Other Black List: The African American Literary and Cultural Left of the 1950s. New York: Columbia University Press.
[26] Williams, Patricia (1991) The Alchemy of Race and Rights. Cambridge, MA: Harvard University Press.
[2] Crane, Gregg (2002) Race, Citizenship and Law in American Literature. New York: Cambridge University Press.
[3] Dolin, Kieran (2007) A Critical Introduction to Law and Literature. New York: Cambridge University Press.
[4] Douglass, Frederick (1845) Narative of the Life of Frederick Douglass, an American Slave. Written by Himself. Boson: Anti-Slavery Office.
[5] El-Shabazz, Malcolm (1966) Autobiography of Malcolm X. New York City: Grove Press.
[6] Griffin, Farah Jasmine (2007) "That the Mothers May Soar and the Daughters May Know Their Names: A Retrospective of Black Feminist Literary Criticism." Signs: Journal of Women in Culture and Society 32 (2): 483–507. | DOI 10.1086/508377
[7] Hartman, Saidiya (1997) Scenes of Subjection: Terror, Slavery, and Self-Making in NineteenthCentury America. New York and Oxford: Oxford University Press.
[8] Hartman, Saidiya V. and Frank B. Wilderson, III (2003) "The Position of the Unthought." Qui Parle 13 (2): 283–201.
[9] Henderson, Mae G. (2014) Speaking in Tongues and Dancing Diaspora: Black Women Writing and Performing. New York: Oxford University Press.
[10] Hendrick, Veronica C. (2012) Servants, Slaves and Savages: Reflections of Law in American Literature. Durham: Carolina Academic Press.
[11] Holloway, Karla FC (2014) Legal Fictions: Constituting Race, Composing Literature. Durham: Duke University Press.
[12] Jacobs, Harriet (1861) Incidents in the Life of a Slave Girl. Written by Herself. Boston.
[13] Julius, Anthony (1999) "Introduction." In: Freeman, Michael and Andrew D. E. Lewis (eds.) Law and Literature: Current Legal Issues, vol. 2. Oxford: Oxford University Press, xi–xxv.
[14] King, Lovalerie and Richard Schur, eds. (2009) African American Culture and Legal Discourse. Basingstoke: Palgrave McMillan.
[15] Ledwon, Lenora, ed. (1996) Law and Literature: Text and Theory. New York and London: Garland Publishers.
[16] Leman, Hope (2014) "Interview with Karla F.C. Holloway, Author of 'Legal Fictions: Constituting Race, Composing Literature.'" Critical Margins. Available at http://criticalmargins.com/2014/03/05/interview-karla-f-c-holloway/. Accessed on April 12, 2015.
[17] Lordi, Emily (2013) Black Resonances: Iconic Blues Singers and African American Literature. New Brunswick: Rutgers University Press.
[18] Morrison, Toni (1992) Playing in the Dark: Whiteness and the Literary Imagination. New York: Vintage Books.
[19] Ross, Marlon B. (2012) "Kenneth W. Warren's What Was African American Literature?: A Review Essay." Callaloo 35 (3): 604–612. | DOI 10.1353/cal.2012.0098
[20] Shockley, Evie (2011) Renegade Politics: Black Aesthetics and Formal Innovation in African American Poetry. Iowa: University of Iowa Press.
[21] Spillers, Hortense ([1987]2000) "'Mama's Baby, Papa's Maybe': An American Grammar Book." In: James, Joy and T. Denean Sharpley-Whiting (eds.) The Black Feminist Reader. Malden and Oxford: Blackwell Publishers, 57–87.
[22] Suggs, Jon-Christian (2010) Whispered Consolations: Law and Narrative in African American Life. Ann Arbor: University of Michigan Press.
[23] Van Thompson, Carlyle (2010) Black Outlaws: Race, Law and Male Subjectivity in African American Literature and Culture. New York: Peter Lang Publishers.
[24] Warren, Kenneth (2011) What Was African American Literature? Cambridge, MA: Harvard University Press.
[25] Washington, Mary Helen (2014) The Other Black List: The African American Literary and Cultural Left of the 1950s. New York: Columbia University Press.
[26] Williams, Patricia (1991) The Alchemy of Race and Rights. Cambridge, MA: Harvard University Press.