Title: Стереотип еврея в украинской и английской прозе I-й половины XIX в.
Variant title:
- The Jew stereotype in the Ukrainian and English historical prose of the first half of the 19th century
Source document: Slavica litteraria. 2016, vol. 19, iss. 1, pp. 29-44
Extent
29-44
-
ISSN1212-1509 (print)2336-4491 (online)
Persistent identifier (DOI): https://doi.org/10.5817/SL2016-1-3
Stable URL (handle): https://hdl.handle.net/11222.digilib/135517
Type: Article
Language
License: Not specified license
Rights access
embargoed access
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
В статье раскрывается тема моделирования стереотипа еврея в украинской и английской литературе первой половины XIX в. В статье доказывается, что образ еврея в художественных текстах В. Скотта, Ч. Диккенса, О. Сомова, Г. Квитки-Основьяненко, П. Кулиша, Е. Гребенки часто является прототипом зло- дея, который происками и уловками пытается ужиться со своими нынешними или бывшими обидчиками и часто – их провести и уничтожить. В то же время он является униженным и бесправным изгоем в хри- стианской общине, человеком «низшего сорта», и даже при условии частичной интеграции в общество, эта «родимая» примета постоянно подчеркивается авторами. Образы же «прекрасных евреек» Ребекки и Татьяны и их судьбы (романы В. Скотта и П. Кулиша) – это демонстрация глубокой «культурно-историче- ской» пропасти между ними и их любимыми – представителями христианской культуры.
The article deals with the theme of modelling the Jew stereotype in the Ukrainian and Russian literature of the first half of the XIX cent. In the paper we prove that the Jew image in the literary texts of W. Scott, Ch. Dickens, O. Somov, G. Kvitka-Osnovianenko, P. Kulish, Ye. Grebinka is often the prototype of a villain who intrigues and tricks trying to get on with his current or ex-offenders, and often – to deceive and destroy them. At the same time, he is humiliated and powerless pariah in the Christian community, a man of the "lower class", and even with the partial integration in society, this "mole sign" is constantly emphasized by the authors. Images of the "beautiful" Jewish women Rebecca and Tatiana and their fate (the novels of W. Scott and P. Kulish) express the deep "culturalhistorical" gap between them and their loved ones – representatives of Christian culture.
References
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[2] VAJSKOPF, M.: Pokryvalo Moiseja. Jevrejskaja tema v èpochu romantizma. Moskva: Mosty kul'tury – Gešarim, 2008.
[3] HRABOVIČ, H.: Jevrejs'ka tema v ukrajins'kìj lìteraturì XIX ta počatku XX storìččja. In: HRABOVIČ, H.: Do ìstorìї ukrajins'koji lìteraturì: Doslìdžennja, ese, polemika. K.: Osnovì, 1997, s. 238–258.
[4] HREBÌNKA, Je.: Ijerusalim. In: HREBÌNKA, Je.: Tvorì u 3 tt. T. 3: Povìstì. Opovìdannja. Narìsì. Stattì. Recenzìji. Lìstì, K.: Naukova dumka, 1981, s. 437–452.
[5] HREBÌNKA, Je.: Čajkovskij. Roman. In: HREBÌNKA, Je.: Tvorì u 3 tt . T. 2: Prozovì tvorì 1841– 1845, K.: Naukova dumka, 1981, s. 275–406.
[6] ZIMBARDO, F. – LJAJPPE, M.: Social'noje vlijanije. SPb.: Piter, 2000.
[7] Ìstorìja rusìv. K.: Veselka, 2003.
[8] KAC, Ja.: Ischod iz getto: social'nyj kontekst èmansipacii jevrejev, 1770–1870. Ijerusalim: Gešarim; Moskva: Mosty kul'tury, 2007.
[9] KVÌTKA-OSNOV'JANENKO, G. F.: Predanìja o Garkuše. In: KVÌTKA-OSNOV'JANENKO, G. F.: Zìbrannja tvorìv u 7-mì t. T. 6: Prozovì tvorì. K.: Naukova dumka, 1981, s. 290–366.
[10] KULÌŠ, P. O.: Čorna rada. Mìchajlo Čarnìšenko. K.: Personal, 2008.
[11] LAZAREVSKIJ, A. M.: "Ljudi staroj Malorossii. 8. Kryžanovskije". Kijevskaja starina, 1885, № 5, Maj, s. 7–13.
[12] LIPPMAN, U.: Obščestvennoje mnenije. Moskva: Institut Fonda «Obščestvennoje mnenije», 2004.
[13] NACHMANOVIČ, V.: Jevrei v ukrainskich narodnych pesnjach tret'jej četverti XIX v. 2011 [Èlektronnyj resurs] [Režim dostupa:] http://historians.in.ua/index.php/doslidzhennya/46-nakhmanovich [Data dostupa: 03.05.2015].
[14] PETROV, V.: Val'ter-Skottìvs'ka povìst' z ukrajins'koji mìnuvšìnì. In: PETROV, V.: Rozvìdkì, T. 1. K.: Tempora, 2013, s. 272–293.
[15] PLOCHÌJ, S.: Nalìvajkova vìra: Kozactvo ta relìgìja v rann'omodernìj Ukrajinì. K.: Krìtìka, 2006.
[16] SOMOV, O. M.: Kupalov večer: izbrannyje proizvedenija. K.: Dnіpro, 1991.
[17] TOMAZOV, V.: Vonì služìlì Ukrajinì: Z іstorìji kozac'kìch rodìv jevrejs'kogo pochodžennja. Chronìka 2000, 1998, № 21–22, s. 62–72.
[18] Tora. Pjatiknižije i Gaftarot. Moskva – Ijerusalim: Gešarim, 1999.
[19] FELLER, M.: Jevrejs'ko-ukrajins'kі vzajemìnì v ìstorìčnìj perspektìvì. In: FELLER, M.: Narìsì z ìstorìji ta kul'turì jevrejiv Ukrajinì. K.: Duch ì Lìtera, 2009, s. 232–256.
[20] CHOREV, V.: Imagologija i izučenije russko-pol'skich literaturnych svjazej. In: CHOREV, V. A. (otv. red.): Poljaki i russkije v glazach drug druga, Moskva: Indrik, 2000, s. 22–32.
[21] DICKENS, Ch.: Our Mutual Friend [Электронный ресурс] [Режим доступа:] http://www2.hn. psu.edu/faculty/jmanis/dickens/friendco.pdf [Дата доступа: 03.05.2015].
[22] EDWARDS, A. L.: Four Dimensions in Political Stereotypes. Journal of Abnormal and Social Psychology, 1940, Vol. 35 (4), pp. 566–572. | DOI 10.1037/h0056213
[23] EGAN, J. M.: The Stereotyped Jew: in English Literature. [Philadelphia, Pa.]: Xlibris, 2002.
[24] GROSSMAN, J. H.: The Absent Jew in Dickens: Narrators in Oliver Twist, Our Mutual Friend, and A Christmas Carol. Dickens Studies Annual, 1996, # 24, pp. 37–57.
[25] HALES, A.: Walter Scott's Jews and How They Shaped the Nation. In: Beyond the Anchoring Grounds: More Cross-Currents in Irish and Scottish Studies. Eds. Sh. Alcobia-Murphy – J. Archbold – J. Gibney – C. Jones. Belfast: Cló Ollscoil na Banríona, 2005, pp. 127–132.
[26] HOWE, I.: Introduction. In: DICKENS, Ch.: Oliver Twist. New York: Bantam Dell, 2005, pp. XI–XII.
[27] COHEN, D. – HELLER, D. (eds.): Jewish Presences in English Literature. Montreal [Que.]: McGill-Queen's University Press, 1990.
[28] KATZ, E. M.: Neither with Them, nor without Them: the Russian Writer and the Jew in the Age of Realism. Syracuse, N.Y.: Syracuse University Press, 2008.
[29] KAUFMAN, H.: English Origins, Jewish Discourse, and the Nineteenth-Century British Novel: Reflections on a Nested Nation. University Park, Pa.: Pennsylvania State University Press, 2009.
[30] LIVAK, L.: The Jewish Persona in the European Imagination: a Case of Russian Literature. Stanford, Calif.: Stanford University Press, 2010.
[31] MONTAGU, F. M.: The Jew in the Literature of England to the End of the 19th Century. New York: Meridian Books, 1960.
[32] PAGE, J. W.: Imperfect Sympathies: Jews and Judaism in British Romantic Literature and Culture. New York: Palgrave Macmillan, 2004.
[33] PANITZ, E. L.: The Alien in Their Midst: Images of Jews in English Literature. Rutherford [N. J.]: Fairleigh Dickinson University, 1981.
[34] ROSENBERG, E.: From Shylock to Svengali; Jewish Stereotypes in English Fiction. Stanford, Calif.: Stanford University Press, 1960.
[35] SCOTT, W.: Ivanhoe. Penguin Books, 1994.
[36] SCOTT, W.: The Surgeon's Daughter [Электронный ресурс] [Режим доступа:] http://www. gutenberg.org/files/6428/6428-h/6428-h.htm [Дата доступа: 03.05.2015].
[37] SCRIVENER, M. H.: Jewish Representation in British Literature 1780–1840: after Shylock. New York: Palgrave Macmillan, 2011.
[38] SHKANDRIJ, M.: Jews in Ukrainian Literature: Representation and Identity. New Haven: Yale University Press, 2009.
[39] SPECTOR, Sh. A.: The Jews and British Romanticism. New York: Palgrave Macmillan, 2005.
[40] STONE, H.: Dickens and the Jews. Victorian Studies, 1959, Vol. 2, No. 3, pp. 223–253.