Title: "Ut omni tempore inservire queant…" : a reflection on the structure of Jacobus Handl's Opus musicum and its association with a liturgical context
Source document: Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 5-24
Extent
5-24
-
ISSN1212-0391 (print)2336-436X (online)
Persistent identifier (DOI): https://doi.org/10.5817/MB2016-1-1
Stable URL (handle): https://hdl.handle.net/11222.digilib/135656
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
Due to its ambitious covering of the whole liturgical year and its impressive contents of 374 motets, the Opus musicum by Jacobus Handl Gallus has often been compared to other great liturgical summae of the 16th century such as Heinrich Isaac's Choralis Constantinus. However, few studies, if any, have ever tempted to elucidate the links which could actually associate the musical contents of the Opus musicum and a liturgical context. This task has still to be realised from the start, although many clues seem to converge in favour of a collection of ecclesiastical concerts rather than a series of polyphonic settings of liturgical chant quotations.
References
[1] CONTRAPUNCTUS, seu figurata musica super plano cantu missarum totius anni, Lugduni, in edibus Stephani Guaynard, 1528. http://gallica.bnf.fr/ark:/12148/btv1b8538821j.r=Contrapunctus (06.01.16).
[2] GÉNÉBRARD, Gilbert, ed. Symbolum fidei Iudaeorum è R. Mose Ægyptio. Parisiis: apud Martiunum Iuvenem, 1569.
[3] HANDL GALLUS, Jacobus. Selectiores quaedam missae, Liber I. Pragae: Ex officina Nigriniana, 1580. http://stimmbuecher.digitale-sammlungen.de/view?id=bsb00094191 (23.01.16).
[4] HANDL GALLUS, Jacobus. Tomus primus [-quartus] Musici operis… Pragae: Typis Georgii Nigrini, 1586 [–1591]. http://daten.digitale-sammlungen.de/~db/0009/bsb00092000/images/?viewmode=1 (14.11.15).
[5] ISAAC, Heinrich. Primus [-Tertius] tomus Coralis [ !] Constantini. Nornbergae: Hieronymus Form-schneider, 1550 [–1555]. http://stimmbuecher.digitale-sammlungen.de/view?id=bsb00094084 (18.01.16).
[6] IN TUMULUM Iacobi Handelii Carnioli… Pragae: In Officina typographica Georgii Nigrini [1591].
[7] KNÖFEL, Johannes. Cantus choralis, musicis numeris quinque vocum inclusus… Noribergae: In Officina Theodorici Gerlachii, 1575. http://stimmbuecher.digitale-sammlungen.de/view?id=bsb00073117 (06.01.16).
[8] LINDNER, Friedrich ed. Sacrae Cantiones [Continuatio / Corollarium Cantionum Sacrarum]. Noribergae: In officina typographica Catharinae Gerlachiae, 1585 [–1590]. http://stimmbuecher.digitale-sammlungen.de/view?id=bsb00071888 (18.01.16).
[9] PÄMINGER, Leonhard. Primus [-Quartus] tomus ecclesiasticarum cantionum… Noribergae: In Officina Theodorici Gerlazeni, 1573–1580. http://stimmbuecher.digitale-sammlungen.de/view?id=bsb00072013 (06.01.2016).
[10] ACCIAI, Giovanni. Espressione e artificio in alcuni motetti dell' "Opus Musicum" di Jacobus Gallus Carniolus. In Gallus Carniolus in evropska renesansa II [Gallus Carniolus and the European Renaissance]. Edo Škulj – Danilo Pokorn (eds.). Ljubljana: Slovenska Akademija Znanosti in Umetnosti, 1992, p. 49–78.
[11] BLUME, Friedrich. Protestant Church Music. London: V. Gollancz, 1975 (revised edition from the German original, 2/1965).
[12] DESMET, Marc. Establishing a chronology of Jacob Handl's printed masses. Evidence and problems. In The Musical Heritage of the Jagiellonian Era. Paweł Gancarczyk – Agnieszka Leszczyńka (eds.). Warszawa: Instytut Sztuki PAN, 2012, p. 155–168.
[13] DESMET, Marc. Façade et revers d'une architecture musicale solennelle : la structure de l'Epicedion Harmonicum de Jacobus Handl (Gallus) et ses énigmes non résolues. De musica disserenda, 2014, vol. 10, no. 2, p. 101–123.
[14] DESMET, Marc. "Gallus apud Belgas" or the Douai Moralia (1603) reconsidered. De musica disserenda, 2015, vol. 11, nos. 1–2, p. 67–86.
[15] DESMET, Marc. "Typographicum robur fractum", Jacob Handl's relationship with the printing press. De musica disserenda, 2007, vol. 3, no. 2, p. 13–25.
[16] EGBERT, Louard Edward Jr. The Opus Musicum of Jacobus Gallus: Performance problems of selected motets. PhD. University of Kentucky, Princeton (KY) 1975.
[17] FISCHER, Kurt von. Die Passions-Motetten des Jacobus Gallus und ihre Beziehungen zur Passion des Antoine de Longavals. In Gallus Carniolus in evropska renesansa I [Gallus Carniolus and the European Renaissance, I]. Edo Škulj – Danilo Pokorn (eds.). Ljubljana: Slovenska Akademija Znanosti in Umetnosti, 1991, p. 63–70.
[18] GANCARCZYK, Paweł. La Musique et la révolution de l'imprimerie, les mutations de la culture musicale au XVIe siècle, french translation by Wojciech Bońkowski. Lyon: Symétrie, 2015 (orig. polish publ. Muzyka wobec rewolucji druku. Toruń, 2011).
[19] HEYINK, Rainer. Die Passionsmotette von Antoine de Longueval, Herkunft, Zuschreibung und Überlieferung. Archiv für Musikwissenschaft, 1990, vol. 47, no. 3, p. 217–244.
[20] HILSCHER, Elisabeth T. Josef Mantuani und Guido Adler: Der Briefwechsel in Archiv der Gesellschaft zur Herausgabe von Denkmälern der Tonkunst in Österreich. In Mantuanijev Zbornik [Mantuani collection]. Edo Škulj (ed.). Lubljana: Družina, 1994, p. 23–74.
[21] JEŻ, Tomasz. The Motets of Jacob Handl in inter-confessional Silesian liturgical practice. De musica disserenda, 2007, vol. 3, no. 2, p. 35–46.
[22] JEŻ, Tomasz. Twórczość Jacoba Handla w źródłach proweniencji Śląskiej [The work of Jacobus Handl in sources of Silesian proveniance]. Muzyka, 2004, vol. 49, no. 4, p. 27–62.
[23] MANTUANI, Josip – BEZECNY, Emil, eds. Jacobus Handl (Gallus) Opus Musicum, Wien: Artaria, 1899–1919 (Denkmäler der Tonkunst in Österreich, nos. 12, 24, 30, 40, 48, 51/52), 6 vols.
[24] MOTNIK, Marko. Jacob Handl-Gallus, Werk-Überlieferung-Rezeption, mit thematischem Katalog. Tutzing: Hans Schneider Verlag, 2012. (Wiener Forum für ältere Musikgeschichte, ed. Birgit Lodes, Bd. 5).
[25] PONTZ, Stefan. Die Motetten von Iacobus Gallus, Untersuchungen zu den Tonarten der klassischen Vokalpolyphonie. München: Wilhelm Fink, 1996 (Studien zur Musik, hsg Eudolf Bockholdt, n° 15).
[26] ŠKERJANC, Lucijan Marija. Kompozicijska tehnika Jakoba Petelina Gallusa [The Compositional technique of Jakob Petelin Gallus]. Ljubljana: Slovenska Akademija Znanosti in Umetnosti, 1963.
[27] ŠKULJ, Edo. Bogoslužno leto v Opus musicum [The liturgical year in the Opus musicum]. Cerkveni Glasbenik [The Church musician], 1991, vol. 84, nos. 4–12, p. 125–145.
[28] ŠKULJ, Edo. Gallusov katalog [Gallus catalogue]. Ljubljana: Družina, 1992.
[29] ŠKULJ, Edo., ed. Gallusovi predgovori [Gallus' forewords]. Ljubljana: Družina, 1991.
[30] ŠKULJ, Edo, ed. Iacobus Gallus, Opus Musicum, Ljubljana: Slovenska Akademija Znanosti in Umet-nosti, 1985–1990 (Monumenta Artis Musicae Sloveniae, nos. V–XVII), 13 vols.
[31] ŠKULJ, Edo. Vprašanje mere v Gallusovih motetih [The question of measure in Gallus' motets]. Cerkveni glasbenik, 1993, vol. 86, nos. 1/3, p. 62–65.
[32] WACZKAT, Andreas. Parodie-Motetten in Opus musicum des Jacobus Gallus: Wege zu ihrer Identi-fizierung und Analyse. Tijdschrift voor muziektheorie, 2003, vol. 8, no. 2, p. 123–133.
[33] WINTER, Zikmund. Malé historie ze života staročeského [Little histories from Old Bohemian life]. Velké Meziříčí: J. F. Šašek, 1888.
[34] WILSON, Fredric Woodbridge. Index to the Opus Musicum of Jacob Handl Gallus. In Gallus Carniolus in evropska renesansa II I [Gallus Carniolus and the European Renaissance, II]. Edo Škulj – Danilo Pokorn (eds.). Ljubljana: Slovenska Akademija Znanosti in Umetnosti, 1992, p. 207–288.
[2] GÉNÉBRARD, Gilbert, ed. Symbolum fidei Iudaeorum è R. Mose Ægyptio. Parisiis: apud Martiunum Iuvenem, 1569.
[3] HANDL GALLUS, Jacobus. Selectiores quaedam missae, Liber I. Pragae: Ex officina Nigriniana, 1580. http://stimmbuecher.digitale-sammlungen.de/view?id=bsb00094191 (23.01.16).
[4] HANDL GALLUS, Jacobus. Tomus primus [-quartus] Musici operis… Pragae: Typis Georgii Nigrini, 1586 [–1591]. http://daten.digitale-sammlungen.de/~db/0009/bsb00092000/images/?viewmode=1 (14.11.15).
[5] ISAAC, Heinrich. Primus [-Tertius] tomus Coralis [ !] Constantini. Nornbergae: Hieronymus Form-schneider, 1550 [–1555]. http://stimmbuecher.digitale-sammlungen.de/view?id=bsb00094084 (18.01.16).
[6] IN TUMULUM Iacobi Handelii Carnioli… Pragae: In Officina typographica Georgii Nigrini [1591].
[7] KNÖFEL, Johannes. Cantus choralis, musicis numeris quinque vocum inclusus… Noribergae: In Officina Theodorici Gerlachii, 1575. http://stimmbuecher.digitale-sammlungen.de/view?id=bsb00073117 (06.01.16).
[8] LINDNER, Friedrich ed. Sacrae Cantiones [Continuatio / Corollarium Cantionum Sacrarum]. Noribergae: In officina typographica Catharinae Gerlachiae, 1585 [–1590]. http://stimmbuecher.digitale-sammlungen.de/view?id=bsb00071888 (18.01.16).
[9] PÄMINGER, Leonhard. Primus [-Quartus] tomus ecclesiasticarum cantionum… Noribergae: In Officina Theodorici Gerlazeni, 1573–1580. http://stimmbuecher.digitale-sammlungen.de/view?id=bsb00072013 (06.01.2016).
[10] ACCIAI, Giovanni. Espressione e artificio in alcuni motetti dell' "Opus Musicum" di Jacobus Gallus Carniolus. In Gallus Carniolus in evropska renesansa II [Gallus Carniolus and the European Renaissance]. Edo Škulj – Danilo Pokorn (eds.). Ljubljana: Slovenska Akademija Znanosti in Umetnosti, 1992, p. 49–78.
[11] BLUME, Friedrich. Protestant Church Music. London: V. Gollancz, 1975 (revised edition from the German original, 2/1965).
[12] DESMET, Marc. Establishing a chronology of Jacob Handl's printed masses. Evidence and problems. In The Musical Heritage of the Jagiellonian Era. Paweł Gancarczyk – Agnieszka Leszczyńka (eds.). Warszawa: Instytut Sztuki PAN, 2012, p. 155–168.
[13] DESMET, Marc. Façade et revers d'une architecture musicale solennelle : la structure de l'Epicedion Harmonicum de Jacobus Handl (Gallus) et ses énigmes non résolues. De musica disserenda, 2014, vol. 10, no. 2, p. 101–123.
[14] DESMET, Marc. "Gallus apud Belgas" or the Douai Moralia (1603) reconsidered. De musica disserenda, 2015, vol. 11, nos. 1–2, p. 67–86.
[15] DESMET, Marc. "Typographicum robur fractum", Jacob Handl's relationship with the printing press. De musica disserenda, 2007, vol. 3, no. 2, p. 13–25.
[16] EGBERT, Louard Edward Jr. The Opus Musicum of Jacobus Gallus: Performance problems of selected motets. PhD. University of Kentucky, Princeton (KY) 1975.
[17] FISCHER, Kurt von. Die Passions-Motetten des Jacobus Gallus und ihre Beziehungen zur Passion des Antoine de Longavals. In Gallus Carniolus in evropska renesansa I [Gallus Carniolus and the European Renaissance, I]. Edo Škulj – Danilo Pokorn (eds.). Ljubljana: Slovenska Akademija Znanosti in Umetnosti, 1991, p. 63–70.
[18] GANCARCZYK, Paweł. La Musique et la révolution de l'imprimerie, les mutations de la culture musicale au XVIe siècle, french translation by Wojciech Bońkowski. Lyon: Symétrie, 2015 (orig. polish publ. Muzyka wobec rewolucji druku. Toruń, 2011).
[19] HEYINK, Rainer. Die Passionsmotette von Antoine de Longueval, Herkunft, Zuschreibung und Überlieferung. Archiv für Musikwissenschaft, 1990, vol. 47, no. 3, p. 217–244.
[20] HILSCHER, Elisabeth T. Josef Mantuani und Guido Adler: Der Briefwechsel in Archiv der Gesellschaft zur Herausgabe von Denkmälern der Tonkunst in Österreich. In Mantuanijev Zbornik [Mantuani collection]. Edo Škulj (ed.). Lubljana: Družina, 1994, p. 23–74.
[21] JEŻ, Tomasz. The Motets of Jacob Handl in inter-confessional Silesian liturgical practice. De musica disserenda, 2007, vol. 3, no. 2, p. 35–46.
[22] JEŻ, Tomasz. Twórczość Jacoba Handla w źródłach proweniencji Śląskiej [The work of Jacobus Handl in sources of Silesian proveniance]. Muzyka, 2004, vol. 49, no. 4, p. 27–62.
[23] MANTUANI, Josip – BEZECNY, Emil, eds. Jacobus Handl (Gallus) Opus Musicum, Wien: Artaria, 1899–1919 (Denkmäler der Tonkunst in Österreich, nos. 12, 24, 30, 40, 48, 51/52), 6 vols.
[24] MOTNIK, Marko. Jacob Handl-Gallus, Werk-Überlieferung-Rezeption, mit thematischem Katalog. Tutzing: Hans Schneider Verlag, 2012. (Wiener Forum für ältere Musikgeschichte, ed. Birgit Lodes, Bd. 5).
[25] PONTZ, Stefan. Die Motetten von Iacobus Gallus, Untersuchungen zu den Tonarten der klassischen Vokalpolyphonie. München: Wilhelm Fink, 1996 (Studien zur Musik, hsg Eudolf Bockholdt, n° 15).
[26] ŠKERJANC, Lucijan Marija. Kompozicijska tehnika Jakoba Petelina Gallusa [The Compositional technique of Jakob Petelin Gallus]. Ljubljana: Slovenska Akademija Znanosti in Umetnosti, 1963.
[27] ŠKULJ, Edo. Bogoslužno leto v Opus musicum [The liturgical year in the Opus musicum]. Cerkveni Glasbenik [The Church musician], 1991, vol. 84, nos. 4–12, p. 125–145.
[28] ŠKULJ, Edo. Gallusov katalog [Gallus catalogue]. Ljubljana: Družina, 1992.
[29] ŠKULJ, Edo., ed. Gallusovi predgovori [Gallus' forewords]. Ljubljana: Družina, 1991.
[30] ŠKULJ, Edo, ed. Iacobus Gallus, Opus Musicum, Ljubljana: Slovenska Akademija Znanosti in Umet-nosti, 1985–1990 (Monumenta Artis Musicae Sloveniae, nos. V–XVII), 13 vols.
[31] ŠKULJ, Edo. Vprašanje mere v Gallusovih motetih [The question of measure in Gallus' motets]. Cerkveni glasbenik, 1993, vol. 86, nos. 1/3, p. 62–65.
[32] WACZKAT, Andreas. Parodie-Motetten in Opus musicum des Jacobus Gallus: Wege zu ihrer Identi-fizierung und Analyse. Tijdschrift voor muziektheorie, 2003, vol. 8, no. 2, p. 123–133.
[33] WINTER, Zikmund. Malé historie ze života staročeského [Little histories from Old Bohemian life]. Velké Meziříčí: J. F. Šašek, 1888.
[34] WILSON, Fredric Woodbridge. Index to the Opus Musicum of Jacob Handl Gallus. In Gallus Carniolus in evropska renesansa II I [Gallus Carniolus and the European Renaissance, II]. Edo Škulj – Danilo Pokorn (eds.). Ljubljana: Slovenska Akademija Znanosti in Umetnosti, 1992, p. 207–288.