Title: Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser
Source document: Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139-147
Extent
139-147
-
ISSN1212-0391 (print)2336-436X (online)
Persistent identifier (DOI): https://doi.org/10.5817/MB2017-1-13
Stable URL (handle): https://hdl.handle.net/11222.digilib/136935
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
This paper examines the "relationship" between sound/image/performance in the collaborative work of Nam June Paik and Charlotte Moorman, within the framework of Paik's "experimental TV," Gene Youngblood's "expanded cinema", and the evolution of the "technical image" envisaged by Vilém Flusser (and augmented by recent developments in "accelerationism").
References
[1] BAKER, Russell. Naked Cellist Shivers Theory of Clothing. Chicago Tribune. May 14, 1967.
[2] FLUSSER, Vilém. Into the Universe of Technical Images [Ins Universum der technischen Bilder (1985)], intro. Mark Poster, trans. Nancy Ann Roth. Minneapolis: Minnesota University Press, 2011.
[3] PAIK, Nam June. Afterlude to the Exposition of Experimental Television. Rpr in Videa 'n' Videology 1959–1973. Syracuse: Everson Museum of Art, 1974.
[4] YOUNGBLOOD, Gene. Expanded Cinema. New York: Dutton, 1970.
[2] FLUSSER, Vilém. Into the Universe of Technical Images [Ins Universum der technischen Bilder (1985)], intro. Mark Poster, trans. Nancy Ann Roth. Minneapolis: Minnesota University Press, 2011.
[3] PAIK, Nam June. Afterlude to the Exposition of Experimental Television. Rpr in Videa 'n' Videology 1959–1973. Syracuse: Everson Museum of Art, 1974.
[4] YOUNGBLOOD, Gene. Expanded Cinema. New York: Dutton, 1970.