Title: Okultní aspekty v metalové hudbě: od hororového stylu k temné spiritualitě
Variant title:
- The occult aspects in metal music: from horror style to dark spirituality
Source document: Sacra. 2015, vol. 13, iss. 2, pp. 7-29
Extent
7-29
-
ISSN1214-5351 (print)2336-4483 (online)
Stable URL (handle): https://hdl.handle.net/11222.digilib/137704
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
In the last two decades, we can observe a trend that many metal bands have been accenting a serious interest in occult matter. As this article, reframing the history of metal music with respect to occult themes, argues, this trend started in the late '80s during the formation of extreme metal genres, especially black metal. In classical heavy metal, the occult topic was mostly based on a horror and fantasy discourse derived from the popular culture. The shift from heavy metal to extreme metal in the late ‘80s showed a different approach to using the occult as a topic in metal. For some extreme metal bands, the occult started to be an area of more serious interest. Thus, the occult dimension of metal has been more deeply connected with a milieu of dark spirituality.
eng
cze
References
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[2] Kalinauskaite, J. (2014). Arkona interview with Masha "Scream" – April 2014. Nalezeno [4.9.2015] na http://planetmosh.com/arkona-interview-with-masha-scream-april-2014/.
[3] Later (9.1.1989). NBC. Nalezeno [27.9.2015] na https://www.youtube.com/watch?v=iYllIuj39w0&t=7s.
[4] Official Statement about Jon's Death. (n.d.). Nalezeno [27.9.2015] na https://www.dissection.nu/frames.htm.
[5] SLAYER LYRICS album: "Haunting The Chapel" (1984). (n.d.). Nalezeno [28.9.2015] na http://www.darklyrics.com/lyrics/slayer/hauntingthechapel.html#1.
[6] THOU SHALLT SUFFER. (n.d.). Nalezeno [4.9.2015] na http://www.users.globalnet.co.uk/~jasen01/warsongs/ihsahninter.htm.
[7] VENOM LYRICS album: "The Singles 80–86" (1986). (n.d.). Nalezeno [28.9.2015] na http://www.darklyrics.com/lyrics/venom/thesingles8086.html#4.
[8] Witter, S. (1987). To Hell And Back: Slayer. New Musical Express, 21.3.1987. Nalezeno [7.9.2015] na https://www.theguardian.com/music/2013/may/08/rocks-backpages-slayerinterview-1987.
[9] Writing the deeds of Darkness and Evil: A retrospective look on the dark lyrics. (n.d.). Nalezeno [27.9.2015] na http://www.bathory.nu/08/08_writing_the_deeds_of_darkness_and_evil.htm.
[10] Dyrendal, A. (2009). Satanism and Popular Music. In Ch. H. Partridge & E. E. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 25–38). London: Equinox.
[11] Dyrendal, A. (2008). Devilish Consumption: Popular Culture in Satanic Socialization. Numen, 55(1), 68–98. | DOI 10.1163/156852708X289009
[12] Farley, H. (2009). Demons, Devils and Witches: The Occult in Heavy Metal Music. In G. Bayer (Ed.), Heavy Metal Music in Britain (pp. 73–88). Farnham: Ashgate.
[13] Geertz, C. (2000). Náboženství jako kulturní systém. In C. Geertz, Interpretace kultur: Vybrané eseje (pp. 103–145). Praha: Sociologické nakladatelství.
[14] Granholm, K. (2009). Embracing Others than Satan: The Multiple Princes of Darkness in the Left-Hand Path Milieu. In J. A. Petersen (Ed.), Conteporary Religious Satanism: A Critical Anthology (pp. 85–101). Burlington – Farnham: Ashgate.
[15] Granholm, K. (2011). "Sons of Northern Darkness": Heathen Influences in Black Metal and Neofolk Music. Numen, 58(4), 514–544. | DOI 10.1163/156852711X577069
[16] Granholm, K. (2013). Ritual Black Metal. Popular Music as Occult Mediation and Practice. Correspondences, 1(1), 5–33.
[17] Hebdige, D. (2012). Subkultura a styl. Praha: Dauphin/Volvox Globator.
[18] Heelas, P. & Woodhead, L. et al. (2005). The Spiritual Revolution: Why Religion is Giving Way to Spirituality. Oxford: Wiley-Blackwell.
[19] Hjelm, T., Kahn-Harris, K. & LeVine, M. (2011). Heavy Metal as Controversy and Counterculture. Popular Music History, 6(1–2), 5–18.
[20] Christe, I. (2010). Ďáblův hlas: Heavy metal: Kompletní historie pro znalce. Praha: BB/art.
[21] Introvigne, M. (2000). The Gothic Milieu: Black Metal, Satanism and Vampires. Cesnur: Center for Studies on New Religions. Nalezeno [4.9.2015] na http://www.cesnur.org:80/testi/gothic.htm.
[22] Kahn-Harris, K. (2007). Extreme Metal: Music and Culture on the Edge. Oxford – New York: Berg.
[23] Mercer-Taylor, P. (2009). Between Hymn and Horror Film: How do we Listen to Cradle of Filth. In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 39–59). London: Equinox.
[24] Moberg, M. (2009). Popular Culture and the 'Darker Side' of Alternative Spirituality: The Case of Metal Music. Scripta Instituti Donneriani Aboensis: Postmodern spirituality, 21, 110–128.
[25] Moynihan, M. & Søderlind, D. (1998). Lords of Chaos: The Bloody Rise of the Satanic Metal Underground. Los Angeles: Feral House.
[26] Mørk, G. (2009). "With my Art I am the Fist in the Face of god": On Old-School Black Metal. In J. A. Petersen (Ed.), Contemporary Religious Satanism: A Critical Anthology (pp. 171–198). Oxford: Ashgate.
[27] Muchembled, R. (2008). Dějiny ďábla. Praha: Argo.
[28] Partridge, Ch. H. & Christianson, E. S. (Eds.) (2009). The Lure of the Dark Side: Satan and Western Demonology in Popular Culture. London: Equinox.
[29] Partridge, Ch. H. (2004). The Re-Enchantment of the West: Volume 1: Alternative Spiritualities, Sacralization, Popular Culture, and Occulture. London – New York: T & T Clark International.
[30] Partridge, Ch. H. (2005). The Re-Enchantment of the West: Volume 2: Alternative Spiritualities, Sacralization, Popular Culture, and Occulture. London – New York: T & T Clark International.
[31] Petersen, J. A. (2009). Introduction: Embracing Satan. In J. A. Petersen (Ed.), Contemporary Religious Satanism: A Critical Anthology (pp. 1–24). Oxford: Ashgate.
[32] Petersen, J. A. (2005). Modern Satanism: Dark Doctrines and Black Flames. In R. J. Lewis & A. J. Petersen (Eds.), Controversial New Religions (pp. 423–457). New York: Oxford UP.
[33] Phillipov, M. (2011). Extreme Music for Extreme People? Norwegian Black Metal and Transcendent Violence. Popular Music History, 6(1–2), 150–163. | DOI 10.1558/pomh.v6i1.150
[34] Sarelin, M. (2009). "Religion within Finnish Black Metal". In U. Wolf-Knuts & K. Grant (Eds.), Rethinking the Sacred: Proceedings of the Ninth SIEF Conference in Derry 2008 (pp. 75–87). Derry: Åbo Akademi University.
[35] Victor, J. S. (1990). Satanic Cult Rumors as Contemporary Legend. Western Folklore, 49(1), 51–81. | DOI 10.2307/1499482
[36] Vrzal, M. (2009). "Satan, Ódin, Hitler": Spojení satanismu, pohanství a ultrapravicové ideologie v black metalové subkultuře. Sacra, 7(1), 5–24.
[37] Walser, R. (1993). Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover: Wesleyan UP.
[38] Weinstein, D. (1991). Heavy Metal: A Cultural Sociology. New York: Lexington Books.