Title: Unmasking romance in The Tempest : politics, theatre and T.S. Eliot
Source document: Brno studies in English. 2019, vol. 45, iss. 1, pp. [111]-128
Extent
[111]-128
-
ISSN0524-6881 (print)1805-0867 (online)
Persistent identifier (DOI): https://doi.org/10.5817/BSE2019-1-7
Stable URL (handle): https://hdl.handle.net/11222.digilib/140998
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
This study engages with recent postcolonial and new-historicist readings of William Shakespeare's The Tempest to reassess its exploitation and subversion of romance conventions, exploring an intertextual reading of Shakespeare's play and T.S. Eliot's modernist classic The Waste Land. The aim is to probe into the romance ideology enacted and arguably undermined in the play, going one step further from examining the interplay of the play with artistic, political and historiographical discourses and counter-discourses of the time. Taking as example and point of reference the prominence and reinterpretation of The Tempest in The Waste Land, this article aims to explore the arguably subversive dramatization of romance in the early-modern play as belonging in a continuum of meaning that has not only inspired but actually maintains an ongoing dialogue across literary tradition.
References
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[26] Marshall, Tristan (1998) The Tempest and the British imperium in 1611. The Historical Journal, 41 (2), 375–400. | DOI 10.1017/S0018246X98007791
[27] Montaigne, Michel De (1987) The Essays: A Selection. Screech, M. A. (trans.). London: Penguin Books.
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[29] Sherman (eds.) The Tempest. An Authoritative Text, Sources and Contexts, Criticism, Rewritings and Appropriations. New York and London: Norton & Company, 168–187.
[30] Orgel, Stephen (2004) Prospero's wife. In Hulme, Peter and Sherman, William H. (eds.) The Tempest. An Authoritative Text, Sources and Contexts, Criticism, Rewritings and Appropriations. New York and London: Norton & Company, 201–205.
[31] Saunders, Corinne (2004) Introduction. In: Saunders, Corinne (ed.) A Companion to Romance. From Classical to Contemporary. Oxford: Blackwell Publishing, 1–9.
[32] Shakespeare, William (2004) The Tempest. An Authoritative Text, Sources and Contexts, Criticism, Rewritings and Appropriations. Hulme, Peter and William H. Sherman (eds.) New York and London: Norton & Company.
[33] Tillyard E.M.W. (1962) Shakespeare's Last Plays. London: Chatto and Windus.
[34] Vaughan, Alden T. and Vaughan, Virginia M. (1993) Shakespeare's Caliban: A Cultural History. Cambridge: Cambridge University Press.
[35] Weston, Jessie L. (1993) From Ritual to Romance. Princeton: Princeton University Press.
[36] White, Hayden (1978) The historical text as literary artifact. In: White, Hayden (ed.) Tropics of Discourse. Essays in Cultural Criticism. Baltimore: The John Hopkins University Press, 81–100.
[37] Wilders, John (1978) The Lost Garden: AView of Shakespeare's English and Roman History Plays. London: Macmillan.
[38] Williams, Tod (2004) Eliot's alteration of Renaissance drama through Frazer in The Waste Land. LISA e-journal 2 (5), n.p. Web (http://lisa.revues.org/2903). Accessed on 31 October 2013.
[39] Wilson, John D. (1936) The meaning of The Tempest. Newcastle Upon Tyne: The Literary and Philosophical Society. Accessed on 31 October 2013.
[40] Zimbardo, Rose A. (1963) Form and disorder in The Tempest. Shakespeare Quarterly 14 (1), 49–56. | DOI 10.2307/2868137
[2] Barron, W. R. J. (1995) English Medieval Romance. London: Longman.
[3] Baudrillard, Jean (1994) Simulacra and Simulation. Sheila Faria Glaser, trans. Ann Arbor: The University of Michigan Press.
[4] Booth, Allyson (2015) Reading The Waste Land from the Bottom Up. New York: Palgrave Macmillan.
[5] Brooks, Cleanth, Jr. (2001) The Waste Land: an analysis. In: North, Michael (ed.) The Waste Land Authoritative Text, Contexts, Criticism. New York and London: W. W. Norton & Company, 185–210.
[6] Coby, Patrick (1983) Politics and the poetic ideal in Shakespeare's The Tempest. Political Theory 11 (2), 215–243. | DOI 10.1177/0090591783011002004
[7] Egan, Gabriel (2006) Green Shakespeare. From Ecopolitics to Ecocriticism. New York and Abingdon: Routledge.
[8] Eliot, T.S. (1952) Ulysses, order and myth. In: Aldridge, John. W. (ed.) Critiques and Essays on Modern Fiction. 1920-1951. Representing the Achievement of Modern American and British Critics. New York: The Roland P. Company, 424–426.
[9] Eliot, T.S. (2001) The Waste Land. Authoritative Text, Contexts and Criticism. Michael North (ed.) London and New York: Norton & Company.
[10] Fitz, L.T. (1975) The vocabulary of the environment in The Tempest. Shakespeare Quarterly, 26 (1), 42–47. | DOI 10.2307/2869265
[11] Frank, Armin Paul (1990) The Waste Land: a drama of images. In: Bagchee, Shyamal (ed.) T. S. Eliot. A Voice Descanting. Centenary Essays. Basingstoke, etc: Macmillan, 28–49.
[12] Frye, Northrop (1971) Anatomy of Criticism: Four Essays. Princeton: Princeton University Press.
[13] Frye, Northrop (1971[1969]). Introduction to The Tempest. In: Smith, Hallett (ed.) Twentieth Century Interpretations of The Tempest. A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, Inc., 60–67.
[14] Frye, Northrop (1976) The Secular Scripture. A Study of the Structure of Romance. Cambridge, Mass., and London: Harvard University Press.
[15] Girard, Rene (1991) A Theatre of Envy. New York: Oxford University Press.
[16] Greenblatt, Stephen (1988) Shakespearean Negotiations. The Circulation of Social Energy in Renaissance England. Oxford: Clarendon Press.
[17] Hays, Michael L. (2008) Is Renaissance Shakespeare medieval or modern? Discoveries 25 (1), n.p. Web South-Central Renaissance Conference (http://www.scrc.us.com/discoveries/is-renaissance-shakespeare-medieval-or-modern). Accessed on 31 October 2013.
[18] Hillman, Richard (1986) The Tempest as romance and anti-romance. University of Toronto Quarterly 55 (2), 141–160. | DOI 10.3138/utq.55.2.141
[19] Hulme, Peter (2004) Prospero and Caliban. In: Hulme, Peter and William H. Sherman (eds.) The Tempest. An Authoritative Text, Sources and Contexts, Criticism, Rewritings and Appropriations. New York and London: Norton & Company, 233–249.
[20] Kermode, Frank (1964) Introduction. In: Kermode, Frank (ed.) The Tempest. London: Methuen & Co.
[21] Kernan, Alvin (1975) The play and the playwrights. In: Kernan, Alvin (ed.) The Revels History of Drama in English III 1576-1613. London, New York: Routledge, 237–474.
[22] Leech, Clifford (1969) The structure of the last plays. In: Smith, Hallett (ed.) Twentieth Century Interpretations of The Tempest. A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall, Inc, 100–102.
[23] Levenson, Michael (1984) A Genealogy of Modernism: A Study of English Literary Doctrine 1908-1922. Cambridge: Cambridge University Press.
[24] Lodge, David (2011[1984]) Small World. London: Vintage.
[25] Loomis, Roger S. (1992) The Grail. From Celtic Myth to Christian Symbol. London: Constable.
[26] Marshall, Tristan (1998) The Tempest and the British imperium in 1611. The Historical Journal, 41 (2), 375–400. | DOI 10.1017/S0018246X98007791
[27] Montaigne, Michel De (1987) The Essays: A Selection. Screech, M. A. (trans.). London: Penguin Books.
[28] Mowat, Barbara A. (2004) Prospero, Agrippa, and Hocus Pocus. In: Hulme, Peter and William H.
[29] Sherman (eds.) The Tempest. An Authoritative Text, Sources and Contexts, Criticism, Rewritings and Appropriations. New York and London: Norton & Company, 168–187.
[30] Orgel, Stephen (2004) Prospero's wife. In Hulme, Peter and Sherman, William H. (eds.) The Tempest. An Authoritative Text, Sources and Contexts, Criticism, Rewritings and Appropriations. New York and London: Norton & Company, 201–205.
[31] Saunders, Corinne (2004) Introduction. In: Saunders, Corinne (ed.) A Companion to Romance. From Classical to Contemporary. Oxford: Blackwell Publishing, 1–9.
[32] Shakespeare, William (2004) The Tempest. An Authoritative Text, Sources and Contexts, Criticism, Rewritings and Appropriations. Hulme, Peter and William H. Sherman (eds.) New York and London: Norton & Company.
[33] Tillyard E.M.W. (1962) Shakespeare's Last Plays. London: Chatto and Windus.
[34] Vaughan, Alden T. and Vaughan, Virginia M. (1993) Shakespeare's Caliban: A Cultural History. Cambridge: Cambridge University Press.
[35] Weston, Jessie L. (1993) From Ritual to Romance. Princeton: Princeton University Press.
[36] White, Hayden (1978) The historical text as literary artifact. In: White, Hayden (ed.) Tropics of Discourse. Essays in Cultural Criticism. Baltimore: The John Hopkins University Press, 81–100.
[37] Wilders, John (1978) The Lost Garden: AView of Shakespeare's English and Roman History Plays. London: Macmillan.
[38] Williams, Tod (2004) Eliot's alteration of Renaissance drama through Frazer in The Waste Land. LISA e-journal 2 (5), n.p. Web (http://lisa.revues.org/2903). Accessed on 31 October 2013.
[39] Wilson, John D. (1936) The meaning of The Tempest. Newcastle Upon Tyne: The Literary and Philosophical Society. Accessed on 31 October 2013.
[40] Zimbardo, Rose A. (1963) Form and disorder in The Tempest. Shakespeare Quarterly 14 (1), 49–56. | DOI 10.2307/2868137