Title: Little Bo-Peep has lost her sheep, and doesn't know where to find them, or, In search yet again of Czechness and Czech music
Source document: Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 15-21
Extent
15-21
-
ISSN1212-0391 (print)2336-436X (online)
Persistent identifier (DOI): https://doi.org/10.5817/MB2019-1-2
Stable URL (handle): https://hdl.handle.net/11222.digilib/141559
Type: Article
Language
License: CC BY-SA 4.0 International
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
In an article in 1986, Michael Beckerman debated the meaning of "Czechness" in music; since then, it has usually been construed as a myth that has more to do with the reception of the national repertoire than with objective qualities of the music. This article proposes that the idea of "Czechness" should be reconsidered, using not only ideas developed in historical musicology since the 1980s, but also more recent developments in music analysis, in order to redirect attention to "the music itself" and to reconstrue it in new and fruitful ways.
References
[1] BECKERMAN, Michael. In Search of Czechness in Music. 19th-Century Music, vol. 10, no. 1 (1986), pp. 61–73
[2] BEK, Mikuláš. Legendenbildung: Martinůs Rezeptionsgeschichte. Österreichische Musikzeitschrift, vol. 64, issue 11–12 (2009), pp. 14–21. Czech version: Legenda o Bohuslavu Martinů: Příspěvek k dějinám recepce díla a života českého skladatele. In: Kontexty, vol. 2 (2010), no. 1
[3] DOBIÁŠ, Václav. Buduj vlast, posílíš mír! (československá polka): kantáta pro smišený sbor a orchestr na text Františka Halase, Praha: Národní hudební vydavatelství Orbis, 1951
[4] JIRÁSEK, Alois. Temno: Historický obraz, Praha: J. Otto, 1915
[5] LOYA, Shay. Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition, Eastman Studies in Music, Rochester, NY: University of Rochester Press, 2011
[6] NEJEDLÝ, Zdeněk. Bedřich Smetana, 4 volumes, Praha: Hudební matice Umělecké besedy, 1924–33
[7] STORCK, Christopher P. Kulturnation und Nationalkunst: Strategien und Mechanismen tschechischer Nationsbildung von 1860 bis 1914, Mittel- und Osteuropawissenschaften, Geschichte, Köln: Verlag Wissenschaft und Politik, 2001
[8] ST PIERRE, Kelly. Smetana's 'Vyšehrad' and Mythologies of Czechness in Scholarship. 19th-Century Music, vol. 37 (2013), pp. 91–112
[9] ST PIERRE, Kelly. Bedřich Smetana: Myth, Music, and Propaganda, Eastman Studies in Music, Rochester, NY: University of Rochester Press, 2017
[10] SVAZ ČESKOSLOVENSKÝCH SKLADATELŮ, Brno branch, typescript minutes of meeting held on 16 June 1952 (manuscript without shelfmark, accessed in Institute of Musicology, Masaryk University, Brno)
[11] SYCHRA, Antonín. Stránická hudební kritika spolutvůrce nové hudby: Úvod do hudební estetiky socialistického realismu, Za novou hudbu, vol. 3, Praha: Orbis, 1951
[12] TYRRELL, John. Janáček and the Speech-Melody Myth. The Musical Times, vol. 111 (1970), pp. 793–796 | DOI 10.2307/955301
[13] WHITTALL, Arnold. Exploring Twentieth-Century Music: Tradition and Innovation, Cambridge, UK: Cambridge University Press, 2003
[2] BEK, Mikuláš. Legendenbildung: Martinůs Rezeptionsgeschichte. Österreichische Musikzeitschrift, vol. 64, issue 11–12 (2009), pp. 14–21. Czech version: Legenda o Bohuslavu Martinů: Příspěvek k dějinám recepce díla a života českého skladatele. In: Kontexty, vol. 2 (2010), no. 1
[3] DOBIÁŠ, Václav. Buduj vlast, posílíš mír! (československá polka): kantáta pro smišený sbor a orchestr na text Františka Halase, Praha: Národní hudební vydavatelství Orbis, 1951
[4] JIRÁSEK, Alois. Temno: Historický obraz, Praha: J. Otto, 1915
[5] LOYA, Shay. Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition, Eastman Studies in Music, Rochester, NY: University of Rochester Press, 2011
[6] NEJEDLÝ, Zdeněk. Bedřich Smetana, 4 volumes, Praha: Hudební matice Umělecké besedy, 1924–33
[7] STORCK, Christopher P. Kulturnation und Nationalkunst: Strategien und Mechanismen tschechischer Nationsbildung von 1860 bis 1914, Mittel- und Osteuropawissenschaften, Geschichte, Köln: Verlag Wissenschaft und Politik, 2001
[8] ST PIERRE, Kelly. Smetana's 'Vyšehrad' and Mythologies of Czechness in Scholarship. 19th-Century Music, vol. 37 (2013), pp. 91–112
[9] ST PIERRE, Kelly. Bedřich Smetana: Myth, Music, and Propaganda, Eastman Studies in Music, Rochester, NY: University of Rochester Press, 2017
[10] SVAZ ČESKOSLOVENSKÝCH SKLADATELŮ, Brno branch, typescript minutes of meeting held on 16 June 1952 (manuscript without shelfmark, accessed in Institute of Musicology, Masaryk University, Brno)
[11] SYCHRA, Antonín. Stránická hudební kritika spolutvůrce nové hudby: Úvod do hudební estetiky socialistického realismu, Za novou hudbu, vol. 3, Praha: Orbis, 1951
[12] TYRRELL, John. Janáček and the Speech-Melody Myth. The Musical Times, vol. 111 (1970), pp. 793–796 | DOI 10.2307/955301
[13] WHITTALL, Arnold. Exploring Twentieth-Century Music: Tradition and Innovation, Cambridge, UK: Cambridge University Press, 2003