Title: Wars in common: David Jones, John Ball and representations of collective experience in First World War writing
Source document: Brno studies in English. 2021, vol. 47, iss. 1, pp. 145-156
Extent
145-156
-
ISSN0524-6881 (print)1805-0867 (online)
Persistent identifier (DOI): https://doi.org/10.5817/BSE2021-1-8
Stable URL (handle): https://hdl.handle.net/11222.digilib/144298
Type: Article
Language
License: CC BY-NC-ND 4.0 International
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
Since its first appearance, David Jones's In Parenthesis (1937) has been an exceptionalised text, its distinctive formal experiments and cultural reference points and its belated publication date serving to distinguish it from a canon of First World War writing shaped in the previous decade. By reference to Jones's self-identification as a "private soldier, in and out of the war," this essay emphasizes instead its links to a contemporary sub-genre of war writing that represented non-commissioned viewpoints exemplified here by Frederic Manning's novel Her Privates We (1930) and the war essays of R. H. Tawney. Tawney's work also suggests a shared relationship with the legacies of William Morris whose A Dream of John Ball (1886) provides a specific reference point for his collection of war essays The Attack (1953) and for In Parenthesis, an indication of the importance to Jones's writing of an English tradition of radical political and cultural thinking.
References
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[2] Bell, Douglas Herbert (1929) A Soldier's Diary of the Great War. London: Faber & Gwyer.
[3] Blissett, William (1981) The Long Conversation: A Memoir of David Jones. Oxford: Oxford University Press.
[4] Davies, Peter (1931) Colonel Lawrence and Others on Her Privates We by Private 19022. London: Peter Davies.
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[20] Manning, Frederic (1990) The Middle Parts of Fortune (1929) New York: Penguin.
[21] Morris, William (1946) Selected Writings. Ed. G. D. H. Cole. London: Nonesuch Press.
[22] Murray, Oswyn (1997) "'It Was a Dark and Stormy Night …': David Jones and History". In: Paul Hills (ed.) David Jones, Artist and Poet. Aldershot: Scolar Press, 1–17.
[23] Riede, Austin (2015) "'Artificial Guts': Labor and the Body in David Jones's In Parenthesis", Modernism/Modernity 22(4): 691–711. | DOI 10.1353/mod.2015.0067
[24] Tawney, R. H. (1994) Equality (1931, 1952). London: William Pickering.
[25] Tawney, R. H. (1953) The Attack and Other Papers. London: G Allen & Unwin.
[26] [Tawney, R. H.] (1915) "The Personnel of the New Army". The Nation, 27 February 1915: 676–678.
[27] Terrill, Ross (1973) R. H. Tawney and His Times. Cambridge, Mass.: Harvard University Press.
[28] Thompson, E. P. (1976) William Morris: Romantic to Revolutionary (1955). New York: Pantheon Books.
[29] Turner, Victor (1985) On the Edge of the Bush: Anthropology as Experience. Tucson: University of Arizona Press.
[30] Weinroth, Michelle (2010) "Redesigning the Language of Social Change: Rhetoric, Agency, and the Oneiric in William Morris's A Dream of John Ball". Victorian Studies 53(1): 37–63. | DOI 10.2979/victorianstudies.53.1.37
[31] Williamson, Henry (1994) Threnos for T. E. Lawrence and Other. Longstanton: Henry Williamson Society
[2] Bell, Douglas Herbert (1929) A Soldier's Diary of the Great War. London: Faber & Gwyer.
[3] Blissett, William (1981) The Long Conversation: A Memoir of David Jones. Oxford: Oxford University Press.
[4] Davies, Peter (1931) Colonel Lawrence and Others on Her Privates We by Private 19022. London: Peter Davies.
[5] Dilworth, Thomas (2008) Reading David Jones. Cardiff: University of Wales Press.
[6] Dilworth, Thomas (1988) The Shape of Meaning in the Poetry of David Jones. Toronto: University of Toronto Press.
[7] Egremont, Max (2005) Siegfried Sassoon: A Biography. London: Picador.
[8] Fussell, Paul (1975) The Great War and Modern Memory. New York: Oxford University Press.
[9] Goldman, Lawrence (2013) The Life of R H Tawney: Socialism and History. London: Bloomsbury.
[10] Goode, John (1971) "William Morris and the Dream of Revolution". In: Lucas, John (ed.) Literature and Politics in the Nineteenth Century. London: Methuen, 221–280.
[11] Hague, René (ed.) (1980) Dai Greatcoat: A Self-Portrait of David Jones in his Letters. London: Faber.
[12] Hilton, Rodney (1973) Bond Men Made Free: Medieval Peasant Movements and the English Rising of 1381. London: Temple Smith.
[13] Jones, David (1978) The Dying Gaul and Other Writings. Ed. H. Grisewood. London: Faber
[14] Jones, David (1976) Letters to Vernon Watkins. Cardiff: University of Wales Press.
[15] Jones, David (1973-4) "Two Letters", Agenda 11(4)/12(1): 17–30.
[16] Jones, David (1967) Readings from The Anathemata, In Parenthesis, and The Hunt. Argo RG520.
[17] Jones, David (1963) In Parenthesis (1937). London: Faber.
[18] Jones, David (1959) Epoch and Artist: Selected Writings. Ed. H. Grisewood. London: Faber
[19] Manning, Frederic (1999) Her Privates We (1930). London: Serpent's Tail.
[20] Manning, Frederic (1990) The Middle Parts of Fortune (1929) New York: Penguin.
[21] Morris, William (1946) Selected Writings. Ed. G. D. H. Cole. London: Nonesuch Press.
[22] Murray, Oswyn (1997) "'It Was a Dark and Stormy Night …': David Jones and History". In: Paul Hills (ed.) David Jones, Artist and Poet. Aldershot: Scolar Press, 1–17.
[23] Riede, Austin (2015) "'Artificial Guts': Labor and the Body in David Jones's In Parenthesis", Modernism/Modernity 22(4): 691–711. | DOI 10.1353/mod.2015.0067
[24] Tawney, R. H. (1994) Equality (1931, 1952). London: William Pickering.
[25] Tawney, R. H. (1953) The Attack and Other Papers. London: G Allen & Unwin.
[26] [Tawney, R. H.] (1915) "The Personnel of the New Army". The Nation, 27 February 1915: 676–678.
[27] Terrill, Ross (1973) R. H. Tawney and His Times. Cambridge, Mass.: Harvard University Press.
[28] Thompson, E. P. (1976) William Morris: Romantic to Revolutionary (1955). New York: Pantheon Books.
[29] Turner, Victor (1985) On the Edge of the Bush: Anthropology as Experience. Tucson: University of Arizona Press.
[30] Weinroth, Michelle (2010) "Redesigning the Language of Social Change: Rhetoric, Agency, and the Oneiric in William Morris's A Dream of John Ball". Victorian Studies 53(1): 37–63. | DOI 10.2979/victorianstudies.53.1.37
[31] Williamson, Henry (1994) Threnos for T. E. Lawrence and Other. Longstanton: Henry Williamson Society