Title: Note sulla tradizione del dramma satiresco euripideo in Eustazio
Variant title:
- Notes on the tradition of euripidean satyr-plays in Eustathius
Source document: Graeco-Latina Brunensia. 2021, vol. 26, iss. 2, pp. 181-192
Extent
181-192
-
ISSN1803-7402 (print)2336-4424 (online)
Persistent identifier (DOI): https://doi.org/10.5817/GLB2021-2-11
Stable URL (handle): https://hdl.handle.net/11222.digilib/144593
Type: Article
Language
License: CC BY-SA 4.0 International
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
In 12th century some Byzantine scholars claimed to read ancient satyr-plays, but very little evidence of these readings can be found in their erudite works. It has been said that Eustathius read at least one satyr-play, Euripides' Cyclops. He quotes this and other two Euripidean satyr-plays, but an analysis of these quotations seems to hint that he had no direct knowledge of them. Therefore, a critical re-examination of Euripidean quotations in Eustathius is necessary. As a consequence, some points of the history of Euripides' text must also be reconsidered.
References
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[29] Tafel, T. L. F. (1832). Eustathii Metropolitae Thessalonicensis Opuscula (accedunt Trapezuntinae historiae scriptores Panaretus et Eugenicus). Francofurti ad Moenum: Sigismundi Schmerber.
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[31] Turyn, A. (1957). The Byzantine manuscript tradition of the tragedies of Euripides. Urbana: The University of Illinois Press.
[32] Van den Berg, B. (2017). 'The Excellent Man Lies Sometimes': Eustathios of Thessalonike on Good Hypocrisy, Praiseworthy Falsehood, and Rhetorical Plausibility in Ancient Poetry. Scandinavian Journal of Byzantine and Modern Greek Studies, 3, 15–35.
[33] Van den Berg, B. (2021). Playwright, Satirist, Atticist: The Reception of Aristophanes in 12th-Century Byzantium. In P. Marciniak, & I. Nilsson (Eds.), Satire in the Middle Byzantine Period. The Golden Age of Laughter? (Vol. 12; pp. 227–253). Leiden – Boston: Brill.
[34] Van der Valk, M. (1971–1987). Eustathii archiepiscopi Thessalonicensis Commentarii ad Homeri Iliadem pertinentes, ad fidem codicis Laurentiani editi (vols. I–IV). Lugduni Batavorum: Brill.
[35] Wilson, N. (1990). Filologi bizantini (Trad. it. di G. Gigante). Napoli: Morano Editore.
[36] Zuntz, G. (1955). The political plays of Euripides. Manchester: Manchester University Press.
[37] Zuntz, G. (1965). An Inquiry into the Transmission of the Plays of Euripides. Cambridge: Cambridge University Press.
[2] Braccini, T. (2010). Mitografia e miturgia femminile a Bisanzio: il caso di Giovanni Tzetze. I Quaderni del Ramo d'Oro on-line, 3, 88–105.
[3] Browning, R. (1960). Recentiores non deteriores. Bulletin of the Institute of Classical Studies, 7, 11–21. | DOI 10.1111/j.2041-5370.1960.tb00631.x
[4] Carrara, L. (2021). Giovanni Tzetze, il dramma satiresco ed il Fortleben di Euripide a Bisanzio: nuove letture di vecchi testimoni. Medioevo greco, 21, 171–214.
[5] Cipolla, P. (2005). Su alcune citazioni euripidee in Ateneo. Prometheus, 31, 263–281.
[6] Cipolla, P. (2017). Il dramma satiresco e l'erudizione antica: sull'uso delle citazioni satiresche nelle fonti di tradizione indiretta. Lexis, 35, 221–248.
[7] Cullhed, E. (2012). The Autograph Manuscripts Containing Eustathius' Commentary on the Odyssey. Mnemosyne, 65, 445–461. | DOI 10.1163/156852511X547938
[8] Cullhed, E. (2014). The blind bard and 'I': Homeric biography and authorial personas in the twelfth century. Byzantine and Modern Greek Studies, 38(1), 49–67. | DOI 10.1179/0307013113Z.00000000035
[9] Erbse, H. (1950). Untersuchungen zu den attizistischen Lexika. Berlin: Akademie Verlag.
[10] Hunter, R., & Laemmle, R. (2020). Euripides. Cyclops. Cambridge: Cambridge University Press.
[11] Jouan, F., & Van Looy, H. (2002). Euripide. Tragédies, VIII: Fragments (Sthénébée-Chrysippos). Paris: Les belles lettres.
[12] Kannicht, R. (2005). Tragicorum graecorum fragmenta, V/1: Euripides. Göttingen: Vandenhoeck & Ruprecht.
[13] Koster, W. J. W. (Rec.). (1973). M. van der Valk, Eustathii Archiepiscopi Thessalonicensis Commentarii ad Homeri Iliadem pertinentes. Vol. I: Commentarios ad libros Α–Δ complectens. Leiden, Brill, 1971. Mnemosyne, 26, 404–411.
[14] Koster, W. J. W., & Holwerda, D. (1954). De Eustathio, Tzetza, Moschopulo, Planude Aristophanis commentatoribus. Mnemosyne, 7, 136–156. | DOI 10.1163/156852554X00162
[15] Leone, P. A. (1968). Ioannis Tzetzae Historiae. Napoli: Libreria scientifica editrice.
[16] Luppe, W. (1996). Zur 'Lebensdauer' der Euripides-Hypotheseis. Philologus, 140, 214–224. | DOI 10.1524/phil.1996.140.2.214
[17] Luzzatto, M. J. (1998). Leggere i classici nella biblioteca imperiale: note tzetziane su antichi codici. Quaderni di storia, 48, 69–86.
[18] Luzzatto, M. J. (1999). Tzetzes lettore di Tucidide. Note autografe sul codice Heidelberg Palatino Greco 252. Bari: Dedalo.
[19] Magnelli, E. (2003). Un nuovo indizio (e alcune precisazioni) sui 'drammi alfabetici' di Euripide a Bisanzio tra XI e XII secolo. Prometheus, 29, 193–212.
[20] Masciadri, V. (1987). Autolykos und der Silen. Eine übersehene Szene des Euripides bei Tzetzes. Museum Helveticum, 44, 1–7.
[21] Miller, H. (1940). Euripides and Eustathius. American Journal of Philology, 61(4), 422–428. | DOI 10.2307/291380
[22] Miller, H. (1942). A note on ὁ κωμικός in Eustathius. Transactions of the American Philological Association, 73, 353–357. | DOI 10.2307/283556
[23] Nauck, A. (18892). Tragicorum graecorum fragmenta. Lipsiae: B. G. Teubneri.
[24] Pechstein, N. (1998). Euripides Satyrographos. Ein Kommentar zu den Euripideischen Satyrspielfragmenten. Stuttgart – Leipzig: B. G. Teubner.
[25] Pertusi, A. (1957). Selezione teatrale e scelta erudita nella tradizione del testo di Euripide, III. La ricomparsa di Euripide nel Medio Evo bizantino. Dioniso, 20, 18–37.
[26] Solarino, M. (1994). Il ΠΕΡΙ ΥΠΟΚΡΙΣΕΩΣ di Eustazio di Tessalonica. Giornale italiano di filologia, 46, 277–290.
[27] Stallbaum, J. G. (1825–1826). Eustathii archiepiscopi Thessalonicensis Commentarii ad Homeri Odysseam ad fidem exempli romani editi (vols. I–II). Lipsiae: Weigel.
[28] Sutton, D. F. (1988). Evidence for lost dramatic hypotheses. Greek, Roman and Byzantine Studies, 29, 87–92.
[29] Tafel, T. L. F. (1832). Eustathii Metropolitae Thessalonicensis Opuscula (accedunt Trapezuntinae historiae scriptores Panaretus et Eugenicus). Francofurti ad Moenum: Sigismundi Schmerber.
[30] Tuilier, A. (1968). Recherches critiques sur la tradition du texte d'Euripide. Paris: Librairie C. Klincksieck.
[31] Turyn, A. (1957). The Byzantine manuscript tradition of the tragedies of Euripides. Urbana: The University of Illinois Press.
[32] Van den Berg, B. (2017). 'The Excellent Man Lies Sometimes': Eustathios of Thessalonike on Good Hypocrisy, Praiseworthy Falsehood, and Rhetorical Plausibility in Ancient Poetry. Scandinavian Journal of Byzantine and Modern Greek Studies, 3, 15–35.
[33] Van den Berg, B. (2021). Playwright, Satirist, Atticist: The Reception of Aristophanes in 12th-Century Byzantium. In P. Marciniak, & I. Nilsson (Eds.), Satire in the Middle Byzantine Period. The Golden Age of Laughter? (Vol. 12; pp. 227–253). Leiden – Boston: Brill.
[34] Van der Valk, M. (1971–1987). Eustathii archiepiscopi Thessalonicensis Commentarii ad Homeri Iliadem pertinentes, ad fidem codicis Laurentiani editi (vols. I–IV). Lugduni Batavorum: Brill.
[35] Wilson, N. (1990). Filologi bizantini (Trad. it. di G. Gigante). Napoli: Morano Editore.
[36] Zuntz, G. (1955). The political plays of Euripides. Manchester: Manchester University Press.
[37] Zuntz, G. (1965). An Inquiry into the Transmission of the Plays of Euripides. Cambridge: Cambridge University Press.