Four Yiddish songs – one melody

Title: Four Yiddish songs – one melody
Variant title:
  • Čtyři jidiš písně – jedna melodie
Source document: Bohemica litteraria. 2023, vol. 26, iss. 1, pp. 153-170
Extent
153-170
  • ISSN
    1213-2144 (print)
    2336-4394 (online)
Type: Article
Language
 

Notice: These citations are automatically created and might not follow citation rules properly.

Abstract(s)
This article discusses four early modern Yiddish booklets containing songs that were to be sung to the same melody: one concerns the expulsion of the Jews from Vienna in 1670 (n.p., n.d.); the second describes two Jews who were executed for theft in Prostějov in 1684 and refused the offer to convert in return for a pardon (Wilmhersdorf 1684); the third depicts the effects of a plague epidemic on the Jewish community of Prague in 1713 (1st edition n.p., n.d., 2nd edition Amsterdam 1714); and the fourth (two editions, both n.p., n.d.) is a rhymed prayer, asking God to eliminate all misfortunes and evil decrees, including an ongoing plague epidemic, apparently composed in Prague in 1680. According to all four, the melody to be used when singing them was niggun akeda, a melody strongly associated with the Binding of Isaac (Gen. 22). It was originally used in the synagogue to accompany liturgical poems relating the biblical narrative and other cases of Jewish martyrdom. In addition to contextualizing the four texts within Yiddish literature, this article explores the relationship between text and melody in general, and the particular significance of niggun akeda.
Článek pojednává o čtyřech raně novověkých jidiš drobných tiscích obsahujících písně, které se měly zpívat na stejnou melodii: jedna se týká vyhnání Židů z Vídně v roce 1670 (bez místa a roku vydání); druhá popisuje dva Židy, kteří byli v roce 1684 popraveni za krádež v Prostějově a odmítli nabídku konvertovat výměnou za milost (Wilmhersdorf 1684); třetí líčí dopady morové epidemie na pražskou židovskou obec v roce 1713 (1. vydání bez uvedení místa a roku, 2. vydání Amsterdam 1714); čtvrtá (dvě vydání, obě bez místa a roku) je veršovaná modlitba, žádající Boha o odstranění všech neštěstí a zlých nařízení, včetně probíhající morové epidemie, složená zřejmě v Praze roku 1680. Podle všech čtyř tisků se při jejich zpěvu měla používat melodie niggun akeda, melodie silně spojená s Izákovým spoutáním (Gn 22). Původně se používala v synagoze jako doprovod k liturgickým básním vztahujícím se k biblickému příběhu a dalším případům židovského mučednictví. Kromě kontextualizace čtyř textů v rámci jidiš literatury tento článek zkoumá vztah mezi textem a melodií obecně a zvláštní význam niggun akeda.
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